During the 1960s and 1970s, Madeline Anderson broke racial and gender barrier in nonfiction filmmaking through her work as a director, producer and editor. This DVD gathering of three of her short documentaries offers a fascinating consideration of how Anderson used her medium to spotlight the tumultuous fights for civil and women’s rights.
French director Jerome Reybaud’s feature film debut follows Pierre (Pascal Cervo), a Parisian teacher who quietly exits the apartment he shares with his lover Paul (Arthur Igual) on a motor odyssey through the south of France.
What is the difference between a religious artifact and an action figure? In some ways, they share many attributes: people blanket them with levels of importance, sometimes attributing them with levels of power and significance that speak more about the observers of these objects than about the objects themselves.
Andrew Repasky McElhinney, the critically acclaimed underground filmmaker responsible for such offbeat gems as “A Chronicle of Corpses” (2001) and “Georges Bataille’s Story of the Eye” (2003), has created a whimsical holiday season feature.
Told without any dialogue, this feature presents a series of inventive dance sequences linked to the simple tale of a contemporary Little Drummer Boy (Conrad Sager) trying to win the heart of a pretty girl (Francesca Flamminio). A magical toymaker keeps an eye on this youthful pair as their dreams spin into vibrant fantasty detours before settling in a delightful reality.
If you loved the out there nature of “WolfCop,” you’ll be happy to know that director Dean Lowell rewards fans for their long wait for a sequel with “Another WolfCop,” a sequel that is so far out there, it’s surreal at times. Director and writer Lowell channels a lot of classic films once again, centering on our vigilante WolfCop as he protects his small town in the most violent methods, all the while concocting a premise involving the furry vigilante that feels like an amalgam of “Halloween III,” “V,” and “Howling II,” if you can believe it. That’s not where the wheel stops spinning though, as director Lowell deals his furry crime fighter a new villain that is beyond anything he’s ever experienced.
Michael Buie’s “The Lake” is a masterpiece of a short film. It’s a beautiful, somber, and heartbreaking look at how the inevitability of our death doesn’t mean we have to stop living life. I sat through the entirety of “The Lake” with a teary eye, mainly because director and writer Michael Buie manages to convey the terror and confusion of being told you’re about to die with pure brilliance. “The Lake” is never exploitative or over saccharine, it’s just about learning to make the most of the time we have in our life.
From Treehouse Digital and director Peter Stanley-Ward, “Treaters” is a short film that I would love to become the basis for a horror anthology somewhere down the road. “Treaters” is a surefire Halloween treat that works with a sense of whimsy but also has an admirably demented sense of humor that I was sucked in to from minute one. One thing that’s always menacing about Halloween are trick or treaters, because you just never really know who, or what, are wearing those dreaded masks and whatnot.