With the advent of technology and the destruction of the concept of celebrity, there are many movies like “Kid 90” coming to theaters and VOD. It’s an important trend of movies that discuss the pitfalls, perils, and hazards of being a child movie or TV star in any decade. Soleil Moon Frye allows a somewhat unfiltered look in to her not so happy childhood that involved a lot of pressure, a business that seemingly abandoned her, and being sexualized at the age of thirteen.
It’s been a long, rough journey for drag queens to become accepted among modern society. After decades of being pushed in to the underground to celebrate their art form, now we’re at a rare moment in time where the drag profession is now being celebrated. After RuPaul’s efforts to inject the drag queen lifestyle in to the world with her hit series “Drag Race,” drag queens went from being pushed in to darkness, to now taking pictures with awe struck children, and hosting concerts with families and children.
And yet, after all of it, there’s still so much more to be done.
It’s shocking how punk the background of The Go-Go’s is and ended up being. For a band that is known as one of the biggest pop acts of the 1980’s, their roots are deeply embedded in punk rock and heavy metal. Whether or not you think it was homogenized is up to you, but The Go-Gos have a great story, even if you were more of a Bangles or Banana Rama fan.
While “Rock School” was one of my favorite documentaries of 2005, it was a missed opportunity. Arne Johnson and Shane King’s “Girls Rock!” almost get the love of music and rock and roll it right. Almost. What the directing duo of Johnson and King explore is this collective ability of these different women to create music in the confines of this limited space and show how they can sometimes fall apart at the seams due to typically creative conflicts and arguments about band names.
Suzi Quatro managed to leave a remarkable influence on female rockers, and how they operated in a world where men dominated, and women were objectified. Suzi Quatro has left such an indomitable stamp on the rock and music world, and “Suzi Q” offers keen insight not just in to the life of such an edgy musician, but in the oddly common conservative lifestyle of rock musicians.
In this documentary, filmmaker Jerry Williams investigates the life and events that have made Dirtwoman famous and infamous in the Richmond area from birth until death, including her very own pinup calendar release, her collaboration with GWAR, and the yearly Hamaganza spectacular to name but a few.
It’s apropos and yet somewhat inexplicable that Hayao Miyazaki would end his career on one what is easily his most divisive film. Miyazaki has spent so much of his career delivering masterpieces of animation that discuss the horrible fall out of war, destruction of the environment, and war machines. So it’s absolutely confounding that Miyazaki takes a more objective approach to Jirô Horikoshi and his creation of what would become certified weapons of war.
It’s hard to believe that anything in “Rock and Roll Terrorist” ever actually happened. But then you look up GG Allin online and then you’re kind of shocked that GG Allin ever happened. GG Allin is a hotly debated and still polarizing figure in rock and roll, he was a man who could be described in so many ways by so many people. Criminal. Sadist. Messiah. Troll. Icon. Rapist. Rockstar. Scumfuck. He’s a man that doesn’t quite fit one peg and that’s just how he liked it.