Coming Back to theaters July 29, July 31 and Aug. 1. For Showtimes and Tickets check Fathom Events.
I still remember going online back in 2006 and watching the trailer for “Across the Universe.” As a budding Beatles fan making himself familiar with their catalogue at the time, the prospect of a movie built around their music made me excited and over joyous. I mean if they can build a whole storyline around ABBA, they can surely do the same with the Beatles, whose music tell stories of their very own and even had interesting commentaries on where the group were at the time. I was quite crestfallen when the movie landed with a thud and was generally dismissed by audiences.
One of my most anticipated movies of 2018, “Tag” is based on a true story of a group of friends who managed to stay in touch for decades by engaging in a game of tag. Playing the game since they were kids, and finding ways to be in other’s lives for the sake of playing the game and one upping each other, current “it” player Hoagie begins gathering his group of friends for one more big game of Tag. It seems their friend Jerry is retiring from the game, and in all the years they’ve played he’s never once been tagged. Now with Jerry about to get married, the group takes it upon themselves to take advantage and end his streak once and for all.
Steven Spielberg’s adaptation of “Ready Player One” is a fantastic, mind blowing amalgam of “Willy Wonka and the Chocolate Factory,” “Tron,” and “The Matrix” all rolled in to one multicolored strobe of pop culture. You’d think with the rapid fire barrage of pop culture nods and winks to video games, anime, and television series that “Ready Player One” would lose sight of its narrative. In the end, though, Spielberg keeps a firm grip on the novel by Ernest Cline, never once losing sight of what made the original novel such a must read in 2011.
At the very least, video games seem to be evolving to where they’re no longer abysmal and are gradually edging toward entertaining. “Tomb Raider” was a blast, and “Rampage” is a fun ninety minute diversion. Based on the pretty plotless classic video game of the same name, Brad Peyton’s movie injects science fiction, action, giant monster movie madness, and yes, even features the game’s iconic monsters rampaging through civilization, bringing down buildings left and right. It’s bits and pieces of “Mighty Joe Young,” “King Kong,” and “Jurassic Park” that tries to deliver on many levels.
Zombie movies have become the superhero movies of modern age where not a lot of people think there can be much original material to mined from it anymore. This year has proven those skeptics wrong with the haunting “Cargo,” and the incredibly complex “The Night Eats The World.” A healthy mix of “I Am Legend,” “Dawn of the Dead,” and “Castaway,” it’s ten minutes too long, but manages to come out in the end as a scary zombie movie with insight about the horrifying world that can linger outside of our doors.
The Wasp is one of the oldest, most important Marvel characters of all time (she was one of the original five Avengers), and she’s also someone who has been waiting in the wings for far too long. In “Ant-Man and The Wasp,” the heroine finally gets her due in a movie that’s about her legacy as much as it is about the Avengers, and Ant-Man, overall. After the two heavy meals that were “Black Panther” and “Infinity War,” Peyton Reed’s return to “Ant Man and the Wasp” is like a nice light after dinner sorbet. It’s a palate cleanser, it’s simple, and it’s quite good.
As part of our Female Filmmaker Friday series, we will bring films by women to everyone’s attention each Friday.
Based on the life and crimes of female serial killer Aileen Wuornos, “Monster” is an acclaimed true crime biography starring Charlize Theron and Christina Ricci that garnered Oscar nods and plenty of awards.