This year we were once again lucky enough to cover the Final Girls Berlin Film Festival, and though we came on a bit late, we were able to catch a shorts film block from the festival as well as some features! This year the shorts block was solid, and I took on the #MeToo shorts block. This list of short films covers the topics of sexual assault, rape, toxic masculinity the like.
The gallery of genre entries was great once again and I loved the substance these directors brought to film.
A group of bank-robbing bikers hits a town where the local marshal has given up on carrying a gun years before after an incident on the job, their violence force the marshal to get back into action and defend his small town.
As Disney soaks up just about every viable property and franchise in Hollywood, studios have sought out some of the more vacant properties, and here comes the long dormant “Bad Boys” series. With the nineties as popular as ever, “Bad Boys For Life” is a great property to revive. The new sequel acts as a soft reboot that could potentially help it live past Will Smith and Martin Lawrence and in to the “Fast and the Furious” long road. “Bad Boys For Life” is a shockingly good restart for a new series, and I like how the producers take the titular heroes and allow them to grow in a world that’s becoming harder to keep up with.
I think that when the smoke clears, director Todd Phillips’ “Joker” is going to be a lesson to Hollywood that—people want dark, violent comic book movies… which shouldn’t be what’s learned, if you ask me. “Joker” lends credence to the long held opinion that comic books are art and not just pop fodder for adults that refuse to grow up. Comic book movies, much like comic books, can be compelling art, and “Joker” proves that, even in spite of its inherent flaws. “Joker” is a shockingly good movie, even though it really wants to be a Scorsese film.
As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely my own subjective list of five independent film shorts I highly recommend to you that I saw this year. It’s good to remember this is opinion, and not gospel.
If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!
Also, be sure to let us know some of the best indie films you saw all year!
At the end of the day you can’t even call “Black Christmas” a remake. It’s not even a re-imagining when you get down to it. At first it bears a slight resemblance to the original film’s themes, but once it shows all of its cards, it’s just aping the title for brand familiarity. And it fails, big time. “Black Christmas” has good intentions with a very relevant message, but it forgets story, suspense, and inherent terror, in exchange for a silly, preachy, and convoluted premise.
The Following Article contains massive spoilers to “Once Upon a Time… in Hollywood.”
In 1969, America was forever rocked by the vicious Tate-LaBianca murders which saw the Charles Manson family convicted for murdering five people including up and coming actress Sharon Tate. Decades later, Hollywood and many artists are still considerably fascinated not just by Charles Manson, but the Manson Family. On the anniversary of Sharon Tate’s murder, a lot of Hollywood jumped on the band wagon to find a way to highlight or explore the events leading up to her terrible murder. Except for Quentin Tarantino. “Once Upon a Time in Hollywood” has managed to become yet another Tarantino masterpiece that has sparked endless discussion and arguments.
Despite the fact that Tarantino stages another alternate reality where the bad guys endured horrible deaths, “Once Upon a Time…” still managed to get approval from Sharon Tate’s family. And that’s probably because, refreshingly, Tarantino takes the piss out of Charles Manson and the Manson Family.
Quentin Tarantino has always been a connoisseur of Hollywood and the concept of filmmaking and storytelling. There’s a certain peculiar magic that comes with creating a narrative and how it allows the creator to do whatever they want. With all of Tarantino’s movies, he’s paid tribute to ideas like Chopsocky cinema, gangster pictures, blaxploitation, and with “Once Upon a Time… in Hollywood” he pays tribute to Hollywood and the one and only Sharon Tate.