I rather enjoyed Josh Ruben’s horror comedy mainly for the fact that it’s a unique look at writing and the creative process. Would I see it again? No. Would I add it to my collection? No. Is it one of the best films of the year? Goodness, no. But I can’t say that I was bored while watching it. I definitely enjoyed the meta-horror comedy, and the looks in to how some writers can make anything out of nothing. Especially horror writers, and their ability to take the seemingly mundane and turn it in to a twisted nightmare.
1990’s “Tales from the Darkside: The Movie” has a lot in its corner with me. It’s a childhood favorite, has a ton of sentimental value, and it’s a damn good anthology horror film. It almost feels like the lost “Creepshow” movie that we never got in theaters, which is a shame as the movie is very well produced and directed. It’s creepy, darkly humorous, and has a great pair of wraparound segments that hearkens back to the vicious violence of the Brothers Grimm.
A young woman is interviewing for a job at a mortuary and part of her interview is for the mortician to tell her a series of creepy stories.
I guess you could classify “Scare Package” as a horror movie, and yes even a horror comedy. But if my arm were twisted I’d be more comfortable just classifying it as a comedy. “Scare Package” is that movie that has a great time breaking down horror tropes and satirizing the clichés we’ve seen in various horror movies, but never actually includes any kind of scary content. Every single segment in this anthology is played with a tongue in cheek, and it’s a shame since a movie with this concept has a chance to re-imagine horror tropes.
Lance W. Dreesen and Clint Hutchison’s horror anthology is a movie that’s managed to slip under the radar and remain fairly obscure. Even in the age where old titles are being revived for physical releases, and even in the age of the anthology renaissance, not too many people talk about “Terror Tract.” It’s a shame, since the 2000 horror film is a bold mix of terror, dark comedy, and zany violence that make it feel like an EC Comic that is slowly losing its sanity as it unfolds. You wouldn’t think that the late John Ritter could have been a great person to lead such a stellar horror anthology, but he’s top notch in a film that’s so unfairly overlooked.
The “Tales from the Hood” series keeps chugging on and sadly doesn’t seem to be taking advantage of its platform involving racial and social commentary, anymore. While “Tales from the Hood 3” is a solid horror anthology, it doesn’t pack any of the social commentary we saw in the original movie and the zany sequel. That both works against and for the considerably low budget follow up. I doubt a lot of people are going to enjoy “Tales from the Hood 3” but I had a good time.
I’m a big fan of the concept where studios or a collective of directors take various short films from indie directors and create anthology horror films in the vein of “Tales from the Darkside” or “V/H/S/.” The idea is a great one and opens up a broader audience, and allows them some great exposure. “A Night of Horror: Nightmare Radio,” is one of the many that’s come along, mixing seven stellar horror shorts told by a lone radio DJ in the middle of the night.
If you’re looking for some frights and fun to ease your boredom during quarantine this summer, “A Deadly Place” is another of Mill Creek Entertainment’s bargain packs with two DVD’s worth of movies varying from fantasy to horror. For folks that are in the market for this kind of set, “A Deadly Place” is a big step up from the usual public domain fodder and actually delivers some treats. That is if you’re not a stickler for special features, or bells and whistles, and whatnot.