You have to appreciate the giant balls on Gravitas Ventures and their release of (long thought lost, but now completed) 1983’s “Grizzly II: Revenge” (aka “Grizzly II: The Concert”). Not only have they centered their marketing on the fact that the movie features a very young George Clooney, Charlie Sheen, and Laura Dern, but the aforementioned trio even get top billing in the opening (and closing) credits. As expected, the trio is in the movie, sure. But for about four minutes, tops, and then we’re thrown in to the silly narrative.
Movies that are based on or around youtube personalities usually, for lack of a better word: suck. They’re awful, they’re terrible, and only mostly just vanity projects for the creators. So imagine what a shock it was to see “Ashens and the Polybius Heist” and find out that it’s actually quite good. I genuinely giggled during most of the film and loved how it all felt like a hilarious mutant amalgam of “Spaced,” “Ocean’s Eleven,” and “The Hot Rock,” in the end.
Chris De Pretis’ indie horror scifi film has its heart in the right place, but at the end of the day, I can’t say he re-invents the wheel here. I was never quite sure if “Death Blood 4” was intended as a meta-horror movie or not, as it puts up this gimmick of it being a sequel to three movies that never quite existed. It goes about this “Grindhouse” novelty until the introduction of the actual narrative where it’s played fairly straight faced and with a stern tone bereft of any notable satirical content.
Carmine Capobianco, the underground film actor who starred in the memorable flicks “Psychos in Love,” “Galactic Gigolo” and “The Land of College Prophets,” passed away on January 9 at the age of 62 following a long fight against cancer.
Carmine was Phil Hall’s guest on this episode of “The Online Movie Show,” where he discussed his colorful career.
BOOTLEG FILES 754: “The New Scooby-Doo Mysteries – Wednesday is Missing” (1972 episode of the animated television series).
LAST SEEN: On DailyMotion.com.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A rights clearance issue is preventing its release.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely at this time.
In September 1969, Hanna-Barbera premiered its animated series “Scooby-Doo, Where Are You!” on CBS. The show placed four teenagers and a talking oversized dog in wacky mysteries that involved a supposedly supernatural element. The series was immediately popular and attracted a large following among the Saturday morning cartoon-absorbing kiddie audience.
When Robert Rodriguez is in kids movie mode, he tends to create some of the most syrupy sweet, loud, tepid movies for his intended audience that though they have a lot of the good intention behind them are pretty much destroyed by the climax. That’s the case with “We Can Be Heroes,” a movie so derivative and tired that it destroys a lot of the charming characters and conflicts in the process.
BOOTLEG FILES 753: “Woody Allen Looks at 1967” (1967 television special).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Never released in a home entertainment format.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
It’s safe to say that no one will ever look back on 2020 with any great fondness, except perhaps Mr. and Mrs. Biden, but that now-closed 12-month span was hardly the first year-from-hell experience. Anyone who was around in 1967 will glumly recall the challenges and tragedies that marked the year’s political and social environments.
Yet another year, yet another legacy sequel from a movie franchise that we all thought was dead for so many years. It’s a cynical approach but so many of these decades later sequels have stunk—which is probably why it’s shocking to see that “Bill and Ted Face the Music” doesn’t actually suck. In all fairness while it’s not a laugh riot, I appreciated its genuine message about love, the power of music, and appreciating what we have while we have it.