A precursor to “The Texas Chainsaw Massacre,” Gary Sherman’s European based cannibal thriller is a ghoulish and often eerie bit of horror about a monster lurking within the tubes of London. Set amidst a busy and unsuspecting city, director Gary Sherman makes amazing use of the abandoned tunnels and corridors of London’s underground between Russell Square and Holborn. Sherman concocts a veritable lair for a clan of Victorian cannibals, the last of which is struggling to keep his pregnant wife alive. Sherman is great about setting the tone for his grisly little tale, constantly showing the radical worlds that lurk above and beneath local London subways.
With the death of Paul Walker and the unstoppable ego of Vin Diesel, “The Fate of the Furious” signals a rock bottom point in the movie series that we haven’t seen since “Fast and Furious.” As the series runs on fumes, the writers and producers are working over time to introduce us to dynamic new anti-heroes, all of whom can’t make “Fate of the Furious” worth watching. Unless you’re a completionist, or a hardcore Kurt Russell fanatic, “Fate of the Furious” is a convoluted and painfully long follow up that tries very hard to fill the void Paul Walker left when he died.
Edgar Wright has proven himself to be one of the most unique and creative living directors today and the man has only honed his craft to deliver a great spin on a classic crime tale about love, and redemption. “Baby Driver” is a remarkable turn for Wright who creates a pulp masterpiece. “Baby Driver” is a powerful and emotional tale about a truly engaging protagonist who is sinking in to a world of violence and murder, and has no idea how to get out. We’ve seen movies about getaway drivers before, but “Baby Driver” works to the benefit of Wright’s strengths including dynamic characters, sharp humor, and amazing editing.
A mid-30s bank employee bored with his life and how humdrum things have been for him as of late becomes involved with a bank robber as a hostage at first and subsequently as a more and more willing participant.
Director Jon Watts handles the element of Peter Parker’s life that the previous “Spider-Man” iterations didn’t, offering a compelling coming of age high school drama, whose main character is a super powered being trying to live up to impossible standards. When we meet Peter Parker, he’s a typical teenager vlogging his experience in “Civil War” where he brushed up against a slew of heavy hitting superheroes in an effort to help Tony Stark. When the movie begins Peter is returned to Queens to go back to being just a teenager who happens to be Spider-Man. Peter is a young man always trying to do what’s right and noble, he’s the true underdog of the Marvel Universe.