Nicholas Ferwerda’s “Family Game Night” is a short that I could actually see becoming a feature film somewhere down the road. The potential for a dark comedy horror film is right there. As a short though, it’s a very good and very darkly eccentric horror film with a fun twist on the conventional nuclear family concept that entertains successfully.
Corealie Fargeat’s “Revenge” is kind a new chapter in the rape revenge sub-genre of thrillers and horror films. It deconstructs an often very controversial and polarizing sub-genre to make it less about the exploitation of women and more about the empowerment of a woman who even views herself as a sex object when we meet her. “Revenge” is a grueling film to endure, but one that is also quite fantastic in its imagery and depiction of men as less cunning sexual predators and more slimy snakes that prey on a woman who proves she is a pure force of vengeance to be reckoned with.
Steven Tyler, lead singer of Aerosmith, judge on American Idol, multi-soundtrack participant, actor, and generally interesting human being is followed here by filmmaker Casey Tebo who had previously spent a decade with Aerosmith, recording their travels and work. Here the camera and focus is on Tyler and his new work as a country singer. His new band that he handpicked talked about how they were selected and offered the jobs they have now, famous fans from Slash to horror director Adam Green discuss the impact of Tyler, Aerosmith, and their music on them, on the music industry as a whole, and why it makes sense for Tyler to now be turning to country music. The film shows that this genre move is more than just a stunt or an ego trip, it’s a genuine project from the heart, for the love of music, and for the love of performing. The film is a good look into Steven Tyler and who is.
In the second of a two-part episode, Lon Davis, author of the critically acclaimed “Silent Lives,” returns to “The Online Movie Show” to discuss the transition from silent films to the talkies, focusing on stars who made the leap into the new medium (including Garbo, Neil Hamilton and Laurel and Hardy) along with now-forgotten performers who did not (including Madame Olga Petrova, Karl Dane and Mary McLaren).
“The Online Movie Show” is produced at the Platinum Wolfe Studios.
It’s surprising for such an iconic author that Stephen King’s tales are so tough to bring to the big screen. I don’t know why “Children of the Corn” has managed to become something of a semi-classic since 1984 because the only scary thing about it is how boring it is. “Children of the Corn” has been a baffling horror presence since 1984, garnering a whole series of movies, including a remake, and sequels to the remake. There’s even been a new film in 2018.
BOOTLEG FILES 637: “Tall, Tan and Terrific” (1946 film starring Mantan Moreland).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: On public domain labels.
REASON FOR BOOTLEG STATUS: A lapsed copyright.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: The original film materials are believed to be lost and the copyright expired, which limits the opportunity to properly restore this old flick.
The 1946 film “Tall, Tan and Terrific” is among the most peculiar films within the genre known as “race films”: all-black productions created exclusively for distribution to racially segregated cinemas during the Jim Crow era. The film itself is a forgettable mediocrity, but it is notable for bringing together a number of talented individuals who rarely received a proper chance to display their considerable talents.
Written and directed by Phil Bucci, Paul’s Bad Day is an uber short with a good impact and a fun twist on its subject. As a horror sub-genre that is quite overdone these day (and it will not be revealed here to keep some surprise), this new take on it is a breath of fresh air. The very short runtime forces it to be concise and straight to the point, something that is highly appreciated and shows that the filmmaker knows how to use the less-is-more approach to horror.
Written by Josh Collins and Steven G. Michael with Collins directing, Fags in the Fast Lane is a low-brow, tongue-in-cheek comedy that goes for a style and universe that would make John Waters proud. The humor and the story are in your face, over the top with just about everything and the glittery kitchen sink thrown at the viewer. The story is one that includes something to shock or offend everyone. The trashploitation sub-genre is well represented here and viewers who won’t have been stopped by the film’s title should find something to have fun with here.