Shevenge (2019)

In this anthology inspired by the #MeToo and #TimesUp movements, producer Staci Layne Wilson brings together a dozen shorts with themes and content about abuses of power, sexual abuse, and issues affecting women in particular. The stories range from a woman in therapy to a ghost attacking men in a public restroom. Here the shorts all contain storylines that will make viewers think with styles that entertain, scare, and even amuse. The talent in this anthology is of high quality and some of the shorts will be familiar those film festival regulars.

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Small Gauge Trauma Shorts 2019 Block [Fantasia Festival 2019]

As with every year, Fantasia Film Festival is also a place to showcase the talents of filmmakers that specialize in making short films of all genres. This year I tackled the “Small Gauge Trauma” block and thankfully didn’t find a single bad apple in the whole bunch. These shorts aren’t just creative, but they’re incredibly original and delivered in the realm of horror big time.

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The Queen (1968)

One of the telling lines of “The Queen” is when show runner Flawless Sabrina explains that the biggest task of organizing the Miss All American Camp Beauty Pageant is finding a hotel that can house all the contestants, and finding a hotel that’s “hip” enough to want to house them. In 1968, being out and yourself was about being as discreet as possible and operating behind closed doors. While “The Queen” is basically a documentary about the cut throat world of Drag pageants, as well as a sobering portrayal of how the LGBTQ community had to function behind closed doors for much of the twentieth century.

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Before Stonewall (1984)

This month’s 50th anniversary of the Stonewall Riot and the launch of the modern gay rights movement marks a perfect time to bring back Greta Schiller and Robert Rosenberg’s groundbreaking 1984 documentary, which details the LGBT experience in the decades prior to the game-changing pushback that occurred at New York City’s Stonewall Inn in 1969.
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Shorts Round Up of the Week – Cannes Contenders

This week we have seven stellar short films from around the world including Asia, Hungary, and The Ukraine, as well as one from prolific indie filmmaker Patricia Chica. Some of the shorts featured have competed in Cannes this year, and all deal with some kind of interesting and very widely discussed social theme including LGBTQ Pride Month. Look for these excellent films when you can. If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers

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Never-Ending Man: Hayao Miyazaki (2018) [Blu-Ray]

“Never-Ending Man” is a meaningful documentary that explores the thoughts and ideas of Hayao Miyazaki that we can’t really find anywhere else. While some may go in to this expecting a more biographical and fluffy film about the man and his life, Kaku Arakawa seeks to give us more of a thoughtful and subtler peek in to the man, who is late in to his career and his life.

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Shorts Round Up of the Week – Festival Bound

This week we have a trio of shorts premiering at film festivals, one of which stars Brianna Hildebrand, while another explores a common turning point in a woman’s life. There’s also a review for a nail biting horror film, and I re-visit one of my favorite short films of all time starring Eric Bogosian.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.  

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Scary Stories (2019)

“The worms crawl in, the worms crawl out, the worms play pinochle on your snout…”

If you’re looking for a wonderful companion piece to the upcoming feature film adaptation of the infamous book trilogy “Scary Stories to Tell in the Dark,” Cody Meirick’s documentary “Scary Stories” is a great refresher course for fans. It’s also a wonderful look at how history repeats itself, with the elementary school touted horror anthology nearly suffering the same amount of censorship and hysterical panic that EC Comics endured decades before its release. It’s a fascinating but nasty bit of history repeating itself, but history also learning from itself, as well.

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