Probably the most disappointing movie I’ve seen all year, I probably would have shut “Flower” off midway were it not for the great turn by Zooey Deutch. Deutch has become a rising star in film, never failing to be charming, charismatic, funny, and beautiful. She’s one of the survivors of Disney television whose managed to convey some genuine humanity and appeal in a variety of roles ever since. It’s just a shame she got saddled with such a mean, vicious, and despicable dark drama romance that’s about as demented as it gets. “Flower” feels like the writers tried to combine Diablo Cody and Larry Clarke in to one twisted freak of a film, and man does it suck.
Zombie movies have become the superhero movies of modern age where not a lot of people think there can be much original material to mined from it anymore. This year has proven those skeptics wrong with the haunting “Cargo,” and the incredibly complex “The Night Eats The World.” A healthy mix of “I Am Legend,” “Dawn of the Dead,” and “Castaway,” it’s ten minutes too long, but manages to come out in the end as a scary zombie movie with insight about the horrifying world that can linger outside of our doors.
In 1983, a group of Georgians from well-educated families try to leave the Soviet Union at all cost. Their solution to hijack a place quickly turns bad and the surviving members get tried and executed, with the exception of one member.
Cati Gonzalez’s “Ekaj” presents an interesting conundrum for me, because while they compare their film to “Midnight Cowboy” they also compare it to “Kids.” I for one loathe “Kids” while loving “Midnight Cowboy.” The latter is the tale of the American dream and our grasping for it that is often unattainable. Thankfully while “Ekaj” can sometimes have the guerilla filmmaking of “Kids,” it’s thankfully much more steeped in “Midnight Cowboy,” in the end, which is why I probably enjoyed it.
In one of the most known fashion Maison of 1950’s London, Reynolds Woodcock runs his business and life the same way, his way. His habits, demands, and eccentricities are to be followed by all or risk dismissal. After meeting the young Alma, he refuses to let things change, until she takes things in her own hands and finds her own way to make him happy.
2017 is was a crazy year for films with so many good titles that picking only 10 was difficult and took much too long. That being said, here are my top 10 independent and foreign films which was gathered with much thinking and trying to figure out which films to keep, which not too. The list could easily have been a top 25 and it has been evolving everything it’s being worked on. The order is constantly changing, the titles that keep coming back are the ones found below.