The 10 Worst Films of 2018

I saw a ton of movies in 2018, and thankfully I didn’t see too many awful films in the theaters. 2018 was a pretty great year for film, and while I didn’t have enough time to see everything, the share of films I checked out were mostly passable. Even the really alleged awful films people complained about were just disposable junk, and not worth complaining about, or even reviewing. That said I did find ten particularly bad films in 2018, and these had the dishonor of making the list.

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Bad Reputation (2018)

“Bad Reputation” is less the life of Joan Jett, and more a publicity movie for Joan Jett fans. If you want to come to this documentary looking to learn about Joan Jett, warts and all, and how she turned music on its ass, then you’re going to walk away from this disappointed. If you want to celebrate everything about Joan Jett, and ignore all the nasty stuff, you’ll love “Bad Reputation” which very clearly has Joan Jett looming over it and calling the shots. “Bad Reputation” isn’t a disaster like “Bohemian Rhapsody” when all is said and done.

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Vice (2018)

For years, satirists pin pointed Dick Cheney as the man behind George W. Bush, a man who was much too smart for the man running the country, he was the man often depicted as the grouchy old grandfather, or stern dad watching over his under achiever son and pulling the strings behind the scenes while junior basically had no idea and was wiser for not knowing, and “Vice” doesn’t shy away from that common message. “Vice” is an engrossing often pitch black comedy that is so much more complex than that now infamous gag. But Adam McKay makes it clear what kind of person Dick Cheney is from the minute we see him. Upon the bombings of 9/11, he’s swept away in to a safe room and decides to commit to swift political, consciously and visually keeping Bush oblivious to the scenarios unfolding.

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Never-Ending Man: Hayao Miyazaki (2018)

“That song “Let it Go” is popular now. It’s All About Being Yourself. But that’s terrible. Self-satisfied people are boring. We have to push hard and surpass ourselves.”

Hayao Miyazaki has reached a point in his life where there is so much change but he doesn’t know what to do with any of it. He’s reached an old age and has barely any strength any more to sit down and draw all day, but he has no idea what he’d be doing without a pencil or paper in his hand. At his old age he’s still a very curmudgeonly individual who demands perfection and treats his protégés with harsh criticism when they fail to deliver storyboards that meet his pitch perfect idea of what life is. Miyazaki has lived a full life, and in a way he’s ready to go.

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Bohemian Rhapsody (2018)

The best thing I can say about “Bohemian Rhapsody” is that it aims to become a surefire Oscar contender, and the only aspect deserving of an Oscar is Rami Malek (bad fake teeth and wigs be damned). If you have to absolutely see “Bohemian Rhapsody” see it for Rami Malek, whose portrayal of Freddie Mercury is heartfelt, sublime, and much too fantastic for a movie that’s pretty much a sanitized version of the story of Queen and Freddie Mercury. When you have a biopic of the group that’s been authorized by the surviving members and is PG-13, there’s only so much flexibility allowed, and Malek thankfully rises to the occasion. And then there’s the rest of the movie.

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Won’t You Be My Neighbor? (2018)

“Won’t You Be My Neighbor?” is the movie that the world needs right now, it’s the ultimate superhero tale. It’s about a man who grew up experiencing nothing but pain that decided one day to take his ability to talk to children and his education and use it as a tool for good and for changing the world. And change the world Fred Rogers did, as he one day took a step back and decided that the world needed some kind of force for good. He knew that could mold children and use the medium of television as a valuable tool that could turn every single child, no matter what race or religion, in a neighbor and a friend.

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