When a disease sweeps the area, all parents become crazed killers going after their offspring. In one house, a teenage girl and her little brother try to survive while their parents do all in their powers to kill them.
Brian Taylor’s “Mom and Dad” has a really good idea on its hands and sometimes he doesn’t really know what to do with it. “Mom and Dad” best sums up the whole of its premise in the opening where Taylor stages the film like the opening to Zack Snyder’s “Dawn of the Dead.” A mom looks back at her toddler sitting in its seat, gets out of the car and walks away calmly as a train barrels down on it. We then flicker to a small suburb from top view where carnage is about to ensue. Granted, “Mom and Dad” begins very tensely and starts off with a lot of mounting suspense that kept me glued to the screen.
Based on Mary Stewart’s classic children’s book “The Little Broomstick,” we meet frizzy haired Mary, a young girl sent to live with her great aunt Charlotte by her parents as they prepare to move. Overcome by boredom, she ventures out in to the wilderness and follows a mysterious black cat in to the nearby forest. There she finds an old broomstick embedded in an old tree, as well as a mysterious glowing flower called the “Fly-by-Night.” The influences of Studio Ghibli are all over the place in Hiromasa Yonebayashi’s animated adventure “Mary and the Witch’s Flower.” From “Whisper of the Heart,” “Spirited Away,” and “Kiki’s Delivery Service,” there are so many nods and winks to the aforementioned properties that it becomes kind of a treat to see it all unfold.
2017 had so many good films that just one list or even two were not enough. This list is all about fun. Movies that are fun to watch and have something to offer that may not be the top top best of the year but damn close. These are films you want to watch with friends, even one for the kids. Watch these at home in PJs or with a drink (hot cocoa is the drink of choice for one of those films of course).
2017 is was a crazy year for films with so many good titles that picking only 10 was difficult and took much too long. That being said, here are my top 10 independent and foreign films which was gathered with much thinking and trying to figure out which films to keep, which not too. The list could easily have been a top 25 and it has been evolving everything it’s being worked on. The order is constantly changing, the titles that keep coming back are the ones found below.
Having seen mostly independent films and foreign releases, making a top 10 of mainstream, theatrically released films is practically impossible. However, some of these films deserve to be recognized and seen. Here are my 5 favorites of the mainstream American films I’ve seen this year.
In his return to the screen, super hero Surge leaves Big City for a visit to Las Vegas where he’ll find adventure, love, and celinedionium. While trying to save the city and possibly the world, he also attempts to help a friend and figure out more about life.
It’s David Ayer with another cop drama except rather than a socially relevant tale about mismatched officers of a different race or gender or religion—it’s got Orcs! “Bright” is by no means as clever as it thinks it is, as it uses fantasy tropes not to move the story forward or to lend a new twist to the cop drama, but to hammer us over the head with clumsy allegories and symbolism. Max Landis’ script is painfully stale and lacks any kind of idea as to what it’s trying to get across. It’s much too serious to take as a fantasy film, and not silly enough to take it as a meta-cop movie. Even the opening scene of Will Smith’s character beating a fairy to death on his front lawn with a broom is flat and never quite played up as a meta joke, so much as a poorly delivered device to alert us that we’re watching a “different” kind of cop movie.