After FOX Studios revived comic book property the X-Men and paved the comic book movie as bonafide moneymaker, the canvas of pop culture was carved from the gateway “Blade” forged. After the 2000 cinematic adaptation “X-Men” and its sequel “X2,” both films and the franchised built shocking influence, not just on other genre properties, but comics in general. With X-Men once again being celebrated, the iconic series and comic book team was primed for an animated reboot, after the end of “X-Men: The Animated Series.” Marvel and Film Roman approached the series from a different angle by establishing a new continuity of the “merry mutants” in contemporary times. They changed the focus of the series, as well as the ages of the entire group to appeal to a wider young audience.
“Previously on, X-Men…” was one of the trademark openings kids in the nineties heard every Saturday morning while watching the FOX Kids line up. It was during this time, in the midst of the networks third year (which also included “Batman: The Animated Series”), that FOX and Saban Entertainment teamed up to take on on yet another very popular and ambitious comic book property: Marvel Comics’ “X-Men.” The series came to be widely known by FOX and hardcore fans as “X-Men: The Animated Series.”
“Pryde of the X-Men” (also known as “X-Men: Pryde of the X-Men”) is an animated pilot I mostly remember thanks to its VHS release in 1989 that my brother and I must have borrowed from my cousin a thousand times over. Despite its obscurity, however, this relic of the early Marvel Entertainment days is one of the many abandoned projects from Marvel that’d inadvertently become a classic. Before 1992’s “X-Men: The Animated Series,” there was 1989’s “X-Men,” a series that begun development after constant guest spots from the team during “Spider-Man and His Amazing Friends.” Watching it years later, it’s surprising just how much of the early episodes of the 1992 series were based on the “Pryde of the X-Men” pilot.
With the end of Batman: the Animated Series, the DC Comics/Warner Bros. animation golden boy of the 90s, Bruce Timm, was called upon once again to create another hit Saturday morning series. This time it would a series geared to a much younger audience, full of futuristic technology and action packed, and it would be called Batman Beyond. The show wasn’t a pandering, youth-oriented take with no substance (I’m looking at you Spider-Man Unlimited) either; it was a dark, complex, and very unique spin on the Batman lore.
If you want to talk about weird team ups of 2017 in comic books, it’s tough to come across any weirder than Mighty Morphin Power Rangers and the Justice League. It takes a lot of exposition, but the crossover with both teams is entertaining enough in that the writers find a good balance between both properties. The Power Rangers at Boom Studios are now dramatic enough in their own series to work alongside the Justice League, while the Justice League are considered somewhat bright enough to work alongside the Power Rangers. This could be a good platform to mock the Power Rangers and give the Justice League considerable credibility, but thankfully both teams manage to take the piss out of one another quite often.
After the horrendous reboots of “Powerpuff Girls” and “Teen Titans,” I had zero expectations for “Justice League Action.” Thankfully after sitting through its hour long premiere that combines various eleven minute episodes in to one small movie, I’m happy that it ends up being an entertaining series. It has potential to be a really great reboot that plays well in its eleven minute format, and all in one big marathon. After the bleak and dark material DC and Warner has embraced over the last five years, “Justice League Action” is aimed toward kids and it’s so much brighter and lighter in tone than the previous “Justice League” series by Bruce Timm. That show will always have a place in my heart, but “Action” is strictly for kids, continuing the tradition of “Batman: Brave and the Bold” by adhering to an aesthetic that’s fast paced, bright, fun, and bereft of the bigger complexities.
For folks that didn’t know if “Trickr Treat” would end up as a one and done horrorclassic, or end up becoming a fullfledged dynasty, creator Michael Dougherty isniceenough to team up with Legendary Pictures to deliver “Days of the Dead.” Michael Dougherty pens the introduction to “Days of the Dead,” where still uncertain if a sequel would everblossomback in 2015, helpedbuild this anthology to keep Sam alive in our hearts. “Days of the Dead” is a mid-quel rippeddirectly out of the “Trickr Treat” universe, the graphic novel unfolds five storiesinvolving Halloween and Autumn that tries to recapture the spirit of the original film. With the mid-quel being a graphic novel, Dougherty sidesteps the interconnectedstoryformat from the film and bonds the tales mainly through our beloved Sam.
October 10th, DC and Warner break their official rule by featuring Superman in season two of “Supergirl.” The series makes the trek from CBS TV to CW TV this fall and Warner are throwing out all the stops by having her crossover with her iconic cousin, the man of steel. Tyler Hoechlin of “Everybody Wants Some!!” steps in to the cape and tights this time around and as a Superman geek I’m expecting a lot of fun action and family dynamic. To celebrate Superman coming to “Supergirl,” I list five of the best Superman-centric episodes for Bruce Timm’s “Justice League” and “Justice League Unlimited.”