One of the best movies of 2018, “Anna and the Apocalypse” is a movie that’s destined to catch on with midnight audiences, as it begs for sing alongs from an enthusiastic audience. John McPhail’s zombie horror musical is a pastiche of the best from the genres it puts on the big screen, delivering what is one of the pleasing and creepiest zombie movies of the years. “Anna and the Apocalypse” manages to be both life affirming and a spectacularly vicious zombie movie at the same time, with some of the more entertaining musical numbers and sequences filmed in a long time.
According to sources, Lee Harry’s “Silent Night Deadly Night 2” was given a horrible budget, and was asked to re-cut the original film to make it look brand new. What we get is basically a barebones plot about the brother of the original murderer… for about thirty minutes or so. About seventy five percent of the film is a highlight reel from the original film with everything from the origin of the series, to every single murder that ensues, right down to Linnea Quigley’s famous death. While that amounts to nothing, Eric Freeman works overtime to make this “sequel” a worthwhile viewing experience, and he accomplishes that.
BOOTLEG FILES 666: “The Norelco Santa Commercials” (long-running television advertising campaign).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No perceived home entertainment market for old TV commercials.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
Every Christmas season, certain programming is dusted off for an annual television broadcast. But for those of us who admit to being a certain age, there is one holiday favorite that always made the December television line-up worthwhile. No, it wasn’t a movie or a standalone special. Instead, it was a simple but effective 30-second commercial for a company specializing in electric razors.
Santa teaming with Merlin the Magician to defeat Satan? Charlie Brown’s Christmas with a Rudy Ray Moore-worthy soundtrack? And why are the prehistoric Flintstones celebrating a holiday rooted in the birth of Jesus?
After 1966’s “How the Grinch Stole Christmas,” and 2000’s “Dr. Seuss’ How the Grinch Stole Christmas,” we now have 2018’s “The Grinch” (I assume the next reboot will be titled “Gri”). Illumination Studios continues being the C grade Disney Strudios, adapting the Dr. Seuss tale if, for no other reason, than to have their own holiday title out for the market and appeal to a younger audience. There’s not a lot of reason for this adaptation, as Illumination doesn’t offer a new twist on The Grinch. Except for obviously omitting “Christmas” from the title, “The Grinch” is an amalgam of Ron Howard’s live action movie, and the original Chuck Jones short movie–except bland.
Disney re-visits their staple of public domain tales with another visit with “The Nutcracker,” a ritual that’s annual for most movie studios. No matter what year it is, some studio thinks they can offer an artistic, original, or hip take on “The Nutcracker,” and every year it’s terrible. Even with Disney injecting the classic ballet with the spectacle of Robert Zemeckis, the eccentricity/whimsy of Tim Burton, and a vague cribbing from 1939’s “The Wizard of Oz” (bordering on plagiarism), “The Nutcracker and The Four Realms” is a hollow effort to turn the musical composition in to a hit holiday movie. And perhaps a hit holiday movie franchise. You know they’ve focus grouped it and are planning parts two to seven, right now.
Less budget, and less stars, this time Casper’s adventures are reduced to a pretty crummy animated feature where Casper teams up with another spunky young girl. She’s a girl facing a crisis about Christmas and she needs the help of… Casper. Makes sense, I guess. “Casper’s Haunted Christmas” is a noticeably bargain basement style production compared to the previous movies, all the while the animation is often weird and the narrative nonsensical.
If you think “Santa Jaws” sounds bat shit nuts and bonkers, then you’d be correct. I don’t typically check out Syfy original movies anymore but what with “Santa Jaws” I had to give it a fighting chance. It’s not often we get a Christmas themed killer shark movie, that’s also a movie about reclaiming the Christmas spirit. No seriously, that’s what “Santa Jaws” is about. “Santa Jaws” has its large tongue firmly planted in its cheek and at no point considers itself a serious horror movie in the vein of “Jaws” or even “Piranha.”