“Sing” is a lot like many of the other movies from Illumination Studios. It’s basically a moving greeting card. It’s cute for a few minutes, and then you’ll eventually find yourself tucking it away and looking for something more stimulating. As per most of the films from Illumination, “Sing” is just a middle of the road film that barely gets by because of the neat animation. “Sing” is cute. And that’s about it. It’s cute. And it packs a humongous soundtrack filled with pop songs both old and new that are meant to basically distract from the fact that it’s a very barebones animated movie with a paper thin narrative, that does little to convey to its audience something more meaningful.
For parents looking to introduce their tween children to lighter superhero fare before giving them heavier doses of superhero drama, “DC Superhero Girls” is a nice animated introduction. Based on the hit toy line, “DC Superhero Girls” is set in the superhero high school, where DC Universe’s most powerful superheroes attend to learn how to fight crime. The movie is mostly centered on the female superheroes from the DC Universe including young Wonder Woman, young Batgirl, Supergirl, Bumblebee, Katana, Poison Ivy, and class clown Harley Quinn.
My only hope is that when DC’s live action debut of “Wonder Woman” finally arrives, that they’ve taken notes from Bruce Timm and Lauren Montgomery’s animated depictions, because they remain some of the best iterations to date. DC and Warner have yet to churn out a cinematic masterpiece in the last five years, but they’ve done remarkably well in the animated department in the past. “Wonder Woman” is one of their crowning achievements as an exciting, action packed, and engaging look at the Amazonian warrior’s battle against her uncle, the god of war Ares.
“Teen Titans: The Judas Contract” is a sequel to “Justice League vs. Teen Titans” which was a sequel to “Batman: Bad Blood” so don’t worry, it all ties to Batman. Like pretty much everything DC Comics these days, it’s all about Batman, and “The Judas Contract” compensates for the lack of Batman by including both Robins. Not only do we get a look at Dick Grayson as Robin when he led the Titans, but we also go to modern times where Grayson is now Nightwing. Damian Wayne is Robin now, and is a member of the Teen Titans. So that Batman flavor DC banks on is still there, even if Batman never shows up. “The Judas Contract” is an adaptation of one of the most iconic comic book storylines of all time, as the Teen Titans confront a traitor in their midst. Sam Liu’s animated adaptation is weak and limp, and often times bereft of entertainment value. And I say that as someone who genuinely loves the character Nightwing.
Near as I can figure, “The Boss Baby” is about a young boy with a wild imagination who uses his daydreams and fantasies to exaggerate life. When he learns of a new baby entering his household and ruining his rituals, he basically has a psychotic break. He imagines a humongous scenario where nothing makes sense, nothing is funny, and the baby about to enter his house is a part of a bigger purpose. It’s not just replacing him, but is a businessman on a mission who has more intellect than he can ever hope to have. “The Boss Baby” wouldn’t be so bad if it were just a derivative take on “Look Who’s Talking Too” or “The Rugrats Movie.” It just gets bogged down in to so much stale comedy and convoluted storytelling it becomes white noise.
In the nineties, Hercules and Xena garnered humongous fan bases that were vocal and loud. And this was long before the internet became a common facet in every home in the world. Hercules begat Xena and Xena became the more popular of the pairing, with Hercules still showing up every so often to remind us that, yes, Kevin Sorbo was still on his journeys as the half god. Both series were so big they even prompted a ton of merchandise, including a prequel TV series aimed at kids starring a very young Ryan Gosling, and this animated action movie, which barely clocks in at eighty minutes. I’m not sure if this movie is even considered canon, but it is Hercules and Xena together again, fighting evil Titans and trying to stop the evil Goddess Hera.
The first time I ever saw “Mortal Kombat” was in 1992 when I stopped by a grocery store on the way to school and saw a pair of guys battling one another on the arcade cabinet. Though “Street Fighter 2” was huge, “Mortal Kombat” made its own waves by realistic character models and some of the most vicious video game violence ever conceived in its era. So came the 1995 movie where not even then was there this much babbling about supernatural forces, and tournaments. “The Journey Begins” works overtime to build a mythology from this simple video game, and fails big time. It feels like someone at Threshold Studios were alerted about the upcoming movie and only had about two weeks to build a respectable animated tie-in.
BOOTLEG FILES 584: “How Did You Happen to Get Snoopy, Charlie Brown?” (2017 fan film based on the Charles M. Schulz characters).
LAST SEEN: It is on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The unauthorized use of copyright-protected characters.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
There has been so much talk about childhood bullying in recent years that it is difficult not to recognize the role that Charles M. Schulz played in encouraging this negative environment. Yes, the creator of the long-running and beloved “Peanuts” comic strip used the concept of casual bullying as a light comedy theme focused on the character Charlie Brown. But let’s face it, the idea of a young boy constantly being harassed and insulted for his alleged stupidity, lack of personality, lack of athletic ability and overall clumsiness is not exactly hilarious in principle – and the fact that Charlie Brown’s tormentors are never punished or are very rarely remorseful for their malice is equally problematic.