Every few years a movie comes along that manages to quickly catches fire as a cult classic and Brendan Steere’s “The Velocipastor” has done just that since its introduction in 2017. The bizarre horror action flick is still being talked about online and on social media, and it promises to be buzzed about for years along with “Birdemic” and “The Room.” If you have an appetite for “The Velocipastor” here are five other weird Dinosaur movies you have to see.
Max Fleischer’s 1939 animated feature is given a new consideration in this week’s episode of the Rondo Award-nominated “The Online Movie Show,” with podcaster and film historian Geno Cuddy as our guest expert.
BOOTLEG FILES 720: “The Flintstones: On the Rocks” (2001 made-for-television animated film).
LAST SEEN: On the Internet Archive
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It seems to have fallen through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
In 1960, ABC premiered “The Flintstones” as the first animated sitcom to air in prime time. The show was a riff on “The Honeymooners” set in prehistoric times, and it immediately resonated with viewers who kept it on the air for a six-season run.
After some um—rather interesting internet ballyhoo, “Sonic the Hedgehog” is finally brought to the big screen in what is a shockingly good adaptation. Although I’d argue that the “video game movie curse” ended in 2018 (ahem–“Tomb Raider”), “Sonic the Hedgehog” does open the door for more, higher quality video game movies down the road. While I’d be hard pressed to say that “Sonic” re-invents the wheel, it also dodges a lot of video game movie pitfalls by side stepping cloying pop culture references, and paying homage to the source material.
Megan Riakos’s anthology “Dark Whispers” touts itself as a horror film with tales directed solely by women. The last film “XX” that explored the concept was a swing a miss, so I had my doubts this time. Thankfully “Dark Whispers, Volume 1” is a very good anthology with some outstanding horror shorts that often feels episodic like “Vault of Horror” and “Tales from the Darkside: The Movie.” The gallery of female filmmakers on display here are all sharp storytellers, and bring something new and unique to the table that frighten while also evoking genuine emotions every now and then.
I’ve been an animation nut ever since I was a kid, and it was tough to find varieties of animation since in the nineties it was a steady diet of Disney and Disney only. I was never really aware of the vast possibilities of the medium well into my early adulthood. “Spike & Mike’s Sick & Twisted Festival of Animation” is an event I would have loved to attend early in to my teens, if only to verify that there’s so much more you can do with the medium beyond singing animals, and fairy tales. “Animation Outlaws” is a very niche documentary but an outstanding film that will also speak to all kinds of fans of film and animation.
Satoshi Kon’s “Millennium Actress” has become one of the most celebrated animation masterpieces of all time, and for good reason. It’s managed to transcend everything about its medium to convey a tale that everyone can relate to. A big departure from “Perfect Blue,” his grim polemic about fandom, Kon gifts us “Millennium Actress,” a film that is a great and often riveting celebration about life.
I originally checked out “White Snake” when it was at the Fantasia Film Festival last year, and it’s not what I’d call the best anime movie to open 2020 with. While I love and appreciate the brilliant animation, “White Snake” is somewhat of a shallow and dull anime epic that packs in a lot of sub-genres and themes involving demons, war, the supernatural, dragons, and a very exhaustive reliance on ancient mythology. It would probably help the experience of “White Snake,” but having to do research to enjoy a movie is not appealing, even for movies that garner my interest.