Before The Ripper, another serial killer terrorized London, so much so that people believed the killer could not be human but a being called a golem. As the police looks for the killer, a woman finds herself embroiled with the situation.
It’s no surprise that, rather than a most established performer and actress like Scarlett Johannson or Christina Hendricks, director Steven Soderbergh sought out Sasha Grey for the lead role in “The Girlfriend Experience.” Grey had spent years making millions off building the fantasies of her male (and female) audience with dozens of notable porn movies, as well as building a humongous line of sex toys that promote fantasy fulfillment for an audience that want every piece of her. Much like Grey, “The Girlfriend Experience” is about the fantasy and the reality that we may not realize isn’t always enticing.
Written by Fanny Burdino, Joachim Lafosse, and Mazarine Pingeot, with collaboration by Thomas van Zuyken, After Love is directed by Joachim Lafosse who navigates through this divorce story with an unflinching look at how a couple that is no longer functioning as such try and make things work through their separation, divorce, and division of assets. The film created here is an honest look into the lives of two people who are a bit lost and definitely trying to have a better life. The way this is developed makes it into a realistic look into a divided family unit, a franc view of what it’s like to divorce with two kids in the situation, what it’s like to divorce with assets, and what it’s like to not want to give up on your principles while doing this.
A straight A+ student, Lynn sells the right to cheat of off her for money which her family desperately needs so she can maintain going to private school where she has a better chance at a better education. As the stakes go up, she gets involved in a plan to cheat on an international university entry classification test. From there on, things become stressful and nerve-wracking for her group of friends and herself.
A Ghost Story an intimate haunting film by David Lowery that explores themes of grieving, remembering, being remembered, learning to let go, and ultimately love. Here Lowery creates an intimate look on a couple in a short time before killing the husband, leaving his wife in shock and trying to figure life out for herself. He also explores this death from the deceased side of things without ever going in the cheesy or creepy worlds many ghost story films go to in order to do this. Here he creates 2 strong leads that have very few lines, yet manage to pass emotions and feelings through watching these two people interact before the husband’s death and how they are after it.
Kasra Farahani’s “Tilt” is a compelling and sometimes spellbinding dramatic thriller about the American dream and the ideas about fulfillment and freedom. Set amongst the backdrop of the turbulent election that gave the Presidential seat to a wealthy and very loud mogul, “Tilt” is a sharp and often disturbing look at the disintegration of a man. “Tilt” is fairly simplistic but rich in substance as it depicts America as something of a stagnant pool where freedom reigns but nothing ever changes. Joseph Cross’s performance as a self important filmmaker and struggling artist is astounding, as he injects layers of frustration and anger at a world that he never fully comprehends.