In the nineties, many American movie studios were trying to beat Disney at their game by basically—mimicking everything that made their movies a hit. They didn’t try to rewrite the rules until the early aughts; before then we had a bunch of movies that were basically D grade copies of Disney hits. Richard Rich is a once Disney animator who tries his best to riff on Disney, taking a classic fairy tale and adding about every trope from the Disney list you can imagine, right down to funny talking animals. What he forgets is entertainment and a sense of life.
If anything, Deon Taylor’s crime thriller is a perfectly fine if somewhat overlong and derivative thriller that skates by mainly because of its charismatic cast including Mike Colter, Tyrese Gibson and Frank Grillo, respectively. It’s a shame because in a world where we’re discussing body cams, police corruption, and inner city crime, “Black and Blue” has the golden opportunity to tackle the issue head on. Instead it hits it briefly and doesn’t do much with the topic, instead building a thriller that feels oddly derivative of Antoine Fuqua’s “Training Day.”
For folks that loved the original 2009 “Wonder Woman” animated DC movie, Warner and DC have rebooted “Wonder Woman” in to the New 52 mold with a refresher on her origin and a twist on her relationship with Steve Trevor. I can’t say that I liked “Bloodlines” as much as I did “Wonder Woman,” but it’s a pretty good piece of action filler until the live action sequel arrives in theaters very soon. “Bloodlines” is interested in expanding on Wonder Woman’s world and that’s what it excels in, most of the time.
So far we’re about ten alternate time lines deep in to the “Terminator” series, a movie franchise that continues to chug on thanks to the good word from James Cameron. Methinks without Cameron, “Terminator” would and should be put to sleep as a limp IP that loses more and more fans every single year. The convoluted timeline doesn’t even want to try to explain its own concept and logic (and lack thereof) anymore. It’s now basically rebooted itself (once again), and takes off limping to the finish line. From a confusing (bold?) retcon, to an over arching theme with heavy social commentary, “Terminator: Dark Fate” incidentally makes an argument against its existence.
It’s the perfect storm of fandom this year, as Batman is celebrating eighty years in pop culture, while “Batman Beyond” is celebrating its twenty year anniversary. For 2019, Warner finally unleashes their fantastic follow up “Batman Beyond” on Blu-Ray in a stellar Limited Edition box set that is also conveniently in time for Halloween and the impending holiday season. With the Limited Edition featuring an exclusive Batman Beyond Funko Pop, and the inevitably regular set coming down line, Warner will cash in for sure. “Batman Beyond” is still the juggernaut follow up to the classic Bruce Timm “Batman” series that hasn’t aged a bit, despite being conceived during a period where everything had to be futuristic, and darker.
Larry Cohen’s “The Stuff” is one of those “so bad its good” horror comedies that’s managed to creep in to the collective consciousness of movie buffs since its release and for good reason. While much of the movie is so painfully ridiculous, it also kind of comes packed with a still very relevant message about consumerism and our obsession with junk food. You could mock it all you want, but when the credits roll, its message is a lot more sophisticated than bad green screen and horrendous sound design. Cohen’s film is wildly uneven in tone and never really decides if it wants to be sci-fi, horror, comedy, or complete satire.
Chuck Russell and Frank Darabont’s “The Blob” has been one of those eighties horror gems that has been for the most part a difficult title to obtain. Even through the DVD age it was out of print, hard to find, ported on to cheap movie collections and given limited printing on boutique labels. Now Shout! Factory has made the fantastic remake of the 1958 drive in monster movie available for everyone, and it’s been worth the wait. It’s a movie that’s barely shown its age, embracing what made it such a great drive in monster movie, while also injecting it with eighties style.
This might stun you but “Day of the Dead” 2008 is not a terrible movie. In fact on some plane in some mysterious way I didn’t hate it. It may even become a camp classic somewhere down the line. Now before you bag on me, heed the advice I bided by before watching this. Forget it’s called “Day of the Dead,” forget it’s allegedly a remake, and just bow your head and power on through and what you’ll find is a zombie flick that’s so bad it’s… well, it’s quite good. If it had been called “Day of the Living Zombies,” or something else generic, I think the supposed purists would find it much more entertaining.