Most horror fans know him as the man who played Jason Voorhees and who is Victor Crowley, to non-genre film fans, he’s showed up in all kinds of films in bits parts and lead roles. The man behind the highest number of cinematic kills in film history is much more than just a killing machine or simply a stuntman. Here Kane Hodder tells his own story, his own way, from being bullied as a child to a burn stunt gone wrong to becoming of the top genre players and stuntman in his industry.
Up until the 1960s, the cinema depiction of Jesus followed a consistent standard in terms of how He was depicted – the long-haired, bearded, white-robed Jesus of Renaissance paintings – as well as in the manner of how He conducted himself. The big screen Jesus was a symbol of piety and respect, with filmmakers and actors working with a clearly defined parameter.
Sarah Frankcom’s 2014 production, staged at the Royal Exchange Theatre in Manchester and now being offered in a filmed recording, is a bare-bones, modern dress, multicultural interpretation of “Hamlet” that included gender reassignment in a few key roles.
This documentary focuses on Michael Zahs, a retired history teacher in rural Iowa who was responsible for rescuing rare nitrate films from the beginning of the 20th century that once belonged to William and Indiana Brinton, a pair of pioneering cinema exhibitors. The Brinton collection consisted of 130 films plus numerous magic lantern slides, and it also included a long-lost fantasy work from Georges Méliès called “The Triple-Headed Woman.”