BOOTLEG FILES 717: “Hawaiian Punch Commercials” (long-running series of comically violent advertising).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No perceived commercial reissue for a home entertainment anthology of these commercials.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Utterly unlikely.
In concept, the notion of an advertising campaign anchored on deliberate physical abuse seems like a spectacularly bad idea – especially if the target audience is children. However, one of the most successful campaigns in advertising history involved a series of television commercials for a sugary drink that featured a strange little man who almost always punched a pleasant but dimwitted soul in the face, knocking him flat on his back.
As Disney soaks up just about every viable property and franchise in Hollywood, studios have sought out some of the more vacant properties, and here comes the long dormant “Bad Boys” series. With the nineties as popular as ever, “Bad Boys For Life” is a great property to revive. The new sequel acts as a soft reboot that could potentially help it live past Will Smith and Martin Lawrence and in to the “Fast and the Furious” long road. “Bad Boys For Life” is a shockingly good restart for a new series, and I like how the producers take the titular heroes and allow them to grow in a world that’s becoming harder to keep up with.
It’s hard to imagine a more bizarre experimental movie I’ve come across in years. Jack Henry Robbins’ film “VHYes” at its best is a funny, smart, experiment with nostalgia, while at its worst, it feels like a weak pilot for Cartoon Network’s Adult Swim expanded in to a near feature length movie. Some might appreciate the jarring changes in tone and bite size comedy that is peppered throughout “VHYes” and while I thought it left much to be desired, it also had a lot going for it, with some fascinating commentary about nostalgia and memories. It really wants to be “Amazon Women on the Moon,” at the end of the day, but it ends as a mildly fascinating meshing of genres, and comedic bits.
2019 was a surprisingly very good (and busy!) year for pop culture and film. Everything was so breakneck and speedily delivered that it was impossible to keep up. I wish I could have watched all the films I had planned for this list, That said, I did manage to see so much that I had a tough time compiling a definitive top ten. 2019 had so many surprises for movie fans of all kinds and these are ten films from 2019 that made the cut of the top ten for me.
What were some of your favorites? Let us know.
I spend a lot more of my time looking for movies I want to see these days, so admittedly I was able to dodge a lot of awful films in 2019. With the abundance of avenues to new movies it’s nearly impossible for one person to view it all, so out of the movies I was able to catch in 2019, these are five of the absolute worst that were unleashed on movie goers and movie buffs. Excluded but genuinely considered for the list were The Reliant, Men in Black: International, 47 Meters Down: Uncaged, Netflix’s Rim of the World, The Haunting of Sharon Tate, Long Shot, Kiss Kiss, and Dark Phoenix.
What were some of the worst from 2019 for you?
We’re off the road to laughter as Bing Crosby, Bob Hope and Dorothy Lamour take us on a multi-film adventure of madcap comedy. Film historian James L. Neibaur is our guide on this voyage into mirthful mischief.
The episode can be heard here.
Director Danny Boyle and writer Richard Curtis have a fascinating premise for “Yesterday,” and when all is said and done, after two hours, they—have a fascinating premise. They don’t actually do much with it, in all honesty. They take what could have been a unique and bizarre tale about an iconic band completely inexplicably being erased from all of culture around the world and turn it in to a conventional tale of rags to riches. I mean the script does nothing with the idea of the Beatles not existing. What would happen to all the singers, performers, bands, and artists they inspired? Would they cease to exist as a whole? “Yesterday” barely scratches the surface at two hours.
Twenty five years too late, “Cats” is that kind of Broadway hit that may have worked wonders on the stage but fails spectacularly when it’s given a very literal adaptation on screen (e.g. “Jersey Boys”). I say that as someone that’s never liked “Cats” or really ever seen the big deal behind it. I barely stayed awake during a production airing on PBS back in the mid-nineties, and I only fondly remember it thanks to a classic TV ad that played around the clock in the eighties and nineties. “Cats” has always been that production I hope studios would stop trying to put on to the big screen.
And sadly, here we are. Oh the horror.