It’s not too often that a movie title can take on so many meanings as a narrative unfolds, but director Ilya Naishuller manages to pull off what might be one of the more entertaining play on words of the year. “Nobody” is a pretty excellent film that, while it doesn’t re-invent the wheel, does a lot with the numerous resources on hand to create a thrilling action film that’s darkly comedic, satiric and presents an interesting conversation about the antiquated concept of the nuclear family.
It’s not often that we get crime thrillers that unfold in real time, but Josh Becker’s indie “Running Time” takes a shot and does a great job of it. “Running Time” is true to its word, a movie that unravels over the course of a little over an hour, and the run time for the narrative is apt. The movie is not too long, refusing to pad the story, buts it’s never too short to where we’re left asking questions. It runs a good pace as a tense drama that feels kind of like a prologue to “Reservoir Dogs.” Campbell is stellar and the movie almost makes it to the finish line without a hitch. Almost, but not quite.
After years of working with Spike Lee, Director Ernest R. Dickerson was ripe to deliver some of his own films with taut social commentary. Out of his entire career, “Juice” is easily one of his best, if not his absolute best. While it’s not quite as darkly satirical as Spike Lee’s films tend to be, “Juice” is very much ahead of its time. It’s very much about economic impact on minority teens, and the idea of toxic masculinity. “Juice” is mainly seen as a crime drama, it’s also about boys growing up in to men and trying to figure out exactly where they fit in.
When I was a wee movie loving lad, I was big fan of Christian Slater. I thought he was such a cool character and everything he was in I would seek out. Everything from “Hard Rain” and “Broken Arrow,” to “The Wizard” and—yes—even “Mobsters.” Remember “Mobsters”? Imagine “St. Elmo’s Fire” but with violent Italian mobsters. In either case, many of Slater’s films have stayed a favorite of mine, including “Pump Up the Volume.” The film just garnered a deserved release on Blu-Ray and in celebration, I just had to compile my top five Christian Slater movies.
Director-Writer Brian Metcalf brings with him a strong crime drama that he hands over to a wonderfully seasoned cast of character actors. While a movie like “Adverse” could have stumbled right out of the gate, it manages to only improve by the time the movie has closed and ends as a sharp crime thriller. It’s a bold mix of “Taxi Driver,” and “Drive,” with a nigh unrecognizable Thomas Ian Nicholas staring.
The day The Smiths separate, a group of teens find themselves lost, more than usual, in this mystery called life. In a misguided attempt at showing the world what he believes in and what has saved him, one of them takes a heavy metal station DJ hostage.
I missed the boat when Invincible had its run in Image Comics, and I regret it, especially as a fan of “The Walking Dead.” Robert Kirkman is one of the group of Image comics heavyweights who manages to offer up his own superhero tale, but it’s given a massive twist that’s both bold and insanely violent. Taking the animated route this time out, producers Seth Rogen and Evan Goldberg help realize Kirkman’s epic “Invincible” for the small screen, sticking true to many of the comics original storylines, and unfolding what is a unique, exciting, albeit imperfect at times, saga.
A real estate agent meets a woman in the worst circumstances she could possibly be in. With some coaxing, they both travel to Los Angeles so that she can take revenge on those who have put here where she was when he found her.