Santa teaming with Merlin the Magician to defeat Satan? Charlie Brown’s Christmas with a Rudy Ray Moore-worthy soundtrack? And why are the prehistoric Flintstones celebrating a holiday rooted in the birth of Jesus? Facebook’s funniest man, Anthony “Kingfish” Vitamia, returns to roast the silliest, most violent and least likely holiday movies of all time in this encore presentation of “The Online Movie Show.”
It’s hard to find many good zombie apocalypse Christmas musical comedies out there, but when you do, it’s a treat. John McPhall’s wonderful “Anna and the Apocalypse” is a great film teeming with massive cult potential that I think will big momentum soon. It’s that kind of movie warranting a big Broadway production a la “Rocky Horror.” On its own though, the Scottish born “Anna and the Apocalypse” is a great reprieve from the massive holiday rush. While the holiday season is filled with an overflow of maudlin movies, “Anna and the Apocalypse” is that right dose of holiday glee with some great zombie carnage to boot.
Ten movies later, and “A Cinderella Story” continues to push forward as a franchise that is mainly just a vehicle for young up and coming female Disney stars. After Hilary Duff came and went, portraying a contemporary take on the fairytale, the series stomped on and now introduces a Christmas themed romance. It’s tough to review “Christmas Wish” as it’s mainly aimed toward teens that love this kind of sickly sweet Christmas muck. It’s basically like a greeting card with a pre-written message on it. It’s predictable, formula, and kind of hard to criticize.
I’m no misanthrope, but it’s tough to find great new Christmas movies, even though Hollywood does keep trying no matter what. I went in with low expectations with “Let It Snow” but took the chance thanks to the great cast, and I was pleasantly surprised. It’s hard to remember a Christmas movie that feels so down to Earth and unassuming than “Let It Snow.” It has every chance to be so saccharine and cloying, but it instead insists on a very sweet and engaging tone with some genuinely engaging characters.
Joe Dante’s 1984 masterpiece “Gremlins” is that perfect hybrid of a movie and culture milestone that appeals to horror fans, and fans of Amblin and Spielberg. It influenced a whole sub-genre of monster movies, and serves a wonderful purpose as a Christmas movie and a horror movie. It’s also a perfect bit of gateway horror for blossoming fans that want to ease in to what kind of heights this genre is capable of. There are also the hallmarks of Dante’s films from the chaos and terror implanted in to the suburbs, and the always great Dick Miller.
It’s shocking how “I Trapped the Devil” is Josh Lobo’s feature film debut, because this is a man who is obviously not content with just delivering a horror film, but has put very meticulous care in to how he frames just about every single shot in his own horror tale. “I Trapped The Devil” is a single setting film that comes to life thanks to director Josh Lobo’s amazing ability to make every corner of character Steve’s small house seem menacing, sinister, and teeming with potential to destroy every character that enters in to the threshold of this cursed abode.
When it originally premiered at Fantasia I was very anxious to check out Johnny Kevorkian’s science fiction horror film, and I’m glad I was finally able to view it. “Await Further Instructions” is one of those horror tales in the vein of “They Live” or “V” where it’s a tale about humanity, civilization, and way we can be led like sheep in the face of chaos. While “Await Further Instructions” is a very sharply written and vicious look at a dysfunctional family stuck together in a house, it packs in so many more relevant overtones that ring true in a day where everything on the internet is taken as gospel.