After spending years out of print, it’s good to see Fred Dekker’s eighties horror classics finally being given the special treatment that they deserve. For fans of the 1986 “Night of the Creeps,” they’ll be happy to know that Dekker’s zombie comedy hasn’t aged much at all. While it’s very much of its time, it still allows for an accessible and very interesting mix of horror, science fiction, coming of age, and romance that’s tough to beat. Plus, there’s Tom Atkins who is just downright fun in the role of detective Ray Cameron.
“Men in Black International” should have worked. On paper it’s a great idea for a reboot, one that doesn’t bring with it the marquee name of Will Smith and the class of Tommy Lee Jones. I respect Sony for wanting to revive the “Men in Black” franchise after so many years, and I respect them even more for side stepping the whole “21 Jump Street meets Men in Black” movie they were planning. But in the end, this new attempts to jump start “Men in Black” for a new audience is a swing and a colossal miss. Worse, it’s absolutely boring.
“Captain Marvel” is one of the most popular contemporary Marvel superheroes and Marvel has taken advantage of the popularity of Carol Danvers, using her to pivot us in to the new generation of Marvel Cinematic Offerings. Captain Marvel is being tailored as the new leader that one that helps Marvel’s superheroes charge in to battle. Much in the vein of “Captain America: The First Avenger,” Anna Boden and Ryan Fleck’s origin film will prove to appreciate in cinematic value, especially with Brie Larson at the helm as a powerful, and engaging cosmic heroine.
With Disney’s acquisition of Fox Studios and many more of their Marvel properties, the Fox Studios “X-Men” franchise is done. It’s over. There’s no ifs, ands, or buts about it. With “Dark Phoenix,” Simon Kinberg tries to exercise the feeling of finality for an era that began in 2000. The problem with “Dark Phoenix” is that while the pieces are all there for a slam bang exciting finale, it’s a sequel that basically takes “The Last Stand” and tries to remake it in to something decent. And it fails, for the most part.
With fans of Mighty Morphin complaining that they could only get the 1995 movie on DVD when it was released as part of a complete box set, Shout! Factory finally releases the big feature film on Blu-Ray for collectors. “Mighty Morphin Power Rangers: The Movie” admittedly has a ton of nostalgic and sentimental value for me, so I’m not even going to pretend to thumb my nose up at it. All I know is it’s a damn fun movie, and one you can watch the equally underrated “Power Rangers” from 2017.
I love “Critters,” I should say that first and foremost. I love the movie series, the first two are childhood favorites, and when it comes down to it, I prefer the Crites over the Gremlins. Come at me I don’t care. So when news came that we were getting a limited series based on the eighties movie series, I was excited to say the least. The trailer looked amazing and I was so ready for it. I’m not one to adhere to conspiracy theories, but the only reason I can rationalize the utterly terrible “Critters: A New Binge” is that it was once a movie that was split up in to a “series” for the sake of views.
After the downbeat ending of “The Avengers: Infinity War,” there stood some beacon of hope in the post credits scene where Nick Fury pressed a pager, signaling someone from outside Earth. That someone was Captain Marvel, Marvel Comics’ most dynamic and entertaining super heroine who is finally brought to the big screen. Not only does “Captain Marvel” stand on its own as a great, fun movie about empowerment and learning how to conjure up your inner strength, it sets the platform for Captain Marvel charging in to “Endgame,” and it also sets up the foundation for phase four of the Marvel Cinematic Universe.
I’ve never seen a movie so apparently short on a script that it purposely pads the run time to compensate. I’ve seen movies waste time on screen, but director Virgil W. Vogel’s science fiction adventure obviously had a script comprised of maybe forty pages of actual narrative and writing. The rest of the seventy seven minutes is obvious empty filler, and padding that tries to run out the clock for the sake of the feature length credibility. Set in the general vicinity of Asia, we meet (two of the most grating heroes ever put to film) archaeologists Dr. Roger Bentley and Dr. Jud Bellamin, both of whom are dedicated to finding a mythical race of Sumerian Albinos living deep in the Earth.