You could see where David DeCouteau’s contemporary film list started, as “The Killer Eye” is no more a horror film as it is a fifty minute soft core porn with twenty minutes of story added. “The Killer Eye” looks like it was made on a bargain basement budget, and considering the limited scenery, it’s not hard to figure out that DeCoteau put his entire budget on the film’s titular monster. This movie probably introduced a lot of people to hentai for all we know.
The beautiful but deadly Cynthia Rothrock is back with another of Full Moon’s great compilations entitled “Fists of Fury.” At a little over a hundred minutes, “Fists of Fury” features clips to a ton of famous and infamous martial arts films that tackle all kinds of topics far and wide. There’s “Female Fighters,” the funny but awkward “Brucesploitation,” and “Deadliest Weapons,” movies with some of the most unusual and dead weapons in all of action cinema.
While “Puppet Master 3” was a prequel to “Puppet Master” parts one and two, “Retro Puppet Master” is a prequel to the entire series. Rather than being chased by the Nazis, a young Toulon is facing off against mysterious undead agents working for a demonic force that wants his life serum. In “Retro Puppet Master,” the writers pay tribute to the original movies by re-casting Guy Rolfe as Toulon. Still running from Nazis, he camps out for the night in a cabin and regales his puppets with how he originally began his journey.
I really like what Full Moon had in mind with the “Filmonsters!” movie series. Take public domain characters, turn them in to hour long movies for the PG-13 crowd, add unique twists, and call it a series! It’s too bad there were only two of these “Reborn!” movies. I’m not saying “Frankenstein Reborn!” is a masterpiece, but it has its head in the right place, and could have taken many more monsters and re-imagined them down the line. The series has a neat opening credits scene with Full Moon’s banner monsters Toulon’s puppets, and craftily edited re-cuts of them in a graveyard among the tombstones of various monsters, and them reviving their master, which would also count as them reviving whatever monster of the week Full Moon was spotlighting.
“Metalstorm” is another one of the Not Brand X movies from the eighties where fans of “Mad Max” were treated to a long list of movies that desperately emulated its formula and aesthetic. If you survey most of the late seventies and eighties, you could probably build a whole sub-genre of post-apocalyptic movies that emulate “Mad Max” and “Escape from New York.” There’s a whole library from various studios who aimed to capture the same success and pop culture momentum as the aforementioned. “Metalstorm: The Destruction of Jared Syn” is by no means a bad movie. It is a hokey but fun movie, though. It has all the hallmarks with films of this ilk including a desert wasteland, a hot rod driving “road warrior,” and his blonde babe.
Life is funny. One moment you’re in prison being beaten up, the next moment you’re having a miniature skull growing out of your forehead. “Dangerous Worry Dolls” is a silly, dumb, and very unscary take on the further obsession of mini monsters doing dangerous things by Charles Band. You have to give it to the man, he always finds a way to squeeze in miniature monsters on to film and look for new and unique ways to make them villains. “Dangerous Worry Dolls” is terrible, but at least Band has a new and unique idea for making mini-monsters become the villain for a movie that looks like it was made on a budget of ten dollars.
“Killjoy 3” is a simultaneous rip off of “Waxworks” and “Nightmare on Elm Street” as Full Moon works desperately to create a new horror icon. Killjoy is a character who, let’s face it, could probably get his ass kicked by Chucky’s son Glenn, if things got hairy enough. Nothing about “Killjoy” makes too much sense, but you have to admire how the movie tries its damndest to transform mimes in to terrifying villains. Set very specifically in one location, we meet four college students as they’re preparing to have a get together one night involving drinks and horror movies in the house of one of their professors. Student Sandy decides to hold a gathering while he’s away, oblivious to the fact that he just made a broken pact with Killjoy.
Full Moon sinks deeper in to pseudo-Troma territory by delivering another installment of “Killjoy’s Psycho Circus.” If you’re prepared for a movie that has literally no plot but spends ninety minutes advertising its product tie-ins, then you might enjoy what’s on display here. During Killjoy’s demented TV show, there’s an ad featuring the characters from “Evil Bong,” and the movie literally stops to promote the “Adam and Eve” website. They even bring on a model to talk to Killjoy to promote their products. I’ve heard of product placement before, but I’ve never seen a movie so lazy that it literally stops in its tracks to promote a product for a company.