It’s ironic, and perhaps not incidental, that Vestron would release the entire movie series for “Wishmaster” and “Warlock.” They’re two weak attempts at movie maniacs in a pretty stale decade for horror, and deep down while they have potential to be menacing and terrifying horror villains, they’re poorly realized, and potentially trail off in to absolute nothingness. “Warlock” is not as bad a slope as “Wishmaster,” as it managed to gain some momentum in the nineties, even sporting a Sega Genesis video game in 1995 which involved platforming, and fighting off zombies and demonic beasts with magic spells. 1989’s “Warlock” is a tonally confused movie that wants sorely to be a horror film, but ends up sliding in to dark fantasy territory by the time it draws to a close.
It’s been a banner year for Stephen King fans everywhere, and Shout Factory sweetens the pot by giving Rob Reiner’s horror masterpiece “Misery” a collector’s edition. Based on the classic Stephen King novel, Rob Reiner who is no stranger to adapting King’s work, brings to screen a work of terror, dark comedy, and a demented commentary about the fans behind our work that also control our work. It’s a very volatile and sharp edged polemic about fandom when you get right down to it, and it’s never been more relevant than in the day and age where fandoms from all corners of the world have the loudest voices and sometimes can break the very thing they love.
“Supergirl” never really fit in on CBS, since the channel has almost always avoided genre fare since its renaissance in the early aughts. “Supergirl” finally found a great home at the CW network, avoiding being cancelled, and gets a chance to bloom and fit in with her fellow superheroes at the channel. For the second outing of the “Supergirl” series, the writers and producers are so much more devoted to bringing in new viewers. Not only did the network give a whole season marathon over the course of the summer before its debut, but season two finally introduces this iteration of Superman.
Widescreen and Uncut for movie buffs everywhere, “Satan’s Cheerleaders” is a wonderful piece of crap that mixes all of the seventies hallmarks in a ninety two minute piece of junk food. There’s your disco soundtrack, your scantily clad cheerleaders (Kerry Sherman is a stonecold babe), and of course what would the decade be without Satanic cults and women in the buff praising an altar of some kind? “Satan’s Cheerleaders” is a delightfully campy bit of nonsense that felt like someone had a script for a horror movie and a teen sports movie and put them together for the sake of getting a movie funded.
Bob Clark’s “Deathdream” is one of the most sought after horror films ever made, one of those films that has been inexplicably out of print constantly and very much prized as a genuine horror gem. I’m one of those people that having seen “Deathdream” twice just can’t like what Bob Clark brings his audience. One of the reasons why is because “Deathdream” is so relentlessly bleak and dark. It’s an immensely depressing and viciously grim movie. And while that’s one of the main elements it’s been propelled it in to cult status, for me it’s just a major hindrance. I remember watching Bob Clark’s horror film the first time and just leaving it in a state of sadness.
This follow up to the acclaimed Paul Naschy Collection from earlier in the year, comes with a five Blu-Ray collection, and a twenty four page booklet with an essay on each film included. Folks seeking to further explore Paul Naschy will find a great delight in this follow up box set, as it has almost everything you’d want to continue your education in the Spanish horror star.
Paul Naschy has always been something of a large figure among horror fans and cult cinema enthusiasts everywhere, and Shout Factory is up to the task in reward their devotion with a collection that will peak interests. Still making an argument for why it’s one of the best horror movie distributors out there, Scream Factory unleashes a five disc collection that compiles some of Naschy’s most notable films, complete and uncut. There’s even an optional English dub for the films, or their truer Spanish language tracks with the subtitles.
I’ve seen so many hours of Looney Tunes that it’s obscene. My mom bought my brother and I about five or six Looney Tunes compilations on VHS when we were kids and I saw them at least eighty times a week. When I got cable television, I watched looney tunes almost obsessively. From the “Bugs & Tweety Show” Saturday mornings, to various hour blocks on Cartoon Network like “Toonheads” and “Acme Hour,” to twenty two day blocks of Bugs Bunny called “June Bugs” my appetite was insatiable. One of the big things you learn being a Looney Tunes fanatic is that Bugs Bunny was not the OG of the Warner animated gallery, it was in fact Porky Pig.