Mill Creek Entertainment unleashes another economy movie pack for movie fans, with a five movie DVD Collection. It’s another re-purposing of films already in their library, but for its price it might be worth it for folks interested in experimenting. Featured in the set is “Hands of Steel” featuring a cyborg assassin that is programmed and sent by a corporate industrialist to kill an environmental scientist who plans stop his unsafe work. When the cyborg gains a bond with the scientist, he has to fight the man that created him.
For movie buffs and collectors looking to gather up some classic schlock and silly horror films, “Mill Creek Entertainment” brings us a 50 Movie MegaPack DVD Set of some their worst and most infamous horror films. Thrown in to the mix, there are some science fiction, juvenile terror movies like “I Accuse My Parents,” and even the George Hamilton starring “Evel Knievel.” Further digging in to the selection of fifty titles, there’s 1944’s “Delinquent Daughters,” the Francis Ford Coppola horror classic “Dementia 13,” the slasher “Driller Killer,” and 1977’s “Drive In Massacre.”
There’s the deliriously bad but hilarious science fiction action film “Future Hunters” starring Robert Patrick, and Bruce Le, William Castle’s fun “House on Haunted Hill,” the early Brandon Lee starring stinker “Laser Mission,” the classic MST3K spoofed “Manos-The Hands of Fate,” the so bad it’s great drug hysteria movie “Reefer Madness,” the goofy science fiction film “Slipstream,” the classic dwarfsploitation movie “The Terror of Tiny Town,” and the Fred Williamson post apocalyptic science fiction film “Warriors of the Wasteland.” All movies come packed in a cardboard box by Mill Creek and in paper sleeves. I have to say I miss the plastic clam cases, but maybe it’s a cost thing.
This year movie collectors might enjoy knowing that Mill Creek Entertainment has taken to the digital world, allowing their consumers to redeem their fifty megapack purchases for digital libraries for their laptops, cell phones, and Ipads. Much like every other home release, the consumers will be given a unique code with their purchase, allowing them to redeem their movie packs in digital form at Mill Creek’s new service Watch.MillCreekEnt.Com where they can watch them, stream them, or download them.
In an effort to give the other side of the coin, something for those who may prefer their crushes to be male, I have compiled a list of my top 5 Childhood Celebrity Crushes. Having grown up outside of the US and in French, my top was originally an odd mix of French-speaking celebrities and English-speaking ones.
To make this easier for the readers here, I have decided to only give 5 of my English-speaking Celebrity Crushes.
After cameos in “Kung Fu,” a still laughable premiere in “Laser Mission,” and shifting out of the shadows of bigger names in “Showdown in Little Tokyo,” Brandon Lee finally garnered his own action vehicle in 1992. Whether you like, love, or hate the movie, there’s no denying Brandon Lee had what it took. With the fading mold of the action star becoming an antiquated concept in modern cinema, Brandon Lee had the chops to become a bonafide film star who could have built himself an empire in the same way Michael Douglas did by straying from the legacy of his father Kirk Douglas.
It’s hard to believe that it’s been almost twenty years since the release of Brandon Lee’s final film, but here we were with a brand new release of his landmark film “The Crow.” In a long overdue treatment it deserves more than most titles out on the Blu-Ray format as we speak “The Crow” hasn’t shown wrinkles at all. “The Crow” is a film that garners a soundtrack with some of the most notable rockers of the nineties, along with some rather of the decade colloquialisms, and still manages to feel completely and utterly timeless. That’s because the world Alex Proyas shapes in his 1994 masterpiece is void of shape and time.
“What if they Lived?” is written with such an impression of profundity and grace that it’s hard to imagine it being anything other then such an eloquent piece of speculative non-fiction. “What if They Lived?” is a lengthy tome of work that could have very well been exploitative nonsense as if drummed by the hackiest writers South of TMZ, but with two genuine movie lovers at the helm, “What if they Lived?” results in a four hundred page oath to the rising talent and quickly destroyed stars that were taken from us much too soon. From Jean Harlow, to James Dean, right down to Brandon and Bruce Lee, “What if they Lived?” speaks with experts and historians and examines a life had these talented thespians and ingénues been given just a little more time to shine on and explore their career options rather than fade away in to a sad and often tragic demise.
One of the chapters I skipped to immediately was Brandon Lee a man capable of hitting all of the high notes his father Bruce Lee once did, and while the one real caveat within this chapter is not exactly pin pointing all of the roles he had impending (including a role in “Mortal Kombat” and an inevitable running for a key role in “The Matrix”), we’re able to see much of what he had optioned and what he was capable of.
With bad editing and terrible miming, Tara Reid (at her usual level of atrocious) cuts out the eyes of Lily (Emmanuelle Chriqui at her worst) and hangs her because she… likes her eyes, she hints. But merely it’s there for shock value sans the shock. Every single performance in this movie is excruciating with Boreanaz mugging for the camera with an over the top zealousness incapable of playing off of Reid who couldn’t act off of a cardboard box. The two have zero chemistry thus you can’t buy that they’re lovers and partners in crime. Then Mungia relies on the talents of Eddie Furlong to carry the movie once Chriqui has worn out her welcome and Reid fails to pick up the slack, which is their biggest mistake because he’s hard to buy as this imposing harbinger of death and looks bloated most of the time.
Dunst, in spite of delivering a pretty shrill performance, works well off of Mabius and portrays an interesting enough character who becomes more and more vindictive when she learns Alex is actually a hero and her heroes the villains. Bharat Nalluri is able to help this entry stand out by painting it with a darker blue hue and grain that makes “Salvation” feel more like a low budget horror film. Mabius isn’t perfect in this role but he does look and sound very menacing when taunting his killers and reveling in their pain. He even manages to horrify a pedophile cop and scares the ever loving soul out of two innocent girls caught in the cross fire. The movie doesn’t completely sink as the supporting cast actually helps it stay afloat, particularly Fred Ward who is a most despicable villain who is the obvious culprit.