Robert D. Krzykowski’s feature directorial debut The Man Who Killed Hitler and Then The Bigfoot premiered at Fantasia 2018 recently and was a huge success. His Q&A with star Sam Elliott was enlightening and fun. Here he is to answer a few of Cinema Crazed’s questions.
For audiences that didn’t appreciate the year’s more subtle anti-found footage film “Willow Creek,” director Eduardo Sanchez offers a more action packed and frightening alternative involving the mythical monster. “Exists” is a creepy and vicious found footage horror film with a surprising amount of heart and depth to it, to boot. Surprisingly, director Sanchez works around the found footage gimmick, supplying a score and editing that make the film neater and less like actually found footage. This may irk hardcore enthusiasts of the sub-genre, but it’s a welcome change of pace from the typical format. Especially since Sanchez runs the risks of repeating the same beats from “Blair Witch.”
I was first introduced to Doug Brunell back in 2004, when I discovered his column “Excess Hollywood” at Film Threat. His column was often so addictive and volatile I spent a few days reading the entire archive. When I joined Film Threat in 2005, I made a point of befriending Doug, because he’s simply one of my favorite online writers and I had to pick his brain and learn from him. Since then, Doug has been a consistent source of creative inspiration, an all around nice guy, and someone who isn’t smug about his talent. After reading his gory new horror novel “Nothing Men,” we interviewed Doug about his book and views about movies and entertainment since he is still a very ardent and influential voice in film criticism.