As a hardcore Looney Tunes fan, it’s heartbreaking to see how low the character gallery sank in the latter years. With the aging and inevitable death of Mel Blanc, the Looney Tunes basically tread water for years. With this movie, the Looney Tunes gang shares a marquee with a group of goofy monsters that get in all sorts of mishaps and adventures. What ensues is a dull, grating (the Looney Tunes don’t need no stinkin’ laugh track), and absolutely bizarre outing for the gang from Termite Terrace.
After many, many years in limbo, “Creepshow” is finally revived by Shudder/AMC Networks for a modern generation bringing the love child of George Romero, Tom Savini, and Stephen King back for more terror. Premiering exclusively on the Shudder streaming service (then later on AMC), “Creepshow” is led by legendary Gregory Nicotero, doing everything to pay tribute to the EC Comics and the 1982 horror masterpiece. With six episodes featuring stories by Joe Hill (NOS4A2), Joe Lansdale (Bubba Ho-Tep), Josh Malerman (Bird Box), and Paul Dini et al., “Creepshow” is a great companion to the original pair of classic anthology films.
TNT undergoes a massive task with “Snowpiercer.” After coming to the big screen as a massively underrated and underseen 2013 science fiction masterpiece from Bong Joon Ho, their next phase is taking the graphic novels by Jacques Lob and Jean-Marc Rochette, and transforming it in to a weekly series that puts us on board the Snowpiercer once again. This series’ newest aim is to take us so much deeper in to the lore and world of Snowpiercer, as while the central setting is a train, it’s a massive train that houses its own ecosystems, as well as its own turmoil that threatens the entirety of the haul including the bubble that many passengers have built for themselves.
In 2000, Syfy (then known as Sci Fi Channel) was undergoing a transition in programming that included the introduction of “original programming.” Among these new shows was “The Invisible Man,” a series that mixed classic HG Wells’ science fiction classic, with comedy, drama, crime, science fiction, fantasy, and some good old fashioned espionage and heist antics. The story followed Darien Fawkes (Vincent Ventresca), an inept cat burglar who accidentally murders the owner of a condo attempting to steal some jewels. He’s caught by authorities and given life in prison with only one way out: he can go free if he promises to sign up for a clandestine government program by a mysterious government benefactor.
He agrees to the stipulation and is injected with an experimental formula known as “Quicksilver.”
If I have to pick a favorite aspect of “Over the Garden Wall” is the ambiguity of it all. There’s not a ton of exposition or explanation as to whom or what the characters Greg and Wirt are. We just know that they’re brothers, they have polar opposite personalities, and they’re stuck in a timeless land filled with dangers and mysterious oddities that they can’t possibly fathom. Along the way, Greg and Wirt learn a lot about the idea of grief, and confronting their fears, and learning to appreciate one another as brothers. They also have their own personality quirks that could count as flaws, but only make you love them even more. By the time the series ends, you’ll be glad you met them and realize you know everything that you need to know about them. I encourage you to fall in love with it like I did.
There’s something kind of charming about Alex Merkin’s “House of the Witch.” It’s a straight up rip off of “Night of the Demons” while also feeling a lot like a fan film for “The Blair Witch Project.” It’s part are all from much better movies made before, but even at its most clunky, I didn’t have a bad time. “House of the Witch” is that kind of movie you could probably appreciate as a passing treat on a random night if you had absolutely nothing to do. I also found the final scene to be pretty damn clever, as it at least gives us a reason for the seemingly random series of events that unfold.
Few people actually recall that Maxwell Atoms’ iconic characters, Billy and Mandy, were first introduced as part of Cartoon Network’s “Grim & Evil” where they shared a series with the cast of Evil Con Carne. Though “Grim & Evil” only lasted 30 episodes, the pint-sized hell-raisers would soon live on in one of the most successful spin-offs of all time from Cartoon Network’s golden age: “Billy & Mandy” (as I’ll refer to it from here on out) is one of the last really great series from the CN’s “Cartoon Cartoon” era.
1994 was the year to really tune into Nickelodeon. It was a time where they’d hit their stride with programming blocks like SNICK and excellent series like Rugrats, and The Secret World of Alex Mack. It was also the year that “Aaahh!!! Real Monsters” premiered (October 30, 1994). Another of the many Klasky Csupo produced animated shows, “Aaahh!!! Real Monsters” focused on the world of monsters that hide in our closets, under our beds, and in our toilets. It is one of the few genuinely horror-oriented animated shows that Nickelodeon has aired.