With so much television available at our finger tips, there is always a demand for the revisiting of the golden age of television where everything was more simple. Mill Creek Entertainment has taken everything they could find in their catalogue and have built two rather large television time capsules and experiences that are suitable for audiences that grew up during what they call the “golden age” of TV. The “Watch Around the Clock: 24 Hours of TV” pair of box sets even includes the original commercials and ads for various products from the era, and there’s even a small fold out guide that allow you to view what TV shows are available through the entirety of the twenty four hour block.
Charles Crichton’s “A Fish Called Wanda” is probably the last bit of Monty Python cinema we’ve ever gotten, and it embodies much of the same lunacy of the comedy troupe while also standing alone as one of the funniest movies ever made. “A Fish Called Wanda” is a zany and often raucous comedy that teams a slew of brilliant actors together for a unique, film that mixes sub-genres quite well and never loses sight of its comic themes, and Python-esque humor that borders on absurd without ever being ridiculous.
The long out of print “Rock-a-Doodle” from animation master Don Bluth has finally stormed its way on to HD thanks to Olive Films, and it’s a blast to the past for me. I fondly remember seeing a lot of the ads for “Rock-a-Doodle” as well as coming across TV spots and ads in comic books. Sadly, the actual cinematic experience was a bust, even for an eight year old moi. It was a dull, awful movie then, and it’s a pretty dull and awful movie, now. I doubt even the best of nineties nostalgia geeks can find a gem in this mess of a movie. I spent a good number of years putting “Rock-a-Doodle” in the back burner of my memory, and I realize it was for good reason.
“Justice League: The New Frontier,” adapted from the late great Darwyn Cooke’s graphic novel is an attempt at a new approach toward the DC universe the heroes behind DC. It’s an engaging, poetic, often brilliant animated film with an adult sensibility and intriguing psychological analysis that features a world on the brink of a new frontier, and its heroes and protectors facing the prospect of not being needed. On the opposite spectrum, their views of humanity are waning and devolving as they see endless cruel violence, and hatred take form through horrendous racial crimes. Director David Bullock and co. dare to present a film that takes a step back looking at the humanity that is affected by a world inhabited by DC heroes.
For the respective Three Stooges buff looking for a good holiday gift, or for someone just seeking some good old fashioned laughs and gaffs, Mill Creek offers up a forty hour compendium of some of the more interesting three stooges entertainment. While it’s branded the “Complete” collection, I doubt that we’ll ever have a complete collection considering rights issues, but “Big Box of Nyuks” is still a very impressive addition to anyone who adores these knuckleheads and their antics that have managed to garner a new fan base for every generation. It’s an exhaustive look behind the Stooges legacy and also celebrates their comedy when they were at their peak and at their unfortunate worst, but it’s a great collector’s item.
Zack Snyder re-invents the late George Romero’s masterpiece in a mess of a remake that starts off very strong, gives up trying to make sense mid-way, and them limps to the finish line as fast as it can. Snyder and James Gunn’s script never takes time to slow down and breathe, jumping from one action scene to the next, from one musical laced montage to the next, and from one weak moment of tension to the next. Characters are stale and barely developed, and the script never hides that these people are meant as cannon fodder and nothing else. Worse, the script is clumsily paced, the overall film is tonally uneven, and often times the horror element is an afterthought.
It’s fitting that Shout Factory would release “Land of the Dead” right around the same time as 2004’s version of “Dawn of the Dead.” After almost twenty years in development hell, and with the title “Dead Reckoning,” Romero was able to finally complete his planned fourth part of his dead series thanks to the success of “Dawn.” Even Romero admitted that he owed a lot of his ability to make “Land” thanks to the evident success of “Dawn.” While “Land of the Dead” feels incomplete and under developed, I give Romero a huge pass mainly because he was given so much hell while filming the long awaited sequel. Not only did he have to scale down his story yet again like he did with “Day of the Dead,” but he couldn’t film in Pittsburgh which he always did with his zombie epics.
“Ghouls, Goblins and Ghosts are Running Amok In This Frightfully Fun Family Collection!” For Halloween festivities this year, Mill Creek Entertainment has offered animation fans a chance to watch some off beat and classic family fun in the spirit of All Hallows Eve. Featured on the DVD are five classic Casper the Friendly Ghost shorts that I grew up with. Among the five are “There’s Good Boos Tonight,” “The Friendly Ghost,” “Boo Moon,” and “A Haunting We Will Go.”