2020’s been twelve months of pure chaos, but hopefully you can find some peace in viewing some great movies. For Thanksgiving while you’re chomping down on turkey, or tofurkey, or turducken, or whatever horrifying facsimile of turkey that you can concoct, be sure to stay home, and check out these five great movies about food.
If you have to ask, then you’ll never understand how big and important Nickelodeon was, once upon a time. For many, “The Orange Years” from Scott Barber and Adam Sweeney might feel like yet another bit of 90’s nostalgia for Millennials, but the documentary is a look at television, its history and how Nickelodeon blazed a trail for a massive industry, and set a precedent that many studios would aspire to topple.
Sasha Baron Cohen has remained one of the most scornful critics of the modern American political scene and has taken to destroying the status quo whenever possible. He’s been especially vicious in 2020 with his incredibly controversial “Who is America?” limited series, which he then follows up with the “Borat” sequel. This movie is not at all a cash grab, if fans were worried, it’s instead yet another case of Cohen pulling down the curtain in an America most of us doesn’t know exists. Or at least likes to pretend doesn’t exist.
A suicidal man finds out that he can’t really die when each attempt leads to a copy of himself being sent into the world through his apartment. With his sister, they try to understand what is going on.
Director Savage has all the elements to create a film that’s gritty, grimy, contemporary and rich in texture, and yet, all we really receive is a film that’s just pretty good with a tone Savage can never seem to decide on at any instance. “Sensitive New Age Killer” wants to be many things at many times, and when it touches on all squares on the genre floor, it never seems to touch them with full satisfaction.
I rather enjoyed Josh Ruben’s horror comedy mainly for the fact that it’s a unique look at writing and the creative process. Would I see it again? No. Would I add it to my collection? No. Is it one of the best films of the year? Goodness, no. But I can’t say that I was bored while watching it. I definitely enjoyed the meta-horror comedy, and the looks in to how some writers can make anything out of nothing. Especially horror writers, and their ability to take the seemingly mundane and turn it in to a twisted nightmare.
Creator Julian Carlile’s “The Meeting Chronicles” is certainly one of the most bizarre and fascinating comedy movies I’ve seen all year. That’s by no means an insult as “The Meeting Chronicles” concocts an unusual tale of people trying to find their goal in the writing field and end up just falling in to an endless stream of nonsense including confrontations with homeless speakers, and overly enthusiastic porn stars. I can’t say I loved “The Meeting Chronicles” but I enjoyed its charming, minimalist aesthetic.
The “Zombie Bloodbath” trilogy is the sheer apex of garbage zombie movie fodder. It topples even “Night of the Living Dead: Resurrection.” The trilogy is something you’ll be forgetting minutes after, as only an hour after viewing these I can’t truly recollect the plots. There’s really no sense of arc, continuity, or overall cohesive storytelling here, as the zombies take center stage in films where characters are a sheer after thought. In the first Zombie Bloodbath from 1993, at a remote radioactive plant, its workers suffer the outbreaks of a chemical spill which turns them into—what else? Zombies.