This episode of “The Online Movie Show with Phil Hall” celebrates the Oscar-winning DePatie-Freleng Enterprises, the animation studio responsible for such beloved characters as The Pink Panther, The Ant and the Aardvark, Tijuana Toads and The Dogfather. Mark Arnold, author of “Think Pink: The DePatie-Freleng Story,” discusses the little-known history of the innovative artists behind these beloved animated shorts.
This program is produced at Platinum Wolfe Studios.
Director Joseph Bennett and Charles Huettner’s short “Scavengers” originally premiered on cable television and is admittedly at home in the Adult Swim studio library. The studio that thrives on creating different entertainment, “Scavengers” is an ambitious and thought provoking animated film with no dialogue, but incredible sound design. The experience of “Scavengers” hinges on every sound we hear in this new environment, and we’re thrust in to a new world without having characters over explain and hold our hands through what we’re watching.
Seth Rogen and Evan Goldberg are two men who can be funny when they want to, and whenever they come up with a premise for something out of the box they almost offer up something great. For some reason they can never seem to completely unfold their unusual premises whole hog, and hinder their own efforts to be absurd time and time again. “This is the End” had moments of pure hilarity but fell apart by the second half, and “Sausage Party” is a movie where I get what they’re doing. Yes, I understand what they’re doing here. “Sausage Party” is an off the wall and absurd twist on “Toy Story” where anthropomorphic sentient inanimate objects are treated as such to the point where they feel everything humans can. They can be scared, they have their own communities, and yes, they even have their own sexualities and religions. I get it.
Returns to theaters across the nation for a 20th Anniversary celebration, complete with a new 4K restoration. Premiered in theaters Thursday, January 5 in Japanese with English subtitles and will screen Monday, January 9 with an English dub at 7 p.m. local time. Tickets are available now. The event will also feature a screening of the never-before-released music video directed by Hayao Miyazaki, On Your Mark!
Back when “Princess Mononoke” hit the states in 1999, I literally had no idea who Hayao Miyazaki was. My teacher in high school kept a poster of the movie up on her bulletin board and I thought the movie looked amazing. Years after the Oscar buzz, I discovered “Princess Mononoke” and the brilliance of Studio Ghibli. The great thing about Studio Ghibli is there is no wrong way to enter in to their universe. Continue reading →
“Rock & Rule” is a wonky, surreal, and entertaining animated musical that feels like Ralph Bakshi, Don Bluth, and “Heavy Metal” magazine were combined in to such a frantic cult gem. The 1983 movie has gone through years of being an underground classic, and has finally been embraced for such an ahead of its time science fiction tale. The animation for “Rock & Rule” is completely out of the box, resembling rotoscoping in many aspects, and opting for character models you don’t often find anywhere else. “Rock & Rule” is a science fiction, punk rock, steam punk tale set many years in the future after world war III wiped man off the face of the Earth. The only surviving species are cats, dogs, and rats. They have evolved in to anthropomorphic mutants, all capable of thought and speech.
Another very rare Studio Ghibli film is finally coming to the states as director Tomomi Mochizuki’s “Ocean Waves” is opening for audiences anxious to visit the lesser known entries in the Ghibli catalogue. “Ocean Waves” is described as one of the very few movies not made by Isao Takahata or Hayao Miyazaki and has rarely ever been seen outside of Japanese television. Adapted from a novel of the same name by Saeko Himuro, “Ocean Waves” is a short (At barely eighty minutes) but very well realized teen drama about two teenage boys hopelessly enamored by a gorgeous young girl named Rikako, who is often given to flights of fancy and adventurousness that allow the two friends Taku and Yutaka a chance to break free from the monotony of their busy school lives.
It just serves to prove my theory that bad animated movies can be excused since they’re “for kids” is a cheap cop out meant to let crap pass by us. Animation studios are providing amazing kids fare, including Laika who seemingly snuck out of nowhere to deliver yet another stop motion children’s masterpiece. “Kubo and the Two Strings” is probably their great animated stop motion achievement to date. It’s an immense, epic, and heartfelt ode to the art of storytelling and the power of memories. It’s teeming with fantastic Asian folklore offering a very respectful view of its characters, and creates a wonderful hero who is capable of defeating evil not with his fists or guns, but with magic and his ability to think outside the box.
Alan Tudyk has, for years, been the working man’s character actor. He’s pulled in performances from all sorts of mediums, voicing characters in animated series, and animated movies, he’s played side characters in comedies like “Dodgeball,” did a bang up job as a supporting character in the sitcom “Suburgatory” and is still going strong today, beginning his new show “Conman” and continuing to work on various modern hit films. Though you may not know he’s there, he’s been in many hit films, playing the Duke in the monster hit “Frozen,” the weasel in the monster hit “Zootopia,” and oh yes, he played one of more interesting rebel heroes in 2016’s “Rogue One,” yet another monster hit movie.
Here are five great performances from Tudyk’s large resume. If you haven’t seen these, be sure to give them a shot. If you have, check them out again, since Tudyk is scary talented and very funny.