Summer is right around the corner and that’s great news for a lot of people. But us. That said, we wouldn’t be able to live with ourselves if we didn’t suggest some movies and movie related material for you, our loyal readers, to go through and get you through those scolding hot summer days. Remember that when you buy through us, you support Cinema Crazed, and if you can’t spare a donation, that’s just as good. So please, show us some love, if you can. Here are some suggestions for Mr. and Mrs. Movie Loving Public.
I didn’t think it was possible, but “Paddington 2” is just as good as the original “Paddington.” It doesn’t repeat the same beats from the original film, but expands on the world we engaged in when we first met the friendly bear. Director Paul King is back and could easily have suffered a sophomore slump with a sequel that was filled with redundancies and pandered to a more mainstream crowd, but thankfully “Paddington 2” stays true to itself, following the adventures of our good hearted bear as he attempts to spread love where ever he goes, and find the good in people.
It’s pretty tough to find a good Bigfoot horror film these days, and whenever one really good title for the subgenre comes along, you have to hold on to it and appreciate it. Ryan Schifrin’s “Abominable” is a fantastic entry in to the sub-genre that takes Hitchcock’s “Rear Window,” injects a little lunacy, and rather than Raymond Burr, we have a hairy, vicious, super strong abominable snowman terrorizing a group of girls. While on paper that sounds like the formula for a potentially silly movie, “Abominable” is stellar. It’s creepy, darkly funny, gory, and has one of the best final scenes I’ve ever seen in a horror movie, barnone.
Joe Dante has always had this peculiar style that’s always helped his films stand out among everyone else’s. “The ‘Burbs” is another of his films that features the suburban unit being terrorized or working themselves up in to a stir. Dante loves to put his hands in to the perceived American norm and stir it up with some chaos and anarchy. It’s hard to believe that “The ‘Burbs” was originally a flop, as it’s managed to become one of the most highly appreciated cult classics of all time. In the face of the passing of the late great Carrie Fisher, if you’ve yet to see it, you definitely owe it to yourself to.
The yearly “Rock and Roll Hall of Fame” induction ceremony is one of the more iconic and polarizing concerts, often inspiring a slew of controversy from music buffs and musicians alike. There’s always a hailstorm of “Why not this band?” or “Why not this artist?” and you’re always guaranteed to read an interesting headline of someone griping about an overdue band not getting their dues yet. Suffice to say whether the ceremony falls flat or it’s raucous, it’s almost always a promise you’ll get an interesting experience. And that’s from what we get to see on the edited annual broadcast on cable television. There are some bands and or artists excluded from this list as they have been omitted consciously, from what I’ve read, but for your money it’s a pretty solid release from Time Life I recommend.
Larry Cohen’s horror film “It’s Alive” didn’t always get the respect it deserved. While it’s certainly a seventies shock horror film about a mutant baby, it’s also about fear of genetic and birth defects, the question of abortion, and the idea of euthanasia in children. It thrives on being a horror cult classic, but it’s also a socially relevant movie that pounces on a lot of important issues. Larry Cohen’s classic film gets a wonderful treatment from the folks at Scream Factory with all three “It’s Alive” films on one box set, and it’s a collector’s set that’s impossible to pass up.
Jim Wynorski’s “The Return of Swamp Thing” is one of my bonafide childhood favorites, and a favorite of the rental places. “The Return of Swamp Thing” was my introduction to the character when I was a child and it’s a definite favorite that’s become more about sentimental value than quality. I admit that viewing “The Return of Swamp Thing” through nostalgic glasses helps improve the campy direction Jim Wynorski takes for this second outing.
It’s surprising for such an iconic author that Stephen King’s tales are so tough to bring to the big screen. I don’t know why “Children of the Corn” has managed to become something of a semi-classic since 1984 because the only scary thing about it is how boring it is. “Children of the Corn” has been a baffling horror presence since 1984, garnering a whole series of movies, including a remake, and sequels to the remake. There’s even been a new film in 2018.