Justin McConnell’s “Clapboard Jungle” is essentially about artistic pursuit and the search to grab even the slightest success in a world filled with artists. How does an artist make it in a world where millions of others are working night and day to make theirs heard? How do you thrive without competing or stepping over others? How do you stave off imposter syndrome? And in a climate of consistently rotating and interchangeable titles, is it even possible to deliver anything fresh or appealing in cinema anymore?
Isabel Peppard and Josie Hess’s “Morgana” is a documentary begging to be turned in to a feature film. It’s a wonderful and heartbreaking account of sexual repression, forced domesticity and using pornography as a means of re-claiming individuality. “Morgana” is short, but it’s an engaging journey in to the life of Morgana Muses, who suddenly found herself without the demands of a marriage that offered zero fullfilment. When she’s finally free she has no idea what to do with herself. That is until she realizes sex is a big part of what kept her from blossoming as a woman and adult.
I’ve been an animation nut ever since I was a kid, and it was tough to find varieties of animation since in the nineties it was a steady diet of Disney and Disney only. I was never really aware of the vast possibilities of the medium well into my early adulthood. “Spike & Mike’s Sick & Twisted Festival of Animation” is an event I would have loved to attend early in to my teens, if only to verify that there’s so much more you can do with the medium beyond singing animals, and fairy tales. “Animation Outlaws” is a very niche documentary but an outstanding film that will also speak to all kinds of fans of film and animation.
This year, to raise up the bar, we got you cult icon Tiffany Shepis (Tales of Halloween, Tromeo & Juliet, Killer Kate, and so many more), Mia Paige (Tiffany’s daughter, Model Hunger, Tales of Halloween), groundbreaking director/actor Adam Green (Hatchet series, Holliston, …), the one and only Arwen (no last name necessary, like Cher, but it really is Green, cute pup, superstar, #cultofarwen), and Heather Murphy (Black Devil Doll, social media darling).
Of course, a few of last year’s favorites are also coming back including Jamie Farthing, Tomas Navarro, and Mr. Ghost.
Be sure to pre-order your calendar here or by contacting @emybphoto on Instagram (we’ll direct you to the right place to make your order).
The calendars and any extra prints ordered will ship at the end of October 2019.
Come join in the fun and order a perfect gift from the Great Pumpkin!
Director Annie Deniel’s “Steampunk Connection” will likely be admired in the same vein as “Trekkies,” in that it examines a strong fan movement that allows people to connect through a broad scope of science fiction. It’s also been integrated in to their everyday lives and for many of them, the art form of Steampunk has allowed them to grow as people, and realize their potential in mediums like mechanics, engineering, and fashion. If there is anything that may push audiences away is that director Deniel digs so deep in to the following that it’s almost too niche for a broader audience.
This documentary tells of the life and work of playwright Terrence McNally, who during his 60 years of career wrote many plays including Ragtime and Master Class. The film also tell of the LGBT rights movement, his life through addiction, recovery, love, and a desire to be more, to work more, to be his best possible at all those things.
Now with the acquisition of FOX studios by Disney, X-Men is set to have a new renaissance in film and the media and “Chris Claremont’s X-Men” is available to audiences and comic book fans in a brand new feature length edition. Director Patrick Meaney adds over thirty minutes to his biography of Chris Claremont, featuring brand new interviews, extended interviews and even insights in to the franchise. From the comics, to the animated series, and movies, both old and upcoming, we manage to garner some keen and interesting looks in to the mind of Claremont, the man who made the X-Men as we know it.
From director Pablo Bryant, this documentary mixes interviews with a lot of visual material, giving a good idea of who Mr. Fish is, how he thinks, and how he creates. The film covers his life from childhood until now and shows not only how he works but also his home life which has an influence on his work and vice versa. This is done in a way that gives a good, unobstructed view of things and lets the viewer make their own mind as to if Mr. Fish is doing things right or not. Of course, the film does come at the subject from a specific angle and has its own agenda, but that does not keep it from having an openness about its subject.