A couple on the verge of divorce goes to lunch, on their way out, a random bullet hits the husband and wounds him badly. As he attempts to survive and re-adapt, the teen who shot him by accident tries the same.
Written by Anneke Campbell and Will Lamborn from a story by director Jeremy Kagan, Shot is a story that shows the danger of having guns on the streets and aims to encourage discussion about gun access and gun violence. The film here shows how an accidental gunshot can drastically change 3 lives in just a split second. This is done by telling both the story of the victim and his wife and the story of the teen who shot the gun. The film tackles both at the same in time in two different styles, part of the film showing their stories at the same time, with a split screen, and part of the film going back and forth between the two stories. This creates an interesting dynamic and causes a bit of an emotional overload at times which helps the film here as it shows the chaos caused by the situation.
“Batman: The Animated Series” is one of the seminal animated creations of the nineties and is still considered a quintessential depiction of Batman. It’s a masterpiece of animation and meticulous storytelling. The voice work by Kevin Conroy and Mark Hamill as Batman and Joker are so definitive, that some fans can’t possibly imagine either character on screen without either actor portraying them. Here we are in 2017 with Bruce Timm reviving his animated version of “Batman” and what do we get? A very long gag involving Harley Quinn farting in the Batmobile as Batman sniffs it in with pleasure, all the while Nightwing retches in the side seat. This is the bar of “quality” we get with “Batman and Harley Quinn.”
David Leitch’s adaptation of the graphic novel from Oni Press is something of an anomaly that I’ve had a difficult time wrapping my head around since I finished it. I’m not typically one who is easy on an action movie that’s so unnecessarily hard to follow, but “Atomic Blonde” kept me hooked, even when I was trying to keep up with it. Leitch’s direction, matched with the excellent editing, and just amazing martial arts scenes assured me I may just be watching “Atomic Blonde” again and again. The amalgam of a neo-noir and a gung ho martial arts spy thriller amounts to an occasionally awkward experience, but I embraced it in the end as this imperfect action film that sucked me in time and time again.
Now that the gloves are off, FOX has managed to embrace the comic book universe tropes of “Gotham” and no longer have molded “Gotham” as an abysmal crime thriller. It’s now working as a somewhat new and radical take on the origin of Batman and Bruce Wayne’s molding in to the dark knight. The writers have taken even more liberties with the universe, centering so much more on Commissioner Gordon now and slowly sliding Bruce Wayne in to focus. The third seasons is a much lauded improvement over the former seasons for fans, as “Gotham” goes all out weird and eccentric, re-thinking the Batman universe and his origin in a new and often bold method.
I’ve been a casual fan and observer of “Death Note” since the mid-aughts and have always been fascinated with its premise and the moral dilemmas it props up for the audience and its characters. It’s almost like “The Box” but with a hit of adrenaline and more complex ideas and philosophies. Director Adam Wingard adapts “Death Note” for a new audience, taking the material from Tsugumi Ohba and Takeshi Obata, and adding his own quirks, ideas, and dashes of dark comedy. What we get is a stark, entertaining horror movie that is very much a “Death Note” tale, but one that works in its own rhythm for a broader audience, without alienating the core fan base.
A family survives through love and support as they all come from one form of abuse or another. From the grandmother’s childhood physical and sexual abuse, to her kids’ drug abuse, the film demonstrates how people survive and love through the hardest of events.
In the modern social and political climate, Patrick Rea’s “Justice Served” is going to play well and perhaps stir up some much needed controversy. While director Rea delivers his usual slick special effects and morbid tone, “Justice Served” is a brilliant commentary on society and how far we’ve come. Society is nothing but people exploiting people, exploiting people, we’re devils and devil’s advocates. Director Rea creates a backward world where the society we witness is shockingly not that different than what we’re seeing today.