Ladies and Gentlemen, it’s “Foreshadowing: The Movie”! It’s the exploitative account of the last days of Sharon Tate, but with a lot of clunky foreshadowing thrown in to shove down our throats that Sharon Tate will and did die a horrible death. Characters sit around discussing fate, destiny, and alternate realities, Charles Manson shows up in the first ten minutes set to dramatic and very terrifying orchestral music, and Sharon Tate plays a fortune telling game with her friends asking in a child like pout “Will I Live a Long and Happy Life?”
I feel every generation should have a movie or two that defines them and how hard it is to grow up during that period. We’ve had movies like “Dazed and Confused,” “Mean Girls,” and “Breakfast Club,” and we’re very fortunate to have had two very good movies (“Eighth Grade”) about the modern youth culture in the last five years. Olivia Wilde’s directorial debut is one of the finest drama comedies of the year. It’s an honest and entertaining look at two girls trying to find out who they are before they graduate high school and enter in to college–possibly without one another.
A mix of nostalgia value and genuine entertainment value, “Double Impact” is the Van Damme movie I’ve come to value over all of his other work. As someone who was a big Van Damme geek in the nineties, he’s had a better shelf life than people like Steven Segal, and films like “Double Impact” have held up big time. Even with the camp value and goofy comedy in the first half hour, “Double Impact” still amounts to a great action flick with Van Damme being given a test of how far he can stretch his acting chops.
An imprisoned man out on special permission to visit his dying mother finds out she has passed away and decides this is the moment to put his revenge plan into action. As he goes after his brother and associates, the reasons for his revenge are made clear.
As a hardcore Superman fan I was very intrigued and a bit excited for “Brightburn.” I think we’ve reached the point in pop culture where, what with the glut of superhero movies being released, we can finally start to deconstruct and or satirize the classic mythology. With “Brightburn” the premise amounts to a spooky, chaotic, violent, but very entertaining horror tale that re-thinks one of the most recognizable superhero origin stories in pop culture history.
The entire “John Wick” series is something of a surprise seemingly out of nowhere. What might have been a weak vehicle from Keanu Reeves turned in to a pretty groundbreaking and exciting action series where Reeves is able to re-invent himself once again for a new generation. You wouldn’t figure Reeves would be believable as one of the deadliest assassins in the world, but he handles the role of John Wick so proficiently. Wick has become something much more than the titular anti-hero of his film series. He’s become the key in to a very unique cinematic universe.
Every once in a while, I’m glad to break out of the doom and gloom of DC Batman movies and watch something that is just fun and exciting. I admit that I missed all the waves of comic books in the last few years where Batman crossed paths with the Teenage Mutant Ninja Turtles, so this movie was completely new to me. Suffice to say being a fan of both properties I was anxious to see how they would handle it, and thankfully DC/Warner and Nickelodeon delivers something for the fans and the general audience looking for a good pop culture crossover.
I was more than a little surprised when “The LEGO Movie” ended up being one of the best movies of its year. Lord and Miller managed to take what could have been a glorified commercial for LEGO and ended up building a unique universe, and a heartfelt, hilarious adventure about reaching deep to find what makes us so special, and appreciating the child within us. I even loved the meta-climax, which with other creative minds behind it, might have destroyed everything we saw before it.