85-year-old Mae West marries 32-year-old Timothy Dalton while swatting away the carnal pangs of Tony Curtis, George Hamilton, Ringo Starr and a gym full of musclemen in this seriously warped musical comedy, which is widely regarded as one of the strangest flicks of the 1970s. On this episode, Facebook funnyman Anthony “The Kingfish” Vitamia offers his distinctive insight on this bizarre celebration of geriatric eroticism.
The whole crazy episode is now online!
“The Online Movie Show” is produced at the Platinum Wolfe Studios.
BOOTLEG FILES 605: “The Orson Welles Show” (1979 unsold television pilot).
LAST SEEN: A copy is on YouTube.
AMERICAN HOME VIDEO: A few minutes were included in the 1995 documentary “Orson Welles: One Man Band” that appeared on the DVD for “F for Fake.”
REASON FOR BOOTLEG STATUS: A lack of perceived commercial value.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It is possible.
During the 1970s, Orson Welles became a ubiquitous figure on the television talk show circuit. His appearances on the programs hosted by Johnny Carson, Merv Griffin, Dick Cavett, Dinah Shore, David Frost and Tom Snyder were always entertaining, with Welles charming audiences via amusing lo-fi magic tricks and richly spun displays of his raconteur talents.
BOOTLEG FILES 585: “Mason” (1975 TV pilot starring Mason Reese and Barry Nelson).
LAST SEEN: It is on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Nobody wants this thing.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: God, I hope not!
During the early 1970s, American television suffered from a surplus of excessively precocious little boys – tykes including Moosie Drier, Rodney Allen Rippy, Ricky Segall and John Gilchrist (a.k.a. Mikey from the Life Cereal commercial) were ubiquitous small screen mini-stars. Most of these kids were tolerable and nearly all of them vanished from view once they reached the pre-teen years.
In the realm of cinema, the 1975 blaxploitation feature “Dolemite” might be the closest thing that the medium has to folk art: its raw form carries strains of both naivety and shrewdness, resulting in a work that is mesmerizing for its utter lack of polished structure.