In 2012 we listed ten of our favorite Horror Heroines that we consider underrated. This year we thought we’d list five more very underrated horror heroines that risked life and limb for their family, or for a cause battling against a monster, demon, or some kind of alien. They’re gorgeous, strong, and prove you can be the final girl in a horror movie and not be at the mercy of pure evil. It’s really tough to find female characters in horror that are heroic and not just final girls. There’s a ton of final girls, but not many heroines, however we were able to find five we loved that also were conveniently enough, heroines until the very end.
Thanks to the advent of home entertainment and a wonderful company like Scream Factory, director Clive Barker is finally able to realize his original vision for the cult horror film “Nightbreed.” While the film itself has gained momentum and respect over the years as a dark and morbid tale of monsters from the underworld facing human cruelty, Barker’s experience making the movie was a bitter one he often recollected with anger and sadness. With his Director’s Cut, he’s not only able to salvage old footage that he was forced to edit out of his narrative, but he re-structures “Nightbreed” in to practically an entirely new movie. One that’s better than the original cut.
Yes much like the original Barker film, I’ve yet to ever really see “Hellbound,” as it’s managed to elude me for many years. I can recall seeing bits of it on a local cable station in America and never quite being able to experience it in its entirety. Tragically the only remotely interesting character in the entirety of “Hellbound” is Tiffany. Introduced as one of the more gifted and confounding of the patients within the mental institution, the character is a labyrinth within a labyrinth, a taskmaster disguised as mentally ill whose own personality and identity is about as enigmatic as the demonic puzzlebox. Imogen Boorman gives a rather striking performance as this walking riddle who consumes most of her time solving puzzles and tricks that doctor Channard gives her.
I’m ashamed to admit that up until now I’ve never seen Clive Barker’s horror opus “Hellraiser.” In spite of it being regarded as a classic by many horror buffs and standing as a bonafide Gothic masterpiece, “Hellraiser” has managed to elude me for years. I’ve only managed to watch portions of the sequel, and the entirety of the third entry on late night cable as a child, but beyond that, I could never set down on the original film. One thing I loved about “Hellraiser” in the end was that Barker never holds our hands throughout the story he draws for the audience. Rather than making on the nose exposition, he instead allows us to explore this horror fantasy with the characters.