Even though I was born in the eighties, I don’t have a particular connection with “The Goonies” as while it’s mostly considered a masterpiece, I’ve only ever considered it just pretty good. Director Richard Donner’s adventure film is the Hardy Boys Meets Indiana Jones and for the most part it’s an entertaining call back to fodder like “The East Side Kids,” which keeps in line with Spielberg’s ode to his childhood cinema.
We’re nearing the beginning of October so as is the mandate to keep reality from collapsing, we have another Tim Burton classic re-released and updated. Burton’s horror comedy classic “Beetlejuice” gets another big re-release for physical media collectors, allowing fans to re-visit the demented and dark supernatural comedy in a 4K UHD upgrade. Of course Burton’s film is being released in various other editions online, including Steelbook.
Where as a lot of teen movies focus much on the coming of age and rites of passage for young men through their sexuality, “Cuties” is ballsy enough to be cut from the same cloth. It’s a film that explores almost the same themes but in a more complex arena that’s based around femininity and growing up. While the silly ballyhoo around “Cuties” has been much ado about nothing, “Cuties” is a bold, important drama comedy. It’s ultimately about a young girl who is trying to figure out what kind of woman she wants to be, and never realizing that either route she chooses in life is going to be filled with obstacles, tough questions, and ultimately living with the path she’s chosen.
BOOTLEG FILES 739: “Diana” (1973-74 sitcom starring Diana Rigg).
LAST SEEN: One episode is on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Unavailable for many years.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Yesterday brought the sad news of the passing of Dame Diana Rigg at the age of 82, and there were countless tributes to her glory days as Emma Peel on the cult television series “The Avengers” along with her performances in film classics “On Her Majesty’s Secret Service” and “Theater of Blood” and her late-career success in “Game of Thrones.” Much less attention was paid to one of Rigg’s more curious endeavors: an American sitcom called “Diana” that ran for 15 episodes in the 1973-74 television season. In a career that was rich with artistic and commercial successes, “Diana” was a very rare misfire for the gifted actress.
I am one of the folks that loved McG’s 2018 horror comedy “The Babysitter.” It was a weird, gory, and funny horror comedy with an excellent cast, including Samara Weaving, who could take any role and turn it in to gold. When I heard of the sequel coming up shortly after, I was skeptical, if only because there didn’t seem to be anywhere else to go. Oddly enough the writers go in a completely new direction and for the most part it’s a raucous and fun follow up.
It’s not often I get an independent animated film for the blog and that’s probably for a good reason. Animation is long, and demanding, even if it’s essentially cheaper as a filmmaking medium. “Cool Summer” has its heart in the right place, and also has a good idea in its corner, it just needs so much work to be done from top to bottom, and much of the pitfalls narratively and production wise keep it from being great.