In 1983, a group of Georgians from well-educated families try to leave the Soviet Union at all cost. Their solution to hijack a place quickly turns bad and the surviving members get tried and executed, with the exception of one member.
Joe Dante has always had this peculiar style that’s always helped his films stand out among everyone else’s. “The ‘Burbs” is another of his films that features the suburban unit being terrorized or working themselves up in to a stir. Dante loves to put his hands in to the perceived American norm and stir it up with some chaos and anarchy. It’s hard to believe that “The ‘Burbs” was originally a flop, as it’s managed to become one of the most highly appreciated cult classics of all time. In the face of the passing of the late great Carrie Fisher, if you’ve yet to see it, you definitely owe it to yourself to.
The problem with prequels is that you already know what you’re getting, because you already know what’s going to happen to certain characters within the canon, so, “Solo” doesn’t pack much surprises. I will say though for arguably safe genre entertainment, it’s exciting and also delivers some well timed twists within its narrative. After the much ballyhooed problems during the making of the film, “Solo” ends up being a surprisingly competent popcorn movie that keeps a brisk pace, and channels the original tone of the episodes IV-VI better than the previous prequels/mid-quels (?).
It’s hard to believe but it’s been twenty five years since Brandon Lee was accidentally killed while filming “The Crow.” Lee was such a rising talent who wanted to prove himself as an actor more than become the next big action star, and he was well on his way. Lee, like his dad, had to earn a lot of his clout. First: by starring in films in Asia, and then coming to America to try his hand. But unlike his dad, Brandon had the humongous shadow of his father looming over him and he would have had to work extra hard to come out from under it and make Brandon Lee a very different name from Bruce Lee.
“Game Night” feels like an older concept brought to life in a modern comedy and while it’s not a masterpiece, it does allow for a competent good time and some consistent laughs here and there. The key word is competence as just about everyone here does a competent job. Even Rachel McAdams is very good, and never tries to out do Jason Bateman, but instead meets him at his level. This amounts to some great chemistry and some genuinely fun scenes where you buy that they’re a couple.
After the shocking success of “Deadpool,” it didn’t seem very likely that Ryan Reynolds and FOX would be able to follow up the first act in Wade Wilson’s arc. Lo and behold years later, “Deadpool 2” not only serves as a great second act of the Merc with a Mouth’s misadventures, but it’s just as good as the original. What I liked most about it though is that “Deadpool 2” further bridges the gap between Wade’s universe and his X-Men origins, proving that ironically these films understand the “X-Men” mythology so much more than any of the actual X-Men films combined.
Derek is a man who can do big things for big people, and one night he meets with a politician who wants to become the next president. With a lot of money at hand, Derek begins fixing operations for Derek and investigating his rivals. The only catch this time is that Derek has his son Damon alongside him and is showing him the business of getting to know people, and not trusting anyone. Zachary Halfter’s “Solutions” is a fine movie that mixes “Roger Dodger” with “The Sting” in that it’s about a teacher imparting some tough lessons on an apprentice.