Superman’s legend is constantly being re-invented for a new generation and it’s always retrofitted for a new sensibility and new crowd of potential comic book buffs. Thankfully while DC has rebooted Superman a few times in their animated universe they’ve managed to stick to what makes the man and the myth so exciting and awe inspiring. Even in the rare misfires, Superman is almost always Superman and it’s great to see him return yet again in this re-invention of the character’s lore.
If you want to know how much of a tedious experience “Giant from the Unknown” is, it clocks in at barely an hour and twenty minutes, and the monster doesn’t show up until forty minutes in (!). Before that it’s an absolute slog to sit through. When the monster is not on screen there’s the vapid romance between characters Janet (Sally Fraser is absolutely wooden) and Wayne, one of whom is always a damsel in distress. For a movie that advertises a giant, it’s disappointing when it does rear its head, as it tends to look a lot more like a muscle bound Bela Lugosi from “Son of Frankenstein.”
“Tremors” is a movie that’s well worth being restored and given the deluxe edition. It’s been one of the longest running monster movie series’ even including a short lived TV show. It’s great that Ron Underwood’s action horror movie finally gets the credit it deserves, as “Tremors” hasn’t aged much at all since 1990. And shockingly, neither has Kevin Bacon. How the hell does he do it?
Like most elseworlds tales involving Superman and most DC superheroes, “Red Son” examines what the world would look like with a small alteration in mythology. And it’s also a look in to what would happen if Superman was on a different side of history. It’s a history in the controversial albeit acclaimed graphic novel where America loses the Cold War, Russia is the dominant force and Superman is a being whose own personal hell was paved with good intentions. The problem is that with “Red Son,” we’ve basically seen it all before.
While Studios are once again repackaging John Hughes movies in to yet another compilation Blu-Ray, and re-releasing “Grease” for the umpteenth time, there are still a laundry list of movies that have only ever been released on VHS and Laserdisc. Continuing from the last list, here are five more movies that deserve a Deluxe Physical release for collectors.
Stephen Norrington’s 1998 adaptation of the comic book “Blade” is a movie that’s often overlooked and or ignored as one of the comic book movie hits that broke ground. While it was never as mainstream as “X-Men” or “Spider-Man” it was a hit movie starring an African American hero, with an R rating. And while it hasn’t aged quite well since its initial release (it’s aged about as well as “X2,” which is good and terrible), it’s still a trailblazer worth seeking out right this second.
David Mamet and James Foley’s adaptation of the stage drama is a remarkable and intense look at a room full of men in various stages of a job where the clock is consistently ticking down. As a salesman, you begin as Al Pacino’s Richard Roma, a slick and swift salesman who is absolutely cut throat. Then the time begins running out and you invariably turn in to Shelley Levene, a man who is desperately trying to keep his job, clinging to one big deal that may or may not save his job.
It’s apropos and yet somewhat inexplicable that Hayao Miyazaki would end his career on one what is easily his most divisive film. Miyazaki has spent so much of his career delivering masterpieces of animation that discuss the horrible fall out of war, destruction of the environment, and war machines. So it’s absolutely confounding that Miyazaki takes a more objective approach to Jirô Horikoshi and his creation of what would become certified weapons of war.