Critically maligned when it was first unleashed on the world and was bashed for years by fans, “Freddy’s Revenge” is a movie that caught the fan base by surprise. With the advent of the internet, fans have been able to appreciate the sequel to one of the most influential horror movies as a classic in its own right. It’s a sentiment that’s managed to spread along the entire horror community as more queer horror fans have found “Freddy’s Revenge,” allowing Freddy Krueger to reach a part of society that reached beyond dreams and in to the sub-conscious in to ideas about self acceptance and repressed sexuality.
When I was a kid growing up in the Bronx, everyone knew who Walter Mercado was. When he was on Telemundo we would all remain in complete awe and silence as he dominated the screen with an almost supernatural presence. Filled with charisma, theatrical enthusiasm, and flamboyance, Mercado gave the latinx community astrological readings that were almost always steeped in hope, optimism, and spirit. Along the way he broke barriers becoming a worldwide sensation as a guru who defied gender, sexual, and style barriers everywhere he went.
Long before America accepted the Luchadore as a part of modern wrestling, Lucha Libre has been an immense force of the wrestling world. It’s broken so many barriers and allowed the culture to seep through, even integrating what’s known as the “Exótico.” Cassandro is a kind of luchadore who mixes the art form of drag along with the art form of professional wrestling. Often times Cassandro is no different than Gorgeous George or Ric Flair, but he’s different in the way he embraces his homosexuality so openly and absolutely without apology.
Following the Las Vegas shooting, documentary filmmaker Ramsey Denison goes to find answers as to what happened, how it was possible, how things were handled after the fact, and what may or may not have changed in Las Vegas following one of the largest mass shootings in the United States.
A history of Doo-Wop music, its influence, and how far reaching it is even to this day. The interviewees are numerous, including a lot of important figures in the genre and a lot of people whose work was influenced by these trailblazers.
The idea of the cult movie and the birth of the cult phenomenon is a tricky concept that can’t be answered in one shot. While Danny Wolf approaches film fans with a three part feature length look at some of the best and most controversial cult films of all time, there isn’t a lot of examination of the cult film. Despite a round table of people like host Joe Dante, and guests John Waters, Kevin Pollak, and Illeana Douglas, “Time Warp” is a lot more a celebration of cult and indie films. If you want something more cerebral that discusses the whole idea and anomaly of cult films then you may probably want to look elsewhere.
I’m a big fan of the thought provoking documentaries that can usually be found on Turner Classic Movies, but every once in a while, I also adore documentaries that just celebrate the magic of film. “Time Warp” is a fun and insightful look at some of the all time greatest cult films, films that have helped shape the cinematic landscape. Before the internet age, cult films were often accidental. They were films that were usually born from word of mouth or crept up from the corners of studios and captured some sense of awe from the gradually growing fan base.
Severin Films has done an amazing job showing movie fans and collectors the generally colorful and interesting body of cinematic work that Al Adamson left behind. While he’s more generally known for his unfortunately terrible murder, Adamson was also, by all accounts, a very nice man who was creative, innovative and had a genuine love for filmmaking and the people he worked with. “Blood & Flesh” successfully takes us inside the life of the man who had a sincere love for entertaining people, and then digs in to how sometimes our good hearts can put us in the company of the wrong people.