Whether you love or hate “Batman Ninja,” you have to admit DC is at least going for something completely different and radical this time around. With a different crew and approach toward the mythology, “Batman Ninja” is a unique time traveling tale that finds Batman at his most godlike, worshipped as a near invincible warrior in Feudal Japan. Beautifully directed by Junpei Mizusaki, “Batman Ninja” puts the entire aesthetic of the DC character in to some of the wildest anime filters, and it works most of the time. Some concepts land with a thud, but when “Batman Ninja” soars, it’s quite spectacular.
It’s not so much the journey of getting the shoes but what they ultimately represent to a lot of people. Eventually the mission of young Brandon to get his Jordans back from a vicious neighborhood psycho becomes a lot more than re-claiming a piece of goods. It becomes about re-claiming a part of himself, and perhaps taking a chance on something that could either mean his doom or prove that he’s capable of going very far in his life, and perhaps farther than anyone figured.
Rowdy Herrington’s “Road House” exists in that line of the late eighties and early nineties where honky tonk trailer trash chic was in vogue. This is the re-emergence of rowdy bars in that whole period of “Black Velvet,” “Black Betty,” Stevie Ray Vaughn, and Billy Ray Cyrus. It permeates with that exact odor but with Patrick Swayze playing basically your normal everyday enigmatic superhero known as Dalton. Only Dalton. He is so bad ass he has one name, carries a thick reputation, and spends his off time stitching his own wounds in bar room bathrooms.
“Hell to Pay” is chapter two in what is one of the more under appreciated animated DC series currently in stores. While DC mainly focuses on Batman and Superman, we’re given a second shot with “Suicide Squad” who DC is thankfully not above sharing for the home entertainment audiences. After the very good “Assault on Arkham,” the team known as Task Force X return with a premise that—let’s just say it—should have been the premise for the live action movie. It’s a small covert team, they should do small covert operations that involve the DC Universe, for crying out loud.
“Up in the sky, look! It’s a bird. It’s a plane. It’s Superman! Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Man of Steel: Superman! Empowered with X-ray vision, possessing remarkable physical strength, Superman fights a never-ending battle for truth and justice, disguised as a mild-mannered newspaper reporter, Clark Kent.”
In a small town, a hurricane causes mayhem and destruction. A father and his two sons attempt to outrun it in the family’s tow truck. As they become stuck, the father puts his sons in a house for safety. Before he can unstuck his truck, the hurricane closes in, a skull shape comes out of it before the truck disappears and the house starts tumbling. Now if this doesn’t sell you on seeing the film, the rest of the story takes place in present day during a heist at a federal reserve happening under the cover of a massive hurricane stronger than the one in the opening. Good guys and bad guys face off under this epic hurricane.
Back in the nineties, there was this strange movement to take pulp and serial heroes and revive them for a modern audience. Everything from Flash Gordon to Doc Samson were revived. Some of them, like “Zorro,” were big hits, while a lot of them surprisingly missed with audiences. I’ve always loved the pulp and serial heroes, but a lot of the box office and ratings for movies and television decided that they were best left in their era. One of the bigger movements was to place serial heroes in to the future. So, The Phantom was placed in to a futuristic setting, and Sherlock Holmes was brought back a la “The Demolition Man.”
It’s all been leading up to this! After the end of “Iron Man” where Tony Stark is confronted by Nick Fury about the Avenger Program, here we are about to enter in to the iconic “Infinite Gauntlet.” We fans spent years just hoping for a good Captain America movie, now we’re here optimistically awaiting their third battle for the fate of Earth. While the MCU villains get a bad rap I think they all brought something to the table. Here are five of my absolute favorites from the entire library.