Superman’s legend is constantly being re-invented for a new generation and it’s always retrofitted for a new sensibility and new crowd of potential comic book buffs. Thankfully while DC has rebooted Superman a few times in their animated universe they’ve managed to stick to what makes the man and the myth so exciting and awe inspiring. Even in the rare misfires, Superman is almost always Superman and it’s great to see him return yet again in this re-invention of the character’s lore.
In 2010, “Scott Pilgrim vs. The World” shocked me. Not because of Edgar Wright. If there’s any director out there that knows pop culture, it’s Edgar Wright. It’s more so how much Edgar Wright understood the idea of pop culture and how absolutely annoying the idea of nostalgia had become. It’d somewhat become a monstrosity of awareness, sarcastic catch phrases, and smug gate keeping. While “Scott Pilgrim vs. The World” is a wonderful film filled with laughs, and some excellent performances, it’s also a polemic about how much pop culture has replaced actual culture. While a lot of others saw it as a great action celebration, I saw it as immensely cynical. It’s also why I love it so much.
Like most elseworlds tales involving Superman and most DC superheroes, “Red Son” examines what the world would look like with a small alteration in mythology. And it’s also a look in to what would happen if Superman was on a different side of history. It’s a history in the controversial albeit acclaimed graphic novel where America loses the Cold War, Russia is the dominant force and Superman is a being whose own personal hell was paved with good intentions. The problem is that with “Red Son,” we’ve basically seen it all before.
Blumhouse has found a little niche market in taking classic comedies and turning them in to bonafide horror movies. After “Happy Death Day 2 U,” they take the creaky Disney classic “Freaky Friday” and add a slasher twist to it. Shockingly, it works more times than it doesn’t. Christopher Landon doesn’t just embrace the classic narrative, but he tops it off with a gory slasher movie, and even injects so many LGBTQ overtones that it wouldn’t surprise me if it picked up steam as a LGTBQ classic very soon.
Stephen Norrington’s 1998 adaptation of the comic book “Blade” is a movie that’s often overlooked and or ignored as one of the comic book movie hits that broke ground. While it was never as mainstream as “X-Men” or “Spider-Man” it was a hit movie starring an African American hero, with an R rating. And while it hasn’t aged quite well since its initial release (it’s aged about as well as “X2,” which is good and terrible), it’s still a trailblazer worth seeking out right this second.
David Mamet and James Foley’s adaptation of the stage drama is a remarkable and intense look at a room full of men in various stages of a job where the clock is consistently ticking down. As a salesman, you begin as Al Pacino’s Richard Roma, a slick and swift salesman who is absolutely cut throat. Then the time begins running out and you invariably turn in to Shelley Levene, a man who is desperately trying to keep his job, clinging to one big deal that may or may not save his job.
2020’s been twelve months of pure chaos, but hopefully you can find some peace in viewing some great movies. For Thanksgiving while you’re chomping down on turkey, or tofurkey, or turducken, or whatever horrifying facsimile of turkey that you can concoct, be sure to stay home, and check out these five great movies about food.
This year Warner Bros and DC Entertainment has unleashed a flurry of their banner television shows which should help ease the boredom of folks still in quarantine. With a lot of what’s been released, there are long awaited releases, and of course big releases of some of the biggest events of the year. COVID may have ground everything to a halt, but DC is still delivering on animated movies and season sets.