“Virtual Encounters 2” is from Surrender Cinema, one of Charles Bands’ sub labels that specialized in the type of movie you’d usually find on late night Fridays and Saturdays on Cinemax back in the nineties. It’s always a good sign when you enter in to a new movie and the first thing you see are a woman’s erect nipples. “Virtual Encounters 2” is the okay sequel to the okay original film. The sequel follows a new group of characters, setting down on two dorm mates at Midvale College. Mel has wet dreams about the girl of his dreams and is discovered by his roommate Sam who actually can score with women. Sam convinces Mel to attend an art class with nude models and Mel is shocked to see one of the nudes are the girl of his dreams.
It’s hard to believe that “8 Mile” arrived in theaters fifteen years ago and took the world by surprise. That’s essentially what Eminem’s career has always been about: Surprising people who have always doubted him. After the stigma of white hip hop artists permeated music for years, Eminem stomped on to the world of hip hop. He didn’t just make a name for himself, but he challenged everything about the world he was in, the music he performed, and the people he ran across every single day of his life. Here was a man who kind of tore through the façade of fame, and also challenged the conventions of hip hop, which by the late nineties, was more about fame and wealth than hardships and confronting a harsh society.
Debuting to the world in April 19th, 1987, thirty years later, The Simpsons has never been afraid to take a look back at their history and mock the absurdity of it all. While the show has been quite excellent in its formative years, back in 1990, the show reached the height of its popularity to where it had oodles of merchandise. There were dolls, shirts, comic books, books, video games, et al. and the show took the opportunity to mock that period back in the “Behind the Laughter” episode. In it the narrator looks at how obscene the merchandising for the show was to the point where the characters went so far as to release birth control and, yes, two cheesy hit novelty albums.
Hilariously enough in 1990, The Simpsons did release a “legitimate” music album named “The Simpsons Sing the Blues!”
I think there was even some doubt by Joel Hodgson and company on whether or not fans wanted a reboot of MST3K. Sure, the merchandise sells well, but most reboots of nineties properties have either stunk or just failed to deliver, period. Plus it’s not like the show was around for a short time like “Firefly” or “Freaks and Geeks.” It was on ten years and even earned a movie of its own. Surprisingly enough fans proved that the show is just as special to them as it is to Joel Hodgson and his crew of brilliant creators that gave us the original series. Like all the other fans, “MST3K” has a very special place in my heart and I have such a deep bond with its characters and love for its formula. So naturally I was frightened the reboot would be stale.
Richard Kelly’s “Donnie Darko” has managed to become somewhat mythical among movie buffs, despite being so widely celebrated. It’s a movie with a fairly simplistic tale about time travel and paradoxes, but also has been interpreted by many people and injected with ideas that fit the general frame work of what “Donnie Darko” is. Some people call it a Christ allegory, some people call it a time travel movie, and Kelly himself has called the movie “Catcher in the Rye” if it were written by Phillip K. Dick. There is a surefire hint of author Phillip K. Dick in the way that our main character Donnie Darko is stuck in this hazy world of suburban conformity and alarming aggression. It seeps in to the desperation to be accepted and act accordingly by just about everyone.
Bill Paxton could play any character. He could play anyone, at any time, from anywhere. He was a cowboy in the old west, he was a soldier in the future fighting aliens, he was a tornado chaser, a leather clad vampire, a slimy car salesman, an obnoxious big brother, a dad burdened with the knowledge of demonic entities, a punk, et al. He could be anyone. I am one of the many kids who grew up watching Paxton give riveting performances on film, no matter how big or small the role was. Paxton was a man who could appear in any time period on film and you bought his performance and his place there.
By all accounts, Paxton was a very nice and warm man who loved his fans, and treated everyone with immense respect. I was born in 1983, so I was old enough to remember a time where Paxton was in a lot of movies, and was a constant face on film. He’d just pop up, and it was a pleasant surprise every single time. Paxton even helped invent a ton of imitators who would walk around screaming “Game over man! Game over!” over and over and over. It never got old.
Ellory Elkayem’s “Eight Legged Freaks” came out during a horrendous time. First it was a limited release, unleashed around the time another Spider oriented movie was breaking box office records, and it was released during a time where audiences were still bruised from 9/11 and weren’t too keen on welcoming horror comedies in to their lives quite yet. It’s a shame since “Eight Legged Freaks” is a pitch perfect horror comedy that celebrates everything from B movies, slasher movies, disaster movies, and the classic monster movies like “Them!” and “Mosquito.” Ellory Elkayem based a lot of “Eight Legged Freaks” on his short film “Larger Than Life,” which is very much in the spirit of what we see on the big screen. It is a black and white ode to the sixties monster movies with Elkayem conjuring up what’s so gross and icky about spiders. I originally saw “Larger than Life” on television in 2000 when it premiered on the short film television series “Exposure” on the Sci-Fi Channel here in America.
I am a big fan of “The Big Bang Theory.” I love the show, I think it’s hilarious, it consistently makes me laugh, and if I’m bored I’ll turn on cable and sit through a three hour marathon on TBS here in America. I’ve been watching it since season one and have found its ability to change its mold and renew itself entertaining, time and time again. The shift from a gimmicky sitcom about four geeky guys and the hot girl next door to four geeky guys learning to navigate actual relationships with three women has been fun to experience. That said, “The Big Bang Theory” really needs to end in season eleven.
With Season ten currently in progress here in America, it doesn’t look like the show is preparing to resolve all of its sub-plots, so I think it’s fair for the show to end on season eleven and go out on a high note. I mean, it would be great if the show ended on a high. It made its point and proved all its critics wrong. It lasted over a decade as one of the highest rated shows on TV, it has a massive following, and it’s so popular even the syndicated reruns on basic cable draw in so many viewers, they’ve managed to earn bigger ratings than original cable TV series’. It’s time for “The Big Bang Theory” to end, and here’s why.