After ten years of dodging threats left and right and staring down world destroying villains all through time and space, the Avengers meet their greatest foe yet. Known as Thanos, he’s a warmonger and mad man who has waged pure battle against the concept of life, and seeks six gemstones to complete his gauntlet. Said gauntlet will grant him the powers of a god, allowing him to complete his ultimate goal for the Marvel Universe. Suffice to say that after every threat has been thwarted from Red Skull to Loki, Thanos is the most fierce and complex villain that the Avengers has ever met.
Mars Roberge’s comedy is “Office Space” with a bit of “Fear and Loathing” with a dash of mumblecore thrown in for good measure. It’s definitely rough around the edges, but it’s also a movie that I had a good time with. The movie just drips charisma and enthusiasm and Roberge creates a comedy that’s filled to the brim with eccentric characters and a ton of sub-plots. While it wasn’t always easy to follow, Robrerge is able to derive a lot of fun moments from his entire cast.
I’m not entirely sure why, but I hated “Killer Klowns” when I was a kid. And I say this as someone who loved “Spaced Invaders.” That said, watching it years later, it’s shocking how great “Killer Klowns” is as much as it is creative. You can tell “Killer Klowns” is working on a tight budget, but it’s also obviously spending every single penny meticulously to work toward the movie’s benefit. While the film isn’t perfect, “Killer Klowns” earns its cult classic status as a very unique horror comedy. It’s creative, it’s funny, it’s delightfully gruesome and you have to love that theme song.
Margaret Dumont is one of the most recognized women in the history of film comedy. But, incredibly, there has never been a biography on the life of the queen of the Marx Brothers movies. In this episode of “The Online Movie Show,” writer/actor/podcaster Steven Krage offers a preview of his work-in-progress biography on the life of the great Margaret Dumont. Hail Freedonia!
The Fish Curry (Maacher Jhol) (India) (2017)
A man about to come out to his more traditional Indian father cooks him a fish curry, his favorite meal, as a way to soften the blow. In this short directed by Abhishek Verma and written by Jayesh Bhosale and Abhishek Verma, the traditional and the new meet in a clash of beliefs. The way this is done on screen is beautifully animated and the emotional impact of the man coming out to his father. It also shows the power of a good meal and the love of a family in accepting each other for who they are. On a last note, the film’s music by Ers 126 is beautiful and fits the story and its images perfectly. The film has a touch of whimsy that helps deliver its message of acceptance and love.
A man leaves his country village and home to go to the city for work and new experiences. Once there, he discovers he may not be ready for the realities of life in the big city. His difficulty in adapting, the challenges he is met with, and being labeled as something he is not all make him question his decision to be there.
BOOTLEG FILES 635: “The Honeymooners – The REALLY Lost Debut Episodes” (1993 television special).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The program was never re-released to home entertainment channels.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
In 1993, fans of “The Honeymooners” were shocked to learn that some of the earliest episodes of the classic comedy were rediscovered after being presumed lost for more than 40 years. These episodes, which consisted of eight- to twelve-minute sketches performed on the “Cavalcade of Stars” variety program broadcast on the DuMont network, were presented during the spring at special screenings at the Museum of Television and Radio in New York and the Los Angeles County Museum of Art. On October 30, 1993, six of the sketches were gathered into a Disney Channel special called “The Honeymooners – The REALLY Lost Debut Episodes.”
“Hell to Pay” is chapter two in what is one of the more under appreciated animated DC series currently in stores. While DC mainly focuses on Batman and Superman, we’re given a second shot with “Suicide Squad” who DC is thankfully not above sharing for the home entertainment audiences. After the very good “Assault on Arkham,” the team known as Task Force X return with a premise that—let’s just say it—should have been the premise for the live action movie. It’s a small covert team, they should do small covert operations that involve the DC Universe, for crying out loud.