If there’s any independent film that deserves to take off and be celebrated by movie lovers far and wide, it’s Anthony Stabley’s “Everlasting.” It’s a gripping, emotional, and gut wrenching tale of love, death, and the loss of innocence. Writer, Director and producer Stabley creates a compelling drama with a dash of the supernatural that feels very sincere and genuinely heartfelt right until the final tear jerking scene. Watching like a take on Paul Schrader’s “Hardcore,” director Stabley invokes a unique cautionary tale while successfully building two very flawed but absolutely brilliant protagonists. I cared about everyone involved in “Everlasting” and director Stabley implements every cast member well from his stars to notable supporting players like Pat Healey and Elizabeth Rohm.
Kristi Jacobson’s HBO-aired documentary goes inside the segregation units at Red Onion State Prison, a supermax facility located in rural Virginia. The convicts incarcerated here are among the most violent in the penal system – and while they initially come across as articulate and charismatic in their on-camera interviews, the insouciant manner in how they detail the carnage that landed them behind bars is more than a little unsettling.
Jeremiah Kipp and Jessica Blank’s “Pickup” is the incredibly uncomfortable portrait of an uneasy relationship where a woman is stuck in a perpetual cycle of self-destruction that promises to become very dangerous, if she isn’t careful. Director Kipp is very wise to lead us in to a final scene that is very ambiguous and leaves the audience wondering what will happen next, and I appreciated that. “Pickup” involves a horrendous situation where once it explodes, everyone will feel the pain. And it likely involves two people that know the explosion is coming and both of them are doing everything in their power to prevent it before they have no choice but to face it.
After Michael comes back to Montreal, his good friend throws him a party when sensual games are played and exploration of sexual identity mixes in. As he and the others discover their likings and what they are opened too, things get interesting.
If you’re a fan of rampaging monster/sci-fi movie tributes like “The Lost Skeleton of Cadavra,” or “Stomp! Shout! Scream!” then you’ll definitely love what David Cornelius has cooked up for film lovers. “Inhumanwich!” is a fun and sharp black and white send up of classic sixties monster movies that embraces its low budget working around the limited scenery and small cast to deliver one really fun and funny seventy five minute film. David Cornelius who wrote and directed the film obviously has a keen knowledge of the space exploration horror films, as he conjures up films like “The Blob,” “Robot Monster,” and “The Creeping Terror” for some really good material.
For a long time, debates have raged in the art world about what can be considered creating a property and who can be credited as a true creator of a creative property. For decades, Stan Lee and Steve Ditko were feuding over who were the rightful mind behind Spider-Man, as Lee insisted Spider-Man was his idea, while Ditko insisted he conceptualized Spider-Man, thus making him the creator. What “Batman & Bill” seeks to do is boldly putting an end to the debate that’s been raging in the comic book medium for almost a century. Directors Don Argott and Sheena M. Joyce simultaneously tells the tragic and often heartbreaking story of Bill Finger, the long uncredited creator of Batman, and how a man named Bob Kane stole everything Finger ever had from the credit, and the massive profits, right down to the very essence of his self-respect.
This is the story of Ko Hoshino, a skilled blind Jedi Master who learned the hard way that patience and wisdom can mean life or death when you’re training to battle the dark side. Stephen Vitale’s fan film “Hoshino” is a visually fantastic tale about the coming of age of a brilliant Jedi warrior, and writer Eric Carrasco delivers a tale that’s steeped in simplicity like classic “Star Wars.” Jedi master Ho Koshino is learning to build her own light saber and thinks back to her tragic origins. Continue reading
We don’t often think about every character standing outside of the big stories in major fantasy or science fiction, because we assume it’s just not interesting. Director Thomas R. Wood delivers a short but very unique tale of two working joes that are spending their days just doing their job. They are in the middle of the desert and unbeknownst to them there is a massive war taking place around them.