One of the bigger more interesting memes at Tiktok right now is the “#IfAnythingHappensILoveYouChallenge.” This particular meme involves a person or people filming themselves before and filming themselves after watching “If Anything Happens I Love You” on Netflix. Every video so far has shown each viewer beginning the movie with a nervous smirk and closing the video with teary eyes. Some of the users are nearly inconsolable afterward. If you didn’t think a short film could legitimately derive so many emotions from viewers, well them you probably have never seen “If Anything Happens I Love You.”
The modern art movement took root in early 20th century Paris among a motley collection of iconoclastic personalities who sought to expand on the Impressionist breakthroughs of the late 19th century with bold, eccentric and often outlandish visions that gave birth to Fauvism, Cubism, Dadaism, and Surrealism. This mix of visual artists, poets and intellectuals worked their way out of poverty and obscurity, supported along the way by energetic art dealers, collectors and gallery owners who put value in their works.
It’s apropos and yet somewhat inexplicable that Hayao Miyazaki would end his career on one what is easily his most divisive film. Miyazaki has spent so much of his career delivering masterpieces of animation that discuss the horrible fall out of war, destruction of the environment, and war machines. So it’s absolutely confounding that Miyazaki takes a more objective approach to Jirô Horikoshi and his creation of what would become certified weapons of war.
If you have to ask, then you’ll never understand how big and important Nickelodeon was, once upon a time. For many, “The Orange Years” from Scott Barber and Adam Sweeney might feel like yet another bit of 90’s nostalgia for Millennials, but the documentary is a look at television, its history and how Nickelodeon blazed a trail for a massive industry, and set a precedent that many studios would aspire to topple.
Director/Writer Chad Faust really knows what he’s doing in “Girl,” as he places a lot of the film’s weight on star Bella Thorne. Thorne is an underrated actress that’s been stuck in a lot of terrible movies, but when she’s paired with the right director, she gives performances like the one we see in “Girl.” Star Thorne carries what’s just an okay movie that feels like it aspires too eagerly to be held in the class of other backwoods dramas like 2010’s “Winter’s Bone.”
Sasha Baron Cohen has remained one of the most scornful critics of the modern American political scene and has taken to destroying the status quo whenever possible. He’s been especially vicious in 2020 with his incredibly controversial “Who is America?” limited series, which he then follows up with the “Borat” sequel. This movie is not at all a cash grab, if fans were worried, it’s instead yet another case of Cohen pulling down the curtain in an America most of us doesn’t know exists. Or at least likes to pretend doesn’t exist.
A divorced father who’s let himself go faces the reality of losing custody and visitation of his son. As he tries to make things right, he discovers more about himself during a last hoorah weekend in Milwaukee with his son and best friend.