Creator Julian Carlile’s “The Meeting Chronicles” is certainly one of the most bizarre and fascinating comedy movies I’ve seen all year. That’s by no means an insult as “The Meeting Chronicles” concocts an unusual tale of people trying to find their goal in the writing field and end up just falling in to an endless stream of nonsense including confrontations with homeless speakers, and overly enthusiastic porn stars. I can’t say I loved “The Meeting Chronicles” but I enjoyed its charming, minimalist aesthetic.
Hillary Brooke could always be relied upon to bring an aura of cool glamour to the screen, whether she was the sophisticated foil to Abbott and Costello’s antics or the arch-enemy of Sherlock Holmes or the bringer of casual cruelty in “Jane Eyre” and “The Enchanted Cottage.” On this “Online Movie Show” episode, film historian Ron Palumbo offers insight on the life and often-surprising career of this much-loved blonde bombshell.
The episode can be heard here.
I’ve always loved the William Castle ghost film and the remake of “Thirteen Ghosts” by Steve Beck. Back in 2001 when it was being panned, I appreciated its ambition, amazing special effects, and great narrative. Now, many years later, horror fans have finally caught up to what a great, radical re-imagining of William Castle’s ghost film is. It’s a hard rock, balls to the wall ride that compensates for the lack of ghost glasses with excellent special effects, and some fun gore and grue.
The “Zombie Bloodbath” trilogy is the sheer apex of garbage zombie movie fodder. It topples even “Night of the Living Dead: Resurrection.” The trilogy is something you’ll be forgetting minutes after, as only an hour after viewing these I can’t truly recollect the plots. There’s really no sense of arc, continuity, or overall cohesive storytelling here, as the zombies take center stage in films where characters are a sheer after thought. In the first Zombie Bloodbath from 1993, at a remote radioactive plant, its workers suffer the outbreaks of a chemical spill which turns them into—what else? Zombies.
BOOTLEG FILES 744: “You’re a Good Man, Charlie Brown” (1973 television production of the Off-Broadway musical).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Most likely due to a problem with rights clearance.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely at this time.
One of the big entertainment stories this week was the announcement that the classic year-end holiday specials featuring the characters from Charles M. Schulz’s “Peanuts” comic strip will not be shown on broadcast television, but will instead be seen on a streaming service. Many fans of these productions were deeply disappointed, as these specials have been an integral part of the holiday season television line-up for decades. However, there is another television special based on “Peanuts” that has not been broadcast since its only offering 47 years ago.
Director and Writer Sean Hogan’s “The Haunting of #24” is a film with a lot of potential that is never quite realized in to much of a film with any kind of substance or surprise. Director Hogan sets up so many plot devices, characters, and suspense that can be flourished into a horrifying ghost film. Alas, “The Haunting of #24” is just mediocre as all get out, and squanders most opportunities to rise to the occasion and spook us. It’s not a horrible movie, it’s just so utterly boring to sit through from beginning to end.
A young woman is interviewing for a job at a mortuary and part of her interview is for the mortician to tell her a series of creepy stories.