Now with the acquisition of FOX studios by Disney, X-Men is set to have a new renaissance in film and the media and “Chris Claremont’s X-Men” is available to audiences and comic book fans in a brand new feature length edition. Director Patrick Meaney adds over thirty minutes to his biography of Chris Claremont, featuring brand new interviews, extended interviews and even insights in to the franchise. From the comics, to the animated series, and movies, both old and upcoming, we manage to garner some keen and interesting looks in to the mind of Claremont, the man who made the X-Men as we know it.
I vividly remember watching “Rockin’ with the Chipmunks”back in the very early nineties where I recall loving the scenes of Alvin dancing along with Michael Jackson to “Beat It” and “Smooth Criminal.” Mostly a cash grab for the fans, “Rockin with the Chipmunks” is a brief history of the novelty group, spliced in with comedy skits and the members singing vintage rock and roll in their modern animation. The animation for the most part is dicey and fuzzy at best, allowing for a hazy series of music videos, but back then if you were a Chipmunks fanatic, you didn’t care.
The only reason to watch “Go, Johnny, Go!” is if you want to see some of the best rock and roll artists of all time do their thing on the big screen. Other than that, “Go, Johnny, Go!” is the story of the boring, milquetoast Johnny Melody, a bright eyed, blond white boy who rose from the slums as an orphan to become a rock and roll singer. It’s surprising that a movie featuring Ritchie Valens, and Chuck Berry would only focus on the most uninteresting individual, as when the movie stops to spread its paper thin premise with performances, it ironically becomes worth sitting through.
Anna Mae Bullock is a woman that has been screaming music from the top of her lungs since she was a child. Music kind of sprung from her like an unstoppable force of nature, one that was almost squashed out by her abusive and often domineering husband. When we first meet her, she’s a young girl in a church who is escorted out for literally singing her own tune with the choir. When Ike Turner first meets her, Anna Mae, soon to be Tina Turner, belts out music that even shocks Ike Turner to his core. “What’s Love Got to Do With It” is the compelling, and often shocking story of Tina Turner and how she rose to fame in spite of the abusive and violent ownership of her husband, musician Ike Turner.
Rush is amazing, and will always be amazing, and how they built their fan base was less around the media and hype and more around traveling. They were there on busses and vans, going through road after road, and showing up for the fans. No matter how tired, or sick, they always came to show fans what they were made of. This is what kind of made Rush feel less like a band, and more like visiting relatives that we loved to be with time and time again. What makes “Time Stand Still” such a bittersweet documentary, however, is that it chronicles the rise of Rush, and their beyond loyal fan base, but it also packs in the daunting realization that they can’t do this forever.
For someone who understands the punk rock world so well, Alex Cox is very quick to tear the nostalgia shades off of the viewers to depict a meeting of two lovers that was so intense it resulted in an unfortunate murder. “Sid and Nancy” are often romanticized by music lovers even to this day, but Alex Cox who brought us the masterpiece “Repo Man,” looks behind the gloss, picturing two unbearable, but real individuals. Director Cox paints a brilliant picture of two people spiraling in to oblivion, with a remarkable drama that’s less a biopic and more a chronicle of two doomed lovers. Sid Vicious and Nancy Spungen are a lot to drink in. From the moment we meet them, they’re loud, they’re parasitic and disgusting, but they form a relationship where they understand each other. In many ways they decided that they need each other to survive.
“The Room” has been celebrated a hundred times over, ad nauseaum, since it became a small midnight movie hit years after its initial release. Since then every critic and columnist far and wide has had their chance with it, and every respective movie buff has seen it, combed over it, and even read the book “The Disaster Artist.” Based on the film’s co-star Greg Sestero’s experiences with its eccentric director and working on the inexplicably demanding film, “The Disaster Artist” by director James Franco and writers Scott Neustadter and Michael H. Webe, is a love letter to Wiseau’s ambition that asks why.
The preparation Jim Carrey undertook to play Andy Kaufman has often bee cited as a surreal experience that went oddly under reported and barely discussed. In 1998, Jim Carrey played iconic stand up comedian and performer Andy Kaufman for a biopic and embodied the man in every form, refusing to break character even between takes. For years the studio behind “Man on the Moon” hid the footage recorded of Jim Carrey on set of the Andy Kaufman film to avoid bad press for the actor. Nowadays with the man known as Jim Carrey shunning Hollywood, “Jim & Andy” is a glimpse at how he crossed that road, and how it began with Andy Kaufman.