Walt Disney’s 1940 masterpiece is in the spotlight on this week’s edition of “The Online Movie Show,” with film critic Jerry Roberts offering his input on the creation of this avant-garde animated feature and how it evolved from a box office flop into a timeless classic.
Even in this day and age, 1992’s “Batman: The Animated Series” remains the definitive iteration of Bill Finger’s Batman. Combining all of the best elements from past Batman lore, Bruce Timm’s iconic animated series is a mature, often compelling take on the Dark Knight that’s action packed enough for children, but sophisticated enough for older audiences to appreciate. Timm approaches the Batman with enough care and delicate creativity to allow the character to flourish in a contemporary setting, embracing the fantasy elements of the character as well as basing a lot of the aspects of the character and his background in reality as much as possible.
After 1966’s “How the Grinch Stole Christmas,” and 2000’s “Dr. Seuss’ How the Grinch Stole Christmas,” we now have 2018’s “The Grinch” (I assume the next reboot will be titled “Gri”). Illumination Studios continues being the C grade Disney Strudios, adapting the Dr. Seuss tale if, for no other reason, than to have their own holiday title out for the market and appeal to a younger audience. There’s not a lot of reason for this adaptation, as Illumination doesn’t offer a new twist on The Grinch. Except for obviously omitting “Christmas” from the title, “The Grinch” is an amalgam of Ron Howard’s live action movie, and the original Chuck Jones short movie–except bland.
It’s that time of year already, where the holidays have finally crept up on us; it seems like time just flies and we’re back to trying to figure out what to get the movie lover in our life, or what to treat ourselves with. Whether you celebrate Christmas, Hanukkah, Kwanzaa, Festivus, or just love the deals, this is our annual holiday gift guide with some suggestions for the respective movie lover, and pop culture fanatic.
Included in the guide are links to the products, and always remember, if you’re interested in helping us out, buy directly through us, and earn our eternal admiration.
Director Michael Mort has been working in stop motion animation for most of his cinematic career, working with studios such as Aardman Animations and his own studio Animortal Productions, and is a clear fan of old school action films and their over-the-top styles.
I’ve come to terms with “Teen Titans Go!” and I’ve especially come to accept it thanks to the shockingly good feature film. If there was ever a time where the superhero movie genre was ripe for parody and satire it’s 2018, and “Teen Titans Go! to the Movies” manages to do it better than anyone else. For everyone that’s come before, attempting to mock the whole appeal of the sub-genre, “Teen Titans Go!” captures the whole appeal and absurdity of the superhero movie and the superhero mythology as a whole. It also manages to cater to the hardcore comic book buffs in the audience, inspiring some great laughs from obscure references.
In 1986, detective Chuck Steel is on the case to find what is making people disappear when an old, sage man comes assist him. As they battle all kinds of beings, Chuck discovers truths about himself and his long gone wife.