It’s nazisploitation this time around, as one of the two new Grindhouse Collections from Full Moon now sets its sights on the infamous sub-sub-genre of Nazisploitaiton and its wicked devices. For folks that love the compilations from Full Moon that were rare for a long time until being given deluxe releases on DVD in 2012, Full Moon and Grindhouse Flix have now released a brand new compilation. And it’s about those swastika donning fiends we know as the Nazis.
Fine, Nikki Leigh. I’ll marry you. You don’t have to seduce me with your eyes. Surely, no one can replace Mistress Elvira, but Full Moon Grindhouse puts up a good argument for it, by bringing along Playboy Playmate Nikki Leigh to host their newest compilation. Now available for fans of Grindhouse and exploitation cinema, “Blood of 1,000 Virgins” is a fun and hilarious trailer compilation of some of the most iconic and dumbest films ever made. And they’re all about virgins, losing your virginity, and rape.
“I will never do anything that violates my personal and professional code of journalistic ethics. However, I will do anything for money.”
Joe Bob enters the video age! Don’t worry, though, he’s still all about the drive-in. It’s just Joe Bob is now in the era where studios are sending critics screeners, and half of the book is mainly reviews for drive-in movies, and movies on VHS that Joe Bob either really liked or really hated. He’s hardly ever middle ground. As his loyal readers express anger at his changing of format for the sake of keeping his job, Joe Bob devotes a column in the book to explaining why he’s suddenly reviewing VHS tapes, and of course it’s a necessary evil.
I mean it was the late eighties after all. And during this time, Joe Bob was no longer just cruising drive-in movies, as now he was being sent VHS tapes, and was going to cable television for his famed show on The Movie Channel in US cable television. But hey, Joe Bob is still the same guy. And he’s still as funny as ever. In this second compilation, Joe Bob spares no one with his rants about the government, and public education, while reviewing movies that he feels warrant mentioning for his reader.
“Women should never be judged by their personal appearance. They Should be Judged by the Size of their Hooters.” – Joe Bob’s Rules to Live By
It’s easy to see why John Bloom aka Joe Bob Briggs would arouse the ire of pretty much everyone in the South. He is not a writer that’s intent on being politically correct, nor does he really pull his punches with his reviews.
He refers to women only as bimbos, he calls men turkeys, he has an article devoted to Steven Spielberg and his “wimpy” movies, he bashes Gene Shallit, he mocks Moustapha Akkad for being an ayrab, and he calls people who perfer to go to indoor movies rather than drive-ins, folks too poor to afford cars.
But that’s all apart of the character of Joe Bob Briggs. Rather than writing a Drive-In report as John Bloom, writer Bloom created Joe Bob Briggs, a Southern gent who is politically incorrect, offends at every turn, and has a deep passion for the drive-in.
So Astron-6 is the indie film group who directed one of the worst movies I saw in 2012, “Father’s Day.” My feelings for that film in particular have been made, so in the interest of being more constructive than mean spirited, I’ll simply judge “Astron-6” on their own merits. Drawing interest from Lloyd Kaufman and Troma Entertainment, Astron-6 were able to release a compilation of their short films on DVD in obvious celebration of their highly touted limited theatrical film “Father’s Day.” As a compilation it’s a mixed bag, and one from an obvious group of guys that want to entertain. They love the eighties so much that every single short in the film is either a grindhouse throwback or an eighties throwback. There’s not a lot of variety to their short comedy films, except for their willingness to show themselves bare chested most of the time, and their inability to deliver simple one liners most times.
“FilmGore” is one of the many horror compilations grindhouse fans will get a kick out of, as it’s not only a compilation of the some of the most famous and obscure horror films of all time, but the presentation as a whole cuts through the droning dialogue and just zeroes in on the blood and grue. Basically it’s all one big cut together clip show from horror geeks and it shows. Dixon’s writing paired with the essence of Ackerman provides the film with a sense of charisma, in spite of the film basically being one big excuse to show off clips without much of a structure.
With the release of “Vintage Erotica Anno 1960,” Cult Epics unleashes twelve underground 16mm short porn films that not only show the free wheeling fun loving of the early sixties but the evolution of the porno film before our very eyes. As the smut and taboo material of threesomes and orgies became ever more frequent in the underground smut circuit, we saw the beginnings of the classic porn formula where it was less about voyeurism and teasing the audience as it was about rough hardcore sex.
The first bit of Erotica I ever reviewed for Cult Epics was “American Nudes,” a three disc compilation of erotica shorts that started in the mid-twenties and the silent era and ended in the late nineties where the production qualities were much better but the sex much more artificial. Never remiss to explore all facets of erotica in its truest forms, Cult Epics has compiled a two hour array of vintage lesbian erotica from the 1930’s to the 1960’s that’s both fascinating in its delving of photography and the lengths of innocence and horseplay among its female cast, and rather arousing if you’re in to the girl on girl fetish.