I theorize that “See No Evil” would have been much more entertaining had Hulk Hogan been a knife wielding slasher stalking a bunch of nameless characters. Can you imagine the hulkster puckering his lips, swinging a chainsaw and screaming “What are ya gonna do, when the hulkamania comes after you?!” Don’t pretend that wouldn’t have been fun. “See No Evil” is a vehicle pretending to be horror, and watches like a grindhouse Z film that’s one part “Saw”, one part “Slumber Party Massacre”, and one part “Jason Lives.”
Oliver Alfonso’s horror comedy is a movie that will likely be a very polarizing title down the line. For the people that actually bother to check it out on Netflix, “Girls with Balls” is a Z grade movie that walks the line between absolutely obnoxious, and admirably entertaining. I was mixed on “Girls with Balls” as it packed some great meaty horror comedy material, along with some woefully stupid moments and unlikable characters.
Few people actually recall that Maxwell Atoms’ iconic characters, Billy and Mandy, were first introduced as part of Cartoon Network’s “Grim & Evil” where they shared a series with the cast of Evil Con Carne. Though “Grim & Evil” only lasted 30 episodes, the pint-sized hell-raisers would soon live on in one of the most successful spin-offs of all time from Cartoon Network’s golden age: “Billy & Mandy” (as I’ll refer to it from here on out) is one of the last really great series from the CN’s “Cartoon Cartoon” era.
1994 was the year to really tune into Nickelodeon. It was a time where they’d hit their stride with programming blocks like SNICK and excellent series like Rugrats, and The Secret World of Alex Mack. It was also the year that “Aaahh!!! Real Monsters” premiered (October 30, 1994). Another of the many Klasky Csupo produced animated shows, “Aaahh!!! Real Monsters” focused on the world of monsters that hide in our closets, under our beds, and in our toilets. It is one of the few genuinely horror-oriented animated shows that Nickelodeon has aired.
I’d say the best marketing The Last Halloween ever had was on a bag of Reese’s Pieces during the Halloween of 1991. I can still remember my mom buying the big bag of Reese’s Pieces and on the lower left hand corner there was the ad for the CBS special premiering that month with the “Mission to MARS” mascots front and center. It was a fine Halloween, with a great special that ran once on CBS and before disappearing into obscurity. Serving as a promotional film for the candy company MARS Company, “The Last Halloween” was a half hour movie about a small town named Crystal Lake with an economy reliant on their massive candy factory.
From Mill Creek Entertainment comes the perfect Halloween treat, The Complete series of “Forever Knight.” If ever there was a nineties series, it’s a show that takes a procedural cop drama and pairs it with vampires. One of the precursors to cult shows like “Angel” and “Blood Ties,” the syndicated series lasted for a total of three seasons and became obscure for many years after its run. This is shocking considering the series has its faults, but is genuinely a fun and Gothic vampire series. This was the decade where a lot of radical concepts were posed for television (Ahem—“Cop Rock”), but “Forever Knight” plays the whole premise with a straight face.
The independent film circuit isn’t exactly lighting the world on fire with their zombie horror fare lately. That’s a shame too considering there are so many bright voices out there that could re-invent the formula, and deliver something massive. “Survivorz” is low budget, routine, mediocre, repetitive zombie apocalypse fodder that feels like a dull video game, and never quite takes advantage of its setting. It’s set in London England but that’s really all the movie has to offer in the way of change of scenery.
2009’s action horror comedy “Zombieland” is something of a cult classic, and while not exactly a masterpiece, it’s been admired in its own right for a decade. After many, many years, Columbia brings us a sequel that’s probably way too late. After fans demanded a sequel shortly after the release of the 2009 film, “Zombieland: Double Tap” finally graces us with the characters we love—and it does absolutely nothing new with them. It also doesn’t take us in to any kind of new area of Zombieland that we haven’t seen before, which ends in disappointing returns in a follow up with occasional bright spots.