Director Brian Henson explained in an interview that he hopes the wrong audience doesn’t accidentally see “The Happytime Murders.” So I have to ask: Who is “The Happytime Murders” meant for? Who is the target audience here? It certainly has aroused the ire and vitriol of Muppets fans, horror fans mostly dislike it, and it has inspired nothing but groans and eye rolls from comedy movie buffs, so who is this movie for, anyway? Despite Henson’s best efforts to pad the wet thud that is “The Happytime Murders” by labeling it a “guilty pleasure,” you’d have a much better time putting socks on your hands and barking random expletives to yourself.
Technology has taken over most aspects of life with human function seemingly being the last realm it needs for full assimilation. After an attack, Grey Trace finds himself widowed and quadriplegic. In order to find how did this to his wife and himself, he is willing to go to great lengths and risks.
Some horror movie premises are just ripe for comedy gold. Cockneys vs. Zombies, strippers vs. zombies, Brits vs. Zombies, et al, but “Ahockalypse” which pits hockey players against a zombie apocalypse is a swing and a miss. It’s not a complete miss overall, but in the end there was just so much that could have been done with the premise. The hockey themed horror comedy’s lack of budget is one of the elements that hinder an otherwise clever idea, as well as a clear lack of tonal consistency through and through.
If you think “Santa Jaws” sounds bat shit nuts and bonkers, then you’d be correct. I don’t typically check out Syfy original movies anymore but what with “Santa Jaws” I had to give it a fighting chance. It’s not often we get a Christmas themed killer shark movie, that’s also a movie about reclaiming the Christmas spirit. No seriously, that’s what “Santa Jaws” is about. “Santa Jaws” has its large tongue firmly planted in its cheek and at no point considers itself a serious horror movie in the vein of “Jaws” or even “Piranha.”
John Sturges’s “The Great Escape” is easily one of my favorite action movies of all time, and one of my top five McQueen pictures (“The Getaway” takes the number one prize). It’s legacy and influence on pop culture and action cinema as a whole has been lasting, with John Sturges presenting a slew of brilliant actors at the top of their games in what is a very intriguing tale about escaping Nazi clutches, and fighting for freedom. “The Coolest Guy Movie Ever” is a fine and entertaining historical documentary for anyone that fancies themselves a fan of the movie. It’s exhaustive, meticulous in its detail, and we even get some candid stories about the cast.
I’ll admit again and again that post apocalypse movies are my sweet spot in regards to genre cinema. I eat movies about survival after the end of the world with a spoon and am hardly ever let down. “What Still Remains” as far as its concerned is fairly standard post apocalyptic fare. It by no means re-invents the wheel with its narrative and characters, but at times it doesn’t seem like director and writer Josh Mendoza is trying to. In the end I was more impressed by what Mendoza does with his lead heroine more than anything, and I’d love to see Ana return once again in another movie of this ilk.
Off the coast a China, a research crew finds an unexplored part of the ocean and decides to explore it to see what may hide beyond the partial physical barrier. Once there, they find that probably should have left it alone. As they are rescued, something follows them to the open waters and causes havoc. Only one man seems to be the one able to contain the situation.
A man stumbles upon a time travelling amulet and uses it to attempt to get himself out of trouble and get his dream girl. Things do not go according to plan and things just get more complicated each time he travels back in time, causing a second, third, fourth, etc copy of himself that need to go back where they came from.