It’s really hard to find anyone who does eighties neon pop surrealism like Empire Pictures. If you want to soak in everything about the decade from the bright colors, weird synth music and massive hair, look no further than films like “Terrorvision,” “Bad Channels” and or “Vicious Lips.” Your experience with Albert Pyun’s rare cult film may vary depending on your love for the decade, but sans the nostalgia goggles, it’s only a moderately entertaining experience that it limitless in its oddities. Something of a mixture of “Rock and Rule,” “Jem and the Holograms,” and “Rocky Horror Picture Show,” Albert Pyun throws so much imagery at the audience and there’s never any kind of substance soaked up.
Beatriz is a healer, a holistic health practitioner, whose car breaks down at a wealthy client’s house after she gave her a massage. The client invites her to stay for a celebratory dinner party her husband and herself are hosting that night. Like a fish out of water, Beatriz has dinner with three extremely wealthy couples with whom she has little to nothing in common.
It’s surprising how well Disney adapts their own version of the shockingly beloved fairy tale “Beauty and the Beast.” While their Oscar winning animated version reigns supreme, Bill Condon manages to deliver his own interpretation that tweaks the tale here and there for new audiences with a great effect. I was quite stunned at how enjoyable “Beauty and the Beast” ended up being. While it has the familiarity of the 1991 movie, it’s also a unique experience that allows for a new angle on songs that are now deemed legendary. Condon approaches the live action remake/adaptation with a well balanced tone of whimsy and dread, allowing for a very subtle romance between Belle and the Beast.
George and Harold have been best friends since kindergarten, pulling pranks left and right and having creative imaginations that lead them to create Captain Underpants. One thing leads to the other and their creation lives to save lives and cause chaos.
Every month we discuss some of the best and worst cult films ever made, from the hits, classics, underground, grind house, and utterly obscure, from Full Moon, and Empire, to Cannon and American International, it’s all here, minus the popcorn, and car fumes.
The Plot is Afoot! Mark Harmon plays “Shoop,” a teacher and part time California surfer has his summer vacation derailed when he’s blackmailed in to teaching summer school. Anxious for tenure, rather than surf in Hawaii, he takes on the class filled with slackers, under privileged individuals, and the eccentric, all the while trying to convince them to study so they can make it in to the next grade and gain some sense of self-confidence. Meanwhile he bonds with a fellow teacher, and tries to get his students to pass before the season is up.