“The Hitman’s Bodyguard” is the type of middling, mediocre nonsense that you’re likely going to find playing on basic cable in three years. It’s such an unremarkable, silly action comedy going through the motions and capitalizing on two men and what they’re famous for. Stars Samuel L. Jackson and Ryan Reynolds never break out of their comfort zones, and you can almost sense director Patrick Hughes asked both men to just be who everyone knows them for, and really nothing else. “The Hitman’s Bodyguard” is everything you think a movie starring Jackson and Reynolds will be like. Nothing ever really skirts the edges or thinks outside the box, and the violence seems just tacked on to what was probably a bland PG-13 action comedy in development.
“Batman: The Animated Series” is one of the seminal animated creations of the nineties and is still considered a quintessential depiction of Batman. It’s a masterpiece of animation and meticulous storytelling. The voice work by Kevin Conroy and Mark Hamill as Batman and Joker are so definitive, that some fans can’t possibly imagine either character on screen without either actor portraying them. Here we are in 2017 with Bruce Timm reviving his animated version of “Batman” and what do we get? A very long gag involving Harley Quinn farting in the Batmobile as Batman sniffs it in with pleasure, all the while Nightwing retches in the side seat. This is the bar of “quality” we get with “Batman and Harley Quinn.”
David Leitch’s adaptation of the graphic novel from Oni Press is something of an anomaly that I’ve had a difficult time wrapping my head around since I finished it. I’m not typically one who is easy on an action movie that’s so unnecessarily hard to follow, but “Atomic Blonde” kept me hooked, even when I was trying to keep up with it. Leitch’s direction, matched with the excellent editing, and just amazing martial arts scenes assured me I may just be watching “Atomic Blonde” again and again. The amalgam of a neo-noir and a gung ho martial arts spy thriller amounts to an occasionally awkward experience, but I embraced it in the end as this imperfect action film that sucked me in time and time again.
Doug Glatt is aging, his physical and fighting form are not at their peak anymore, and he has a kid on the way. This leads him to try to be a responsible adult and get a regular job. Can he stay away from the game and be a responsible father?
Written by Victor Mathieu, Shariya Lynn, and Corbin Billings, the film is directed by Victor Mathieu who takes a found footage approach to things, having the show within the movie and the action of the people behind the scenes all being in found footage style, for better or worse. The story here is one found footage fans are familiar with. A team goes into a building with the hopes of filming real monsters and interviewing them. In what looks like something very inspired by ghost hunters tv shows, the crew shoots themselves doing this in night vision on very shaky cam. The monsters here may or may not be real, something the film hopes to blur with its approach and how the characters are brought on.
An actress hoping for her big break takes a part in a horror film being shot in the backwoods by a team of filmmakers who have worked together all their lives. Soon after they begin shooting, cast members begin disappearing. Wanting her chance at stardom, the young actress must make some hard choices.
In 1995, “Jumanji” was the big blockbuster that managed to take America by storm for just a little while. Like everything in the nineties, that meant it deserved an animated series, prompting an unusual but pretty okay series in 1996. Originally premiering on the American channel UPN, I really don’t recall ever seeing this series. I never cared for “Jumanji” honestly (I prefer “Zathura,” personally), but the animated series does a good job capturing the spirit of the movie and even garners some unique animation style.
Sheena fans are in for a treat when Mill Creek releases a collection of Sheena entertainment on DVD. Are there Sheena fans? Are there enough to warrant a big crowd surrounding the TV hoping for Sheena? In either case, for fans of pulp comics and just all around good old fashioned camp, the “Sheena: Queen of the Jungle Collection” packs a ton of content in to a small package, and spans a pretty hefty time period where Sheena was portrayed in various mediums beyond the comics. The 1984 movie “Sheena: Queen of the Jungle” is a camp and cult classic that’s managed to re-emerge over the years mainly for being such a weird and awful movie.