Cuties (2020)

Where as a lot of teen movies focus much on the coming of age and rites of passage for young men through their sexuality, “Cuties” is ballsy enough to be cut from the same cloth. It’s a film that explores almost the same themes but in a more complex arena that’s based around femininity and growing up. While the silly ballyhoo around “Cuties” has been much ado about nothing, “Cuties” is a bold, important drama comedy. It’s ultimately about a young girl who is trying to figure out what kind of woman she wants to be, and never realizing that either route she chooses in life is going to be filled with obstacles, tough questions, and ultimately living with the path she’s chosen.

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I WeirDO (2019) [Fantasia Festival 2020]

A germaphobe meets the girl of his dreams who he follows to a supermarket as she steals chocolate while wearing a similar protection outfit as his. Together, they attempt to make their life better, or at least perfect for them as a couple, that is until something unexpected happens and changes one of them.

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Padmavyuha (2020)

Raj Krishna is a fantastic director, one who has promise to bring audiences entertainment with substance. While I’m never a big fan of films about religion and affirming religion, it’s a good change of pace to see a film like “Padmavyuha” that explore the complex and unique dimensions of Hinduism and how a man struggles with his core beliefs and his all encompassing faith.

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Morgana (2019) [Fantasia Festival 2020]

Isabel Peppard and Josie Hess’s “Morgana” is a documentary begging to be turned in to a feature film. It’s a wonderful and heartbreaking account of sexual repression, forced domesticity and using pornography as a means of re-claiming individuality. “Morgana” is short, but it’s an engaging journey in to the life of Morgana Muses, who suddenly found herself without the demands of a marriage that offered zero fullfilment. When she’s finally free she has no idea what to do with herself. That is until she realizes sex is a big part of what kept her from blossoming as a woman and adult.

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Perfect (2018)

I’m all for psychologically challenging genre fare, especially in a time where most directors and actors are convinced that many modern audiences aren’t interested in that kind of entertainment anymore. With “Perfect,” Eddie Alcazar taps in to the type of dark science fiction that can be placed beside “2001” and “Waking Life” as just pure utter mind fucks that will leave your head spinning. Alcazar’s sheer visual brilliance sadly tends to mask a narrative that otherwise has no real direction or pretty much anything of real merit to say.

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