Tone-Deaf (2019)

After a series of negative events, a young woman rents a house in the countryside to go clear her mind and get ready for a fresh start. Once at the house, the man renting it gets more and more interested in her for reasons that she cannot possibly guess. His mental state deteriorating, he starts putting into action a plan that will take them both down a dangerous path.

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Dora and the Lost City of Gold (2019)

Nickelodeon has been in a tricky scenario over the last five years, in where the audience that once watched their hit shows is now becoming adults. Now they’ve scrambled for ways to appeal to a new generation, even aging their banner characters a bit. With “Dora the Explorer,” Nickelodeon has taken great pains in allowing her to blossom with her audience, and then revert back to the original formula that made her such a hit. With this feature film adaptation, they manage to pull off what is a loving tribute, a fun action adventure film, an adaptation that is never afraid to poke fun at itself every now and then, and a spotlight for latinx movie heroes we can root for.

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Lake Michigan Monster (2019) [Fantasia Festival 2019]

Some indie films are like inside jokes that you almost have to have some knowledge about to get. I get “Lake Michigan Monster.” I do. It has the best of intentions, it’s a home grown bare bones budgeted action monster movie, and it pays tribute to Michigan the best that it can. But in the end I was happier that “Lake Michigan Monster” was barely eighty minutes in length than I was watching the movie altogether.

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The Lion King (2019)

Jon Favreau’s “The Lion King” is very much like Gus Van Sant’s “Psycho.” It’s a glossy, new setting, with a bold new cast, but when you cut right through the nostalgia lenses, it’s basically the same movie all over again. “The Lion King” doesn’t leave a lot of room to surprise its audience, as it basically plays it safe and copies the original film almost verbatim. Why watch a remake of “The Lion King” when you can simply stay home and watch the 1994 original? I can’t think of much of a reason, save for the all star cast.

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Five Fun Ways to Celebrate the 60th Anniversary of “Plan 9 From Outer Space”

On July 22nd, the 60th anniversary of “Plan 9 from Outer Space” will be celebrated by horror fans and movie buffs alike, and it’s a celebration I hope you partake in. Ed Wood’s science fiction horror film is notorious for being branded “the worst film ever made,” but through and through it’s proven to be a film that’s so bad it’s quite great. With the Ed Wood classic hitting its 60th, I recommend five ways you can celebrate the anniversary and honor the auteur we once knew we Edward Wood Jr.

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Shazam! (2019) [Blu-Ray/DVD/Digital]

One of the most family friendly and outright entertaining superhero features of the year, “Shazam!” is a movie that will appeal to children of all walks of life. It’s a movie that promotes the power of family, promotes the appeal of adopted families, and explores the effects of bullying and toxic masculinity. “Shazam!” is one of the bigger surprises of 2019 as the DCEU keeps delivering on entertaining and bright action features that spotlight the lesser explored and rarely discovered characters from the DC Comics stable.

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Summer Night (2019)

In the nineties once the indie scene broke out and directors like Steven Soderbergh and Richard Linklater perfected the chatty character piece with young adults, every director came out of the wood work with their own. Some titles like “Clerks” and “Beautiful Girls” became classics while stuff like “Mixed Signals” and “Let It Snow” fell to the wayside– for very good reason. “Summer Night” feels like a screenplay taken from 1995 that was retrofitted for a modern audience. And that’s not entirely a compliment.

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Weird Science (1985): Collector’s Edition [Blu-Ray]

“Weird Science” is the film from John Hughes that’s managed to age the worst from his repertoire. Even “Dutch” can be considered somewhat more accessible than what “Weird Science” doles out. While it’s not a bad movie at all, “Weird Science” has gradually become an eighties comedy that has to be taken in the context of its decade. This is still a very strong air of misogyny and chauvinism within “Weird Science,” but it still works as a fun eighties romp with banner performances by its collective cast.

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