When it originally premiered at Fantasia I was very anxious to check out Johnny Kevorkian’s science fiction horror film, and I’m glad I was finally able to view it. “Await Further Instructions” is one of those horror tales in the vein of “They Live” or “V” where it’s a tale about humanity, civilization, and way we can be led like sheep in the face of chaos. While “Await Further Instructions” is a very sharply written and vicious look at a dysfunctional family stuck together in a house, it packs in so many more relevant overtones that ring true in a day where everything on the internet is taken as gospel.
“Tainted Love” Shorts Block
I love the whole plot twist that ensues in the middle of “My Monster,” a short film basically about finding the right mate, and them showing up when they least suspect it. Brea Grant is always a pleasure to see pop up in these genre pictures, and she’s great in Izzy Lee’s holiday set fractured love tale.
According to sources, Lee Harry’s “Silent Night Deadly Night 2” was given a horrible budget, and was asked to re-cut the original film to make it look brand new. What we get is basically a barebones plot about the brother of the original murderer… for about thirty minutes or so. About seventy five percent of the film is a highlight reel from the original film with everything from the origin of the series, to every single murder that ensues, right down to Linnea Quigley’s famous death. While that amounts to nothing, Eric Freeman works overtime to make this “sequel” a worthwhile viewing experience, and he accomplishes that.
BOOTLEG FILES 666: “The Norelco Santa Commercials” (long-running television advertising campaign).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No perceived home entertainment market for old TV commercials.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
Every Christmas season, certain programming is dusted off for an annual television broadcast. But for those of us who admit to being a certain age, there is one holiday favorite that always made the December television line-up worthwhile. No, it wasn’t a movie or a standalone special. Instead, it was a simple but effective 30-second commercial for a company specializing in electric razors.
Santa teaming with Merlin the Magician to defeat Satan? Charlie Brown’s Christmas with a Rudy Ray Moore-worthy soundtrack? And why are the prehistoric Flintstones celebrating a holiday rooted in the birth of Jesus?
After 1966’s “How the Grinch Stole Christmas,” and 2000’s “Dr. Seuss’ How the Grinch Stole Christmas,” we now have 2018’s “The Grinch” (I assume the next reboot will be titled “Gri”). Illumination Studios continues being the C grade Disney Strudios, adapting the Dr. Seuss tale if, for no other reason, than to have their own holiday title out for the market and appeal to a younger audience. There’s not a lot of reason for this adaptation, as Illumination doesn’t offer a new twist on The Grinch. Except for obviously omitting “Christmas” from the title, “The Grinch” is an amalgam of Ron Howard’s live action movie, and the original Chuck Jones short movie–except bland.
Disney re-visits their staple of public domain tales with another visit with “The Nutcracker,” a ritual that’s annual for most movie studios. No matter what year it is, some studio thinks they can offer an artistic, original, or hip take on “The Nutcracker,” and every year it’s terrible. Even with Disney injecting the classic ballet with the spectacle of Robert Zemeckis, the eccentricity/whimsy of Tim Burton, and a vague cribbing from 1939’s “The Wizard of Oz” (bordering on plagiarism), “The Nutcracker and The Four Realms” is a hollow effort to turn the musical composition in to a hit holiday movie. And perhaps a hit holiday movie franchise. You know they’ve focus grouped it and are planning parts two to seven, right now.
Less budget, and less stars, this time Casper’s adventures are reduced to a pretty crummy animated feature where Casper teams up with another spunky young girl. She’s a girl facing a crisis about Christmas and she needs the help of… Casper. Makes sense, I guess. “Casper’s Haunted Christmas” is a noticeably bargain basement style production compared to the previous movies, all the while the animation is often weird and the narrative nonsensical.