Director and writer Jonah Hill very much likes to paint “Mid90’s” as a film that’s basically for the kids that grew up in the nineties. But despite some choice nineties tracks, “Mid90’s” is once again less for the whole of the nineties kids, and more for the suburban skater kids that spent most of their time riding around on boards, and hanging out in parking lots getting drunk. If you can accept “Mid90’s” as mainly a niche arthouse drama that projects nostalgia wholesale, you might enjoy it, but I left it pretty much indifferent and not feeling very connected by anything that unfolded.
Shemp Howard was one of the funniest men in movies, whether as a solo performer or part of the Three Stooges. In this episode of “The Online Movie Show,” writer Geoff Dale, who is creating the first biography on Shemp, will discuss the life and career of this comic genius.
BOOTLEG FILES 667: “Confederate Honey” (1940 Warner Bros. animated short).
LAST SEEN: On DailyMotion.com
AMERICAN HOME VIDEO: On LaserDisc and in an edited DVD release.
REASON FOR BOOTLEG STATUS: Politically incorrect content.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not in its original uncut form.
During the past few years, there has been an uncommon degree of attention paid to the Confederate States of America, which died in 1865 at the end of the Civil War. On one side, a new wave of white racists is flying the Confederate flag at rallies where they spout their idiotic hatred. On the other side, left-wing revisionists are spending their time demanding the removal of statues of Confederate generals and the renaming of schools and streets named for the military leaders of that long-deceased secessionist nation.
2018 was a big year for movies, it was a great year for animation, it was a stellar year for horror movies in general, and it was such a busy time for anyone that loved and appreciated film. Thankfully it was tough stacking a top ten that was definitive and that sit well with me because I had so many favorites. With so much new avenues to view film I didn’t get everything I wanted in 2018, but I saw enough to compile a top twenty or top twenty five.
This is my top ten films of 2018, these are films I loved, these are films that I hope you seek out if you haven’t, by now.
Honorable Mentions: Paddington 2, The Domestics, Black Panther, Ready Player One, Spider-Man: Into the Spider Verse, Revenge, Tully, The Night Eats the World, Bird Box, A Star is Born
I saw a ton of movies in 2018, and thankfully I didn’t see too many awful films in the theaters. 2018 was a pretty great year for film, and while I didn’t have enough time to see everything, the share of films I checked out were mostly passable. Even the really alleged awful films people complained about were just disposable junk, and not worth complaining about, or even reviewing. That said I did find ten particularly bad films in 2018, and these had the dishonor of making the list.
As with every single year, we try to cover as much indies as possible, but we just never have the time to see them all, sadly. As with previous years, this top five comprises five of the best indies I saw all year. It’s not to say the films that didn’t make the list are terrible films, or that the films the other writers on Cinema Crazed enjoyed aren’t good, either. This is merely a subjective list of five independent films we highly recommend to you that we saw this year.
It’s good to remember this is opinion, and not gospel.
If you want to see what films the Cinema Crazed collective consider A+ Indies, visit the link included!
Also, be sure to let us know some of the best indie films you saw all year!
The idea of the cost of war has never been more thoughtfully and emotionally conveyed than in Isao Takahata’s “Grave of the Fireflies.” The 1988 animated film is still one of the most emotional and powerful films I’ve ever seen, it’s a film that completely transcends all ideas of storytelling, and destroys any stigma that animation is a child’s medium that is limited in scope and substances, especially when telling human stories.
In a way “Jailhouse Rock” also works as something of a pseudo-biography that would prophesize a lot of Presley’s endeavors. Whether or not intentional, “Jailhouse Rock” serves as a fascinating and often entertaining peek in to what the man would become, except with some slightly sweeter end results. Richard Thorpe’s “Jailhouse Rock” is a solid Elvis Presley vehicle that presents the definitive Presley on film. If you’ve never seen a single Elvis film, this is the great place to begin tracking his film career.