From director Pablo Bryant, this documentary mixes interviews with a lot of visual material, giving a good idea of who Mr. Fish is, how he thinks, and how he creates. The film covers his life from childhood until now and shows not only how he works but also his home life which has an influence on his work and vice versa. This is done in a way that gives a good, unobstructed view of things and lets the viewer make their own mind as to if Mr. Fish is doing things right or not. Of course, the film does come at the subject from a specific angle and has its own agenda, but that does not keep it from having an openness about its subject.
Touko Laaksonen was an army officer and diligent brother who had a talent for drawing muscular men in various revealing outfits. Known as Tom of Finland, he was once arrested for his drawings before finding popularity and fame in the United States.
“44 Pages” isn’t just an important documentary, but it’s perhaps one of the most life affirming and entertaining made in a while. Centered on the “Highlights” magazine writing team as they prepare for the 70th Anniversary issue of the publication, “44 Pages” is a long overdue exploration of the classic children’s magazine. Director Tony Schaff brings us along to discover how the magazine was created, and how it’s created today. There’s also an interesting exploration in how the magazine has managed to stay alive in the age of digital media, and what it’s done to remain relevant and a key tool in educating children around the world.
Louis Black and Karen Bernstein’s Richard Linklater: Dream is Destiny is a remarkable documentary and biography of one of the most acclaimed and innovative filmmakers working today. More of a tribute by Austinites to a hero from Austin Texas who made good and managed to claim success without sacrificing too much of his own artistic vision, Richard Linklater: Dream is Destiny takes an interesting and new look at the work of one of my favorite directors working in film today. I’ve made no secret that Linklater is one of my personal film heroes and easily my favorite writer working in cinema right now, and I’ve found most of the documentaries and work surrounding his legacy and career to be absolutely entertaining and often times stimulating.
Written by Christopher Leeson and directed by Josh Wong, this documentary follows a band as they record an album in an abandoned home in the Canadian Prairies. One of them finds this place while driving and brings the rest back to record a more natural, organic album in terms of sound and how it comes to be. The film follows these men and looks into their lives through interviews and music. The men shown include Adam Naughler, Jon May, Blake Reid, Aaron Young, and Jason Valleau who all work on the album together and have their lives and hopes discussed by themselves and others.
Director Henry Corra’s exploration of what New York was in 1977 is quite fantastic and a surprisingly rare chronicle of the political and economic turmoil that ironically bred timeless art and music. As a born and bred Bronxite, 1977 is a mythical year, and a period of the decade that I’ve heard about very often from elder family members. In particular, the night of the infamous black out of New York, my mom and uncle were stuck in the edge of downtown Manhattan and had to brave their way home during the mass looting and rioting. “NY77” garners a very unique tone that balances out the inherent importance of the year, the depressing living conditions of the city, and the obvious fun that was had by most, who managed to endure poverty with laughs and creativity.
“King Cohen” is the documentary on the life and work of filmmaker Larry Cohen, covering his entire career, from working on and directing television pilots, and blaxploitation, to horror, and studio blockbusters.
Writer/director Steve Mitchell interviews a slew of film industry people for this documentary, starting off with his subject’s early career and taking the viewer all the way until very recent work. His interviews are varied, including the likes of Martin Scorsese, Fred Williamson, both the first and current Mrs. Cohen, etc. The bulk of the film is spent with Mr. Cohen himself and some of his collaborators.
Its ironic how closely “She Makes Comics” has tied in to a key event in history, as Marisa Stotter’s documentary was released almost at the same time Joan Lee, wife of Stan Lee died. Stan Lee is of course widely considered one of the godfathers of the comic book medium and superheroes. After Lee died, husband Stan was widely quoted as crediting much of his success and the success of Marvel to his wife, who acted as his muse and advisor for decades. So without Joan’s influence comic books would have looked wildly different from today and “She Makes Comics” celebrates the female influence of the medium.