The “Texas Chainsaw Massacre” has been a movie series that’s experienced great highs and crushing lows. While surely it’s been a long running series with a lot of sequels, it’s also a series that’s been rebooted numerous times. “The Next Generation” is basically a remake of the original Tobe Hooper film set for a nineties crowd and it is god awful. It’s deliriously bad. You could almost consider it so bad it’s good, if you’re very forgiving, but in the end of the day it’s awful. It’s so awful even stars Matthew McConaughey and Renee Zellweger have distanced themselves from it.
The only studio that’s managed to build an interesting cinematic universe beside Marvel is Warner who’s “The Conjuring” cinematic universe has been a long stretch of movies varying in quality. The interconnected movie verse takes Valak the horrific nun from “The Conjuring 2” and gives her own film. What should have been an easy scare fest lending a spotlight to one of the most memorable monsters in “The Conjuring 2” ends up as yet another miss like “Annabelle.” I don’t know why it’s so tough for the producers of the “Conjuring” cinematic universe to produce spin offs for their series’ monsters.
Betty Grable was among the most popular box office stars of the 1940s and early 1950s, but she rarely received the critical acclaim she deserved. On this episode, actor and writer Joe Mannetti offers his insight on Betty Grable’s distinctive talents as a singer, dancer and actress.
Fans of cinema both classic and arthouse are still stinging from the closing of “Film Struck” a few months ago. If you’re still aching for something completely different from the mainstream, I offer you the alternative of “Film Movement.” I’ve been cognizant of Film Movement for years now and have always intended to subscribe to the service. “Film Movement” was established in 2002 as mainly a DVD of the month club that mailed DVD’s to respective subscribers. These days while the DVD Club is still available, “Film Movement” is more of a subscription service that streams movies to subscribers much in the realm of Netflix, except the movies you’ll find here are nothing like you’ll find in the mainstream.
Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
There really is no one on Earth that can top the combined forces of Dario Argento and Goblin’s excellent “Suspiria,” so Luca Guadagnino doesn’t even try. Instead, this new version of “Suspiria” is less a remake and more of a new tale in the same universe, or a spiritual sequel if you really want to get technical. Luca Guadagnino definitely approaches his spin on “Suspiria” with about as much ambition and enthusiasm he can muster up and what results is a wonky, surreal, bizarre, and yet overstuffed six act horror film that never quite knows when to call it quits. That said, “Suspiria” will most definitely acquire a fan base and I assume years from now fans will debate on whether this or Argento’s original is the superior film.
BOOTLEG FILES 663: “The Apple-Knockers and the Coke” (1948 stag film).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: Not believed to be included in any commercial release.
REASON FOR BOOTLEG STATUS: A naughty film that circulated underground for decades.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.
For a number of years, rumors circulated that Marilyn Monroe appeared in pornographic movies. Much of the fuel for that belief came from her 1949 nude calendar art photo shoot, for which she only received $50. After all, if the great MM could disrobe for a still photographer during the period when she was a struggling actress, why wouldn’t she go one step further and go clothing-free for an adult film?
Despite the fact that I’m a fan of the found footage sub-genre, whenever I come across a new independent film that embraces the format, I release a small groan of worry. Granted, the format can still unleash some gems, but too many times filmmakers tend to fall in to the trappings of clichés and typical twists, not to mention building up to something and never actually delivering. Thankfully “Butterfly Kisses” is a strong horror film that skillfully implements the format while also examining the dangers of becoming obsessed with lore and the darkness of humanity.