“Cruel Intentions” is what many would describe as camp, but also high camp–which is probably why I love it so much. For a time where just about everything in the nineties was derived from classic literature only re-worked for teens (“Pygmalion,” “Emma,” “Romeo & Juliet” to name a few), I’m surprised anyone thought it would be a great idea to take “Dangerous Liasons” and turn it in to an erotic thriller marketed for younger audiences. While the movie doesn’t feature teenagers, it’s heavily dominated by a cast of young actors entering their early twenties, along with a lot of intimations toward prepubescent sex.
I didn’t discover “The Last Starfighter” until I was thirteen years old. It was 1996, and I was looking for any and all movies that peaked my interest, and “The Last Starfighter” seemed like a good time to me. For some reason “The Last Starfighter” managed to skate right by me when I was a kid, and I watched every movie. I watched everything from “Willow” and “Legend” right down to “Warriors of Virtue,” but I never actually knew there was such a thing as “The Last Starfighter.”
It wasn’t until 2003 where I was truly introduced to Danny Boyle (I’d seen Shallow Grave in 1994, and admittedly greeted it with a very negative reaction. Hell I was eleven). I fondly recall going to the movies that spring and experience a teaser trailer to Danny Boyle and Alex Garland’s “28 Days Later.” The trailer, like the film, was frantic and horrifying and it piqued my interest to where it was all I thought about for months. In the summer of 2003, I managed to see “28 Days Later” finally. It happened to be an even more interesting experience than I ever imagined because I’d seen it a week before I had to have mandatory open heart surgery. To say that I was in a rollercoaster of emotions while watching “28 Days Later” is an understatement of the highest degree.
Coming Back to theaters July 29, July 31 and Aug. 1. For Showtimes and Tickets check Fathom Events.
I still remember going online back in 2006 and watching the trailer for “Across the Universe.” As a budding Beatles fan making himself familiar with their catalogue at the time, the prospect of a movie built around their music made me excited and over joyous. I mean if they can build a whole storyline around ABBA, they can surely do the same with the Beatles, whose music tell stories of their very own and even had interesting commentaries on where the group were at the time. I was quite crestfallen when the movie landed with a thud and was generally dismissed by audiences.
I was first introduced to “The Simpsons” on December 17th, 1989 at the age of six, when I spent all day with my dad and brother visiting my grandparents for the Christmas season. After arriving in the evening to my aunt’s house, my dad ensured we’d be there a while and I sat down with my big cousin to watch “The Simpsons” special “Simpsons Roasting on an Open Fire.” Little did I know this simple yellow skinned family of underdogs and losers would become one of the biggest comedic and creative influences of my life. It’s a show that’s stuck with me well in to my thirties, and it all started “Simpsons Roasting on an Open Fire.”
Thomas Bezucha’s “The Family Stone” is that movie that takes from “Guess Who’s Coming to Dinner?” and in many ways feels like a tribute to that very film. It’s still about acceptance and coming to terms with growing up, in the end. Except rather than the central theme being acceptance of race, the subtext revolves around a liberal brood accepting a conservative opposite as one of their own. It’s a rich, touching, sometimes painful look at the highs and lows of family, challenging our own perceptions, and dealing with an impending loss. The question that lingers in “The Family Stone” is not whether the matriarch of their very tight knit middle class brood can survive breast cancer, but whether the family can survive losing her.
2017 will go down as a truly banner year for the horror community. We had great highs and massive lows. It was also the year of Stephen King where we celebrated genuinely brilliant adaptations like “It,” but bowed our heads in shame at the TV adaptations of “The Mist.” Good god that was terrible. I digress. We lost a ton of horror greats, and a good portion of horror hit makers spent a lot of time trying to convince the public that their films were not horror.
And who can forget the infamous “Post-Horror” crap? One of the bigger news headlines in the horror world that sent 2017 out with a bang has been the news that effective January 1st 2018, Chiller TV is shutting down.
Since we’re all slowly and inexorably heading into the last day of the month of October, I’ve gotten to thinking about the perfect film to watch on Halloween. The sort of film where, to properly experience it, you have to turn off all the lights in your living room and surround yourself with friends or family, put a huge bowl of freshly made popcorn on the table to get that smell of hot butter in the air, and then cower together to scream and laugh while lit only by the glow of the television. We’ve all done it at least once, and it’s always fun, but it can be unforgettable if you pick just the exact right thing to watch.
This, in turn, got me to thinking about John Carpenter. Because, as you all remember, he just happened to make a little obscure flick called “Halloween”. Which, coincidentally, is why my own personal recommendation for the perfect film to watch on Halloween is “The Fog.”