Every few years a movie comes along that manages to quickly catches fire as a cult classic and Brendan Steere’s “The Velocipastor” has done just that since its introduction in 2017. The bizarre horror action flick is still being talked about online and on social media, and it promises to be buzzed about for years along with “Birdemic” and “The Room.” If you have an appetite for “The Velocipastor” here are five other weird Dinosaur movies you have to see.
From the late 1920s to the mid-1930s, Bobby Clark and Paul McCullough turned out a series of wild, bawdy and often surreal short comedies. Today, the team is mostly unknown to the average movie lover because many of their films are lost and the surviving films are rarely revived. Film historian and podcaster Geno Cuddy considers the Clark & McCullough legacy and advocates for a new appreciation of their surviving work in this episode of “The Online Movie Show.”
Earl Bellamy’s “Munster Go Home!” has become one of the most incidentally influential horror comedies of all time. One of the banner pop cult movies of the decade, “Munster, Go Home!” is the extension of the cult TV show that takes them out of their giant mansion, and brings them in to the wide open world. As we’ve seen with the series, the world isn’t too keen on their way of life, either. But they make it work with charm, and a classic sixties drag race. Continue reading
The problem with big screen adaptations of big television shows is that the commercials can sometimes save a tanking episode. Commercials can break the monotony and sometimes give the audience a chance to regroup. While “Impractical Jokers: The Movie” can benefit from an ad break or two, struggling to keep the energy well in to the hour mark, it’s a very good extension of the hit TV show.
Even if it’s niche cinematic affair for the fans like me that watch the series religiously.
A couple looking to get their first house walks into a real estate office with an over-eager agent who wants to bring them to the perfect house, in the perfect neighborhood, at the perfect price, to raise the perfect family. Getting to the house is only the start of something bizarre and surreal where they learn a lot and go a little mad.
Everyone loves the small screen Lucille Ball, but the zany redhead’s long career in films is often overshadowed by her TV celebrity. On this episode of “The Online Movie Show,” actor-writer-comic Kevin Dolan returns to consider Lucille Ball’s film work and the versatility she brought to her cinematic roles.
I love “April Fool’s Day,” and I say that as someone that originally hated it. It took years for me to come around on it, mainly because in a decade where we got nothing but slasher movies, we were given one. But we also weren’t given one, either. In either case, if you’re going in to “April Fool’s Day,” it embraces its inherent silliness and mounts tension to be a pretty good statement about the slasher sub-genre while also having a good old time with the audience. It’s become a favorite of the sub-genre, and indicates a point where studios were beginning to satirize the tropes of the sub-genre.
As mid-life takes them into its arms, two friends are over being mistreated at the restaurant where they work by a boss who cuts every corner possible. When the opportunity arises, they both follow a dream they’ve had and make a very important career move with a closed bowling alley in their small town.