I haven’t kept up with “Dragon Ball Super” but thankfully the feature films don’t require a lot of catch up for casual fans. I went in to “Dragon Ball Super: Broly” basically without having known many of the characters, and had a good time just the same. While ““Dragon Ball Super: Broly” is a very good “Dragon Ball Z” film, it’s also a pretty darn good tale about the deeper back story of character Vegeta and Goku, and how deeply rooted their nemesis Frieza has been in their entire lives.
It’s never been more popular than to be an anime fan, as now it’s been widely accepted and has become pretty much a mainstream fixture. What was once a niche genre on the fringes, is now something everyone can get in on. Whether it’s PG rated fun, or more complex adult entertainment, it’s there for the taking. Mill Creek repackages some of their anime titles from Sony’s library from 2012 for a 3 DVD series collection of some of the more notable anime series to come out of the gates.
In Select U.S. Theaters September 6th & 10th via Fathom Events.
It’s amazing how prophetic Satoshi Kon’s “Perfect Blue” was back in 1997. Even though it was released at the beginning of the internet age, “Perfect Blue” is a very strong and still very relevant tale about rabid fandom, gate keeping, obsession, and the struggles to maintain one’s own sense of self and agency in a world where growing in one’s career means relinquishing our dignity and discretion. In a time where actresses are being chased and harassed off of social platforms, “Perfect Blue” conjures up so much interesting and familiar imagery and plot beats, and ultimately is about the cost of rabid fandom.
I’ve made it no secret about my hatred for anime in the past, but over the years I’ve softened on my stance considerably. I’ve learned to appreciate the genre and medium quite radically. While I would never label myself an anime fan, I definitely have a ton of love for the art form and have fallen in love with Studio Ghibli, and films like “Akira,” “Ghost in the Shell,” “Vampire Hunter D” and the like. When I was offered a chance to review “Anime Impact,” jumped at the opportunity since I wanted to learn more about anime. I also am a big fan of Chris Stuckmann who is easily one of my top ten movie critics on Youtube.
Saku Sakomoto’s “Aragne” is a real stab at anime horror that embraces its nonsensical story, and never actually delivers a narrative at any point during its run time. “Aragne” is thankfully a merciful hour long film, but one that’s a disorienting, and incoherent experience. And not in the artistic way. More in the realm that Sakomoto seems to have half assed a lot of the film and kind of took it in to the realm where he makes it looks intentional the whole way through.
Whether you love or hate “Batman Ninja,” you have to admit DC is at least going for something completely different and radical this time around. With a different crew and approach toward the mythology, “Batman Ninja” is a unique time traveling tale that finds Batman at his most godlike, worshipped as a near invincible warrior in Feudal Japan. Beautifully directed by Junpei Mizusaki, “Batman Ninja” puts the entire aesthetic of the DC character in to some of the wildest anime filters, and it works most of the time. Some concepts land with a thud, but when “Batman Ninja” soars, it’s quite spectacular.
Kokone escapes everyday life by dreaming about Ancien, a princess in a land ruled by a car-obsessed king. In her real life, things take an odd turn when her father is arrested at the start of her last summer before graduation and just a few days before the 2020 Tokyo Summer Olympics. This leads Kokone to use skills she didn’t know she had and come into her own.
Mamoru Oshii’s “Ghost in the Shell” is the natural successor to “Blade Runner,” it’s an anime masterpiece that works both as an action film and a very evocative and thought provoking science fiction thriller. Through very engaging characters and still incredibly stunning visuals, “Ghost in the Shell” approaches themes like the idea of consciousness and existence, and what living is, and how it’s fairly impossible to prove what sentience is or isn’t. In 2029, law enforcement has been enhanced to the point where human beings can transport their consciousness and memories in to cybernetic shells that grant them amazing abilities used to keep law and order.