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The Bootleg Files: Woody Allen Looks at 1967

BOOTLEG FILES 753: “Woody Allen Looks at 1967” (1967 television special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Never released in a home entertainment format.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

It’s safe to say that no one will ever look back on 2020 with any great fondness, except perhaps Mr. and Mrs. Biden, but that now-closed 12-month span was hardly the first year-from-hell experience. Anyone who was around in 1967 will glumly recall the challenges and tragedies that marked the year’s political and social environments.
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The Go-Go’s (2020)

It’s shocking how punk the background of The Go-Go’s is and ended up being. For a band that is known as one of the biggest pop acts of the 1980’s, their roots are deeply embedded in punk rock and heavy metal. Whether or not you think it was homogenized is up to you, but The Go-Gos have a great story, even if you were more of a Bangles or Banana Rama fan.

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Bill and Ted Face the Music (2020)

Yet another year, yet another legacy sequel from a movie franchise that we all thought was dead for so many years. It’s a cynical approach but so many of these decades later sequels have stunk—which is probably why it’s shocking to see that “Bill and Ted Face the Music” doesn’t actually suck. In all fairness while it’s not a laugh riot, I appreciated its genuine message about love, the power of music, and appreciating what we have while we have it.

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Stoned (2005)

“Stoned” recalls the life of Brian Jones from his forming of The Rolling Stones (With some rather shocking body doubles), his rivalry with his band mates, his weariness towards fame, and his inevitable downfall which led to his early death. “Stoned” is a typical, just passable enough, chronicle of yet another man’s downfall in the black hole that is fame through rock and roll, and the enabling of his friends and family.

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Girls Rock! (2008)

While “Rock School” was one of my favorite documentaries of 2005, it was a missed opportunity. Arne Johnson and Shane King’s “Girls Rock!” almost get the love of music and rock and roll it right. Almost. What the directing duo of Johnson and King explore is this collective ability of these different women to create music in the confines of this limited space and show how they can sometimes fall apart at the seams due to typically creative conflicts and arguments about band names.

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Uncle Peckerhead (2020)

Director Matthew John Lawrence’s horror rock comedy is probably one of the best films about the punk rock experience since “The Green Room.” While nowhere near as dark as the aforementioned film, it’s a movie with a silly title that is shockingly complex, heartfelt and injected with a sharp message about how if you’re willing to do “anything” to make it big, it can come back to haunt you. While the title might be something of a turn off to some, “Uncle Peckerhead” really packs in so much heart and genuine characterization.

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Celebrating “Scott Pilgrim vs. The World” Ten Years Later

In 2010, “Scott Pilgrim vs. The World” shocked me. Not because of Edgar Wright. If there’s any director out there that knows pop culture, it’s Edgar Wright. It’s more so how much Edgar Wright understood the idea of pop culture and how absolutely annoying the idea of nostalgia had become. It’d somewhat become a monstrosity of awareness, sarcastic catch phrases, and smug gate keeping. While “Scott Pilgrim vs. The World” is a wonderful film filled with laughs, and some excellent performances, it’s also a polemic about how much pop culture has replaced actual culture. While a lot of others saw it as a great action celebration, I saw it as immensely cynical. It’s also why I love it so much.

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Suzi Q (2020)

Suzi Quatro managed to leave a remarkable influence on female rockers, and how they operated in a world where men dominated, and women were objectified. Suzi Quatro has left such an indomitable stamp on the rock and music world, and “Suzi Q” offers keen insight not just in to the life of such an edgy musician, but in the oddly common conservative lifestyle of rock musicians.

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