Larry Cohen’s “The Stuff” is one of those “so bad its good” horror comedies that’s managed to creep in to the collective consciousness of movie buffs since its release and for good reason. While much of the movie is so painfully ridiculous, it also kind of comes packed with a still very relevant message about consumerism and our obsession with junk food. You could mock it all you want, but when the credits roll, its message is a lot more sophisticated than bad green screen and horrendous sound design. Cohen’s film is wildly uneven in tone and never really decides if it wants to be sci-fi, horror, comedy, or complete satire.
Auteur Luigi Cozzi’s “Alien Contamination” also known as “Toxic Spawn,” also known as “Contamination,” also known as “Aliendrome,” is one of the most incoherent horror films spawned from Italy. It’s tedious but shockingly compelling, and manages to take just about everything from various films to mix together something that’s about alien green egg pod chest bursters turning humans in to zombies that originates from Mars, as masterminded by a phallic Cyclops alien with a vaginal mouth and hypnotic eyes. All funded by the Colombian Mafia! Seriously.
I’d say the best marketing The Last Halloween ever had was on a bag of Reese’s Pieces during the Halloween of 1991. I can still remember my mom buying the big bag of Reese’s Pieces and on the lower left hand corner there was the ad for the CBS special premiering that month with the “Mission to MARS” mascots front and center. It was a fine Halloween, with a great special that ran once on CBS and before disappearing into obscurity. Serving as a promotional film for the candy company MARS Company, “The Last Halloween” was a half hour movie about a small town named Crystal Lake with an economy reliant on their massive candy factory.
We couldn’t afford too many toys when we were kids, but for we always appreciated what stuff our parents could grab for us for Christmas or our birthdays. My toy preferences mostly narrowed down to action figures and play sets with TMNT and superhero figures some of my biggest choices on wish lists as a kid. Along the way I did have some toys that were horror themed, including the Ghostbusters, the Mighty Max play sets, and much more. I was even around during the first wave of McFarlane’s Spawn figures, which were hot commodities for a while, there. These are five of my favorite and most fondly remembered horror themed toys from my childhood.
What were your favorites?
By 1997 the “Power Rangers” had reached the nadir of their popularity and with the appeal of the franchise dying down as fans grew older, “Turbo” was a last gasp cash grab. It didn’t just bring the old and new Rangers (for the most part, anyway) to the big screen, but it also rebooted the Power Rangers in to a auto-centric kind of Power Rangers team that would do nothing but go downhill from here.
It’s been slim pickings for fans of “Critters” and it’s a shame that even after this film, there’s still not a lot of options for us. We’re either stuck with “The New Binge” which was nigh unwatchable, or “Critters Attack!” which is quite boring and defeats the whole idea of a sequel by dodging everything that makes these movies so fun. It even wastes the idea of a friendly Crite named Bianca by making the monster some aimless prop. Let’s just say Gizmo is in no threat of being dethroned as cutest monster ever.
Critters fans have had slim pickings for a very long time, with lack of real printings of the original film on home media and new films coming together. Now in 2019 we finally got two new installments, but together they don’t really amount to much of a great “Critters” movie sadly. While “Critters Attack!” is waves better than “Critters: A New Binge” it’s still never as good as “Critters” parts one or two. It’s only an okay offering that’s right there beside “Critters 3.” That’s about as glowing as a recommendation that I can give it when all was said and done.
I’d love to know what the thought process was behind “Rim of the World.” Directed by McG, it’s much too crude and violent for kids, but much too juvenile for anyone looking for a good action horror movie. Netflix and McG obviously had in mind the “Stranger Things” crowd when they concocted this unpleasant, long, obnoxious film. It wants to be mentioned in the same conversation as “The Goonies”, Amblin, and “It,” but I doubt in a few years it’ll even be mentioned in the same favor as “Mac and Me.”