Workhorse Queen (2020) [Slamdance Film Festival 2021]

It’s been a long, rough journey for drag queens to become accepted among modern society. After decades of being pushed in to the underground to celebrate their art form, now we’re at a rare moment in time where the drag profession is now being celebrated. After RuPaul’s efforts to inject the drag queen lifestyle in to the world with her hit series “Drag Race,” drag queens went from being pushed in to darkness, to now taking pictures with awe struck children, and hosting concerts with families and children.

And yet, after all of it, there’s still so much more to be done.

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Tapei Suicide Story (2020) [Slamdance Film Festival 2021]

Director KEFF’s ‘Tapei Suicide Story” is one of the most somber dramas I’ve ever seen. It’s a film about life affirmation but also about the inevitability of death. Do we have control over our lives if we can control our own deaths? Are we merely embracing fate and are oblivious to it? “Tapei Suicide Story” is a very quiet and quaint drama that works on a very dark and inherently morbid premise.

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Teenage Emotions (2020) [Slamdance Film Festival 2021]

Director Frederic Da has a knack for adding some appeal to the mumblecore sub-genre. While I normally don’t like the narrative format, “Teenage Emotions” is a great platform for it. A mix of John Hughes and Greta Gerwig, “Teenage Emotions” works hard not to be pigeonholed. It’s a teen drama, but also a candid look at the monotony of high school. It’s a romance but also lacks a clear cut resolution of the various sub-plots. It also wants to be taken as both a narrative and a semi-documentary all at the same time.

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For The Sake of Vicious (2019) [Fantasia Festival 2020]

The visceral raw energy and violence of Gabriel Carrer and Reese Eveneshen’s “For the sake of Vicious” is bound to be compared to the masterpieces like “The Green Room” very soon. The set up at least conjures up memories of “Assault on Precinct 13” except in a smaller scale. In either case, it’s a classic white knuckle home invasion siege thriller that spares no one, even when it successfully builds on empathetic and fascinating protagonists.

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The Curse of Audrey Earnshaw (2020) [Fantasia Fest 2020]

In small, rural village where nothing is growing and people are dying, a woman has her crops thriving and seems to be doing great, so her village’s population deems her to be a witch. While she is hiding an important secret, it may not be what the villagers are expecting.

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Detention (2019) [Fantasia Fest 2020]

Set in Taiwan in 1962, a period known as the White Terror, Detention takes place in and around a school and its among its student and staff as they are encouraged to turn anyone who may be against the current power in. A group of students and young teachers meets up to discuss banned books and other materials. As they try to stay hidden and survive, something not quite usual starts happening.

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