After many, many years in limbo, “Creepshow” is finally revived by Shudder/AMC Networks for a modern generation bringing the love child of George Romero, Tom Savini, and Stephen King back for more terror. Premiering exclusively on the Shudder streaming service (then later on AMC), “Creepshow” is led by legendary Gregory Nicotero, doing everything to pay tribute to the EC Comics and the 1982 horror masterpiece. With six episodes featuring stories by Joe Hill (NOS4A2), Joe Lansdale (Bubba Ho-Tep), Josh Malerman (Bird Box), and Paul Dini et al., “Creepshow” is a great companion to the original pair of classic anthology films.
I freely admit that I didn’t quite enjoy “Birdboy” when it was titled “Psychonauts, The Forgotten Children” back in 2016 for the Fantasia Film Festival. While typically I’m a big fan of animation of most kinds, “Birdboy” failed to click with me. I just could not find any real reason to recommend it when I’d finished it, and struggled to even finish it, when all was said and done.
It’s the return of Shorts Round Up of the Week! And this week, Emilie Black steps in to the driver’s seat bringing readers some reviews for four of the latest short films from very unique indie film voices.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
I’d be lying if I said that I’m the biggest Scooby Doo fan around. Hell, I’m still stunned that Hanna Barbera has placed so much stock in the franchise for so many decades, but I digress. I had high hopes going in to “Scoob!” as every generation is introduced to Scooby Doo once again in some new form, and “Scoob!” seemed like the right avenue. Not only does it give us a new vision of Scooby Doo, but it makes tweaks to the mythos that I liked, while also establishing a shared Hanna Barbera universe. And yet, at the end of it all, I’d still rather have seen “Scooby Doo on Zombie Island” or “Scooby Doo and the Witch’s Ghost,” again.
TNT undergoes a massive task with “Snowpiercer.” After coming to the big screen as a massively underrated and underseen 2013 science fiction masterpiece from Bong Joon Ho, their next phase is taking the graphic novels by Jacques Lob and Jean-Marc Rochette, and transforming it in to a weekly series that puts us on board the Snowpiercer once again. This series’ newest aim is to take us so much deeper in to the lore and world of Snowpiercer, as while the central setting is a train, it’s a massive train that houses its own ecosystems, as well as its own turmoil that threatens the entirety of the haul including the bubble that many passengers have built for themselves.
Harley Quinn has been one of the most popular DC Comics anti-heroes of the last twenty years, and for good reason. She went from an abused spouse who served her partner thanks to years of mental abuse, gas lighting and Stockholm Syndrome, to someone who cast off the shadow of the Joker to carve out her own niche. Harley Quinn should be an easy adaptation but DC and Warner haven’t quite mastered it yet. After stealing the show in “Suicide Squad,” she steals the show again in “Birds of Prey” but still never quite comes out unscathed thanks to what is an imperfect and brutally flawed, albeit balls to the wall entertaining action movie.
Like many movie lovers, you mainly associate Alastair Sim with his iconic portrayal of Ebenezer Scrooge in the 1951 masterpiece “A Christmas Carol.” His take on Scrooge remains one of the most celebrated and imitated to this day. But Alastair Sim also had a very seasoned career in various film roles that challenged the performer, and the cinema curators at Film Movement have made his other under seen, otherwise under appreciated performances from the period of 1947 and 1960 available for purchase.
I truly hope you’re doing well in the current social climate and are celebrating Friday the best way you can. This week, I’m reviewing two brilliant animated series that’s female oriented, but fit for every audience imaginable. They’re two very complex and amazing animated series you can sit down and watch with the whole family, that promote strong female heroes, complex ideas about youth and discovery, and confronts very real overtones about loss of innocence and growing up way too fast.