How do you deliver an action comedy filled with gun fights and car chases on a 30K budget? You be as clever as humanly possible, and add in a bit of suspension of disbelief. “In Action” is a shockingly clever action comedy that takes a unique premise and puts it on film, come hell or high water. Working simultaneously as a proof of concept, directors Eric Silvera, Sean Kenealy, and Jon Warren’s bring to life a premise with potential to be pretty damn good, and they do whatever they can to bring their concepts to life.
Approaching Stan Laurel’s 130th Birthday, from Kit Parker Films comes another in a vast library of shorts from Laurel and Hardy. For folks that love the pair of comedic performers and actors, “The Definitive Restorations” is a great set with some of the best shorts from the legendary duo. I love Laurel and Hardy, and digging through this set allowed me some great laughs, and a glimpse in to a very talented pair of comedians that brought fun to the big screen. The shorts and two features included were remastered and further restored for this set, allowing them to clean up a lot of debris and imperfections and preserve a lot of the integrity of the original masters and reels. It’s stunning to say the least, and contributes to an already worthwhile experience for comedy buffs and film collectors alike.
Mostly unknown for years and years, Reinhold Schünzel’s musical comedy is a very good musical comedy that would set the template for the LGBTQ iconic movie and musical “Victor/Victoria.” Although known as “Viktor und Viktoria,” director Schünzel creates a funny, adorable, and entertaining musical that mixes cross dressing and heavy queer overtones. It otherwise salvages the pretty clumsy finale that doesn’t resolve much when all is said and done.
As a particular wedding is about to take place, a killer is hired to bring back the finger of an esteemed musician brought into the city for the wedding. As these man try to find a way out of their personal situations, things keep taking odd turns and forcing them to get involved.
“Hot Dog… The Movie” is that film right at the end of the “Animal House” spectrum and the beginning of the “Police Academy” phenom, where every single work place or setting had its own wacky, madcap plot and array of cartoon characters. Most of the eighties were all about taking what worked and truing to copy its success. In the decade the followed, “Animal House” gave way to a large library of comedies (often teen based) that borrowed from its formula. Some of the titles were pure dreck and some of them were humongous gems. “Hot Dog… The Movie” is the absolute former.
TNT undergoes a massive task with “Snowpiercer.” After coming to the big screen as a massively underrated and underseen 2013 science fiction masterpiece from Bong Joon Ho, their next phase is taking the graphic novels by Jacques Lob and Jean-Marc Rochette, and transforming it in to a weekly series that puts us on board the Snowpiercer once again. This series’ newest aim is to take us so much deeper in to the lore and world of Snowpiercer, as while the central setting is a train, it’s a massive train that houses its own ecosystems, as well as its own turmoil that threatens the entirety of the haul including the bubble that many passengers have built for themselves.
Ang Lee has always been a visionary director who has challenged conventions with certain genres. While he doesn’t always hit a home run, Lee can at least be appreciated for wanting to take ideas to help usher in classic films. “Gemini Man” should have been a slam dunk. It would have been a slam dunk. But as a film, it’s so much more a concept meant to do pretty much everything but tell a story that’s engaging. It flexes its CGI, as well as Hollywood’s current fetish for de-aging stars and trying to find ways to beat mortality for the sake of cashing in on them as long as possible.
Harley Quinn has been one of the most popular DC Comics anti-heroes of the last twenty years, and for good reason. She went from an abused spouse who served her partner thanks to years of mental abuse, gas lighting and Stockholm Syndrome, to someone who cast off the shadow of the Joker to carve out her own niche. Harley Quinn should be an easy adaptation but DC and Warner haven’t quite mastered it yet. After stealing the show in “Suicide Squad,” she steals the show again in “Birds of Prey” but still never quite comes out unscathed thanks to what is an imperfect and brutally flawed, albeit balls to the wall entertaining action movie.