The explanations I’ve read on online for “Simon, King of the Witches” insist that the obscure Andrew Prine movie is not meant to be taken seriously. It’s strictly dark comedy. But then you watch one of the most nonsensical unnecessary opening monologues ever filmed, and wonder if the writer himself was high while creating this genre confused tedious mess. “I really am one of the few true magicians,” Simon insists in the prologue, while declaring his affinity for magic, and aspirations to be a god. It is then followed by the man being arrested for vagrancy while being hulled away from his home: a sewer.
I have to say that I liked “The Dead Don’t Die.” It feels a lot like Jim Jarmusch’s “The Dead Don’t Die” doesn’t just seem to feel like his effort to give his own spin to the sub-genre, but it also feels like the proving ground for the man to be as bizarre and often stupid as he possibly can. With “The Dead Don’t Die” it’s a bit of an experimental and bizarre zombie comedy that has absolutely no breaks on. It throws everything at the wall to see what sticks, from terrible breaking of the fourth wall, clunky symbolism (chairs that look like tombstones! Hah! Get it?), sub-plots that go nowhere, and space ships.
With 2019 seeing the release of the animated reboot of “The Addams Family,” I thought it’d be fun to check out the line of Addams Family video games that came to consoles over the years. I’ve always been an Addams Family fan, preferring the darkly demented family over the more whimsical Munsters. Hopefully the animated movie can be the start of a brand new franchise like “Hotel Transylvania.” Until then, these are the Addams Family games from the absolute best to the utter worst.
What’s your favorite?
Joe Dante’s 1984 masterpiece “Gremlins” is that perfect hybrid of a movie and culture milestone that appeals to horror fans, and fans of Amblin and Spielberg. It influenced a whole sub-genre of monster movies, and serves a wonderful purpose as a Christmas movie and a horror movie. It’s also a perfect bit of gateway horror for blossoming fans that want to ease in to what kind of heights this genre is capable of. There are also the hallmarks of Dante’s films from the chaos and terror implanted in to the suburbs, and the always great Dick Miller.
Fantastic Fest 2019 has come and gone once again and we were lucky enough to take in some of their line up from this year’s festivities. There was some damn good short films at the fest this year, and we thought we’d spotlight the line up that played as “Fantastic Shorts,” “Short Fuse,” and were “Paired Shorts” with feature films in the festival. The festival had no shortage of genre shorts; if you’re ever near a film festival or are attending one, be sure to look out for these titles.
Jealousy, bad tempers, and violence explode between Richard, his girlfriend Sasha, and their best friend Jonah. Trying to make peace, they all head out on Richard’s family board. Soon, they find themselves stranded at sea without food or drinking water.
Munro Chambers is one of the most underrated actors working in film today. He’s been a man mostly working in the corners of film with unsuspecting genre fare and every time he’s managed to turn in stellar performances. In “Harpoon” he manages to deliver a very layered and impressive turn as Jonah, a perpetually cursed protagonist who is revealed to be something and someone completely different every time Rob Grant’s twisted dark comedy reaches a new turning point. “Harpoon” is a fantastic addition to Fantasia this year, putting to film a morbid and weird amalgam of comedy, relationship drama, survival thriller, and horror.
I wasn’t too interested in the premise of “Riot Girls” upon first glance, but it inevitably won me over with its execution and I came to appreciate (and kind of love) how fun and unique it was. The whole idea of high school cliques becoming the tribes of the post-apocalypse is rife for satire, and Jovanka Vuckovic has a great time with her concept. “Riot Girls” is both a teen drama comedy, and a fun bit of post apocalyptic fodder that you could easily digest right down to the last bite. I loved the whole punk rock, pulp comic book aesthetic, and the way it embraces its fantasy trappings like “The Warriors” did long ago.