Director Annie Deniel’s “Steampunk Connection” will likely be admired in the same vein as “Trekkies,” in that it examines a strong fan movement that allows people to connect through a broad scope of science fiction. It’s also been integrated in to their everyday lives and for many of them, the art form of Steampunk has allowed them to grow as people, and realize their potential in mediums like mechanics, engineering, and fashion. If there is anything that may push audiences away is that director Deniel digs so deep in to the following that it’s almost too niche for a broader audience.
This documentary tells of the life and work of playwright Terrence McNally, who during his 60 years of career wrote many plays including Ragtime and Master Class. The film also tell of the LGBT rights movement, his life through addiction, recovery, love, and a desire to be more, to work more, to be his best possible at all those things.
Now with the acquisition of FOX studios by Disney, X-Men is set to have a new renaissance in film and the media and “Chris Claremont’s X-Men” is available to audiences and comic book fans in a brand new feature length edition. Director Patrick Meaney adds over thirty minutes to his biography of Chris Claremont, featuring brand new interviews, extended interviews and even insights in to the franchise. From the comics, to the animated series, and movies, both old and upcoming, we manage to garner some keen and interesting looks in to the mind of Claremont, the man who made the X-Men as we know it.
From director Pablo Bryant, this documentary mixes interviews with a lot of visual material, giving a good idea of who Mr. Fish is, how he thinks, and how he creates. The film covers his life from childhood until now and shows not only how he works but also his home life which has an influence on his work and vice versa. This is done in a way that gives a good, unobstructed view of things and lets the viewer make their own mind as to if Mr. Fish is doing things right or not. Of course, the film does come at the subject from a specific angle and has its own agenda, but that does not keep it from having an openness about its subject.
“44 Pages” isn’t just an important documentary, but it’s perhaps one of the most life affirming and entertaining made in a while. Centered on the “Highlights” magazine writing team as they prepare for the 70th Anniversary issue of the publication, “44 Pages” is a long overdue exploration of the classic children’s magazine. Director Tony Schaff brings us along to discover how the magazine was created, and how it’s created today. There’s also an interesting exploration in how the magazine has managed to stay alive in the age of digital media, and what it’s done to remain relevant and a key tool in educating children around the world.
Louis Black and Karen Bernstein’s Richard Linklater: Dream is Destiny is a remarkable documentary and biography of one of the most acclaimed and innovative filmmakers working today. More of a tribute by Austinites to a hero from Austin Texas who made good and managed to claim success without sacrificing too much of his own artistic vision, Richard Linklater: Dream is Destiny takes an interesting and new look at the work of one of my favorite directors working in film today. I’ve made no secret that Linklater is one of my personal film heroes and easily my favorite writer working in cinema right now, and I’ve found most of the documentaries and work surrounding his legacy and career to be absolutely entertaining and often times stimulating.
Its ironic how closely “She Makes Comics” has tied in to a key event in history, as Marisa Stotter’s documentary was released almost at the same time Joan Lee, wife of Stan Lee died. Stan Lee is of course widely considered one of the godfathers of the comic book medium and superheroes. After Lee died, husband Stan was widely quoted as crediting much of his success and the success of Marvel to his wife, who acted as his muse and advisor for decades. So without Joan’s influence comic books would have looked wildly different from today and “She Makes Comics” celebrates the female influence of the medium.
Back in the eighties and nineties, I spent much of my youth in and out of video stores. During the weekends when there was a guarantee there’d be nothing on television we’d trek to the video store in our neighborhood and I always drifted to the horror section. One of the highlights of going through the horror section was perusing through the boxes and gaping in disbelief at all the amazing and often creative box art. Back then artists had to sell a movie with one striking image, and they often did it very well. The box art was only a small result of the art of movie posters, and how once upon a time movie posters were a symbol of a movie that were used to sell their respective cinematic properties, and create lasting memories.