“Hell to Pay” is chapter two in what is one of the more under appreciated animated DC series currently in stores. While DC mainly focuses on Batman and Superman, we’re given a second shot with “Suicide Squad” who DC is thankfully not above sharing for the home entertainment audiences. After the very good “Assault on Arkham,” the team known as Task Force X return with a premise that—let’s just say it—should have been the premise for the live action movie. It’s a small covert team, they should do small covert operations that involve the DC Universe, for crying out loud.
Always prone to giving the consumer more bang for their bucks, Mill Creek Entertainment compiles a six DVD set of the best of Martin and Lewis. And while it may not have their all time greats, it still manages to be a solid set that can mesh in with any collection of a Martin and Lewis fanatic. The set comes packed in the usual slip case and compiles a lot of past releases for one fine compendium you can entertain yourself with for hours. In this case, it’s almost thirty hours total of Martin and Lewis shenanigans with five movies and twenty eight episodes of “The Colgate Comedy Hour.”
Dario Argento’s horror film “Suspiria” is an immaculate production, one that almost commands you watch it with unbreaking attention. While many have argued it lacks a narrative and often times feels aimless, Argento vies more for a cinematic experience than something that relies heavily on narrative. “Suspiria” feels like one long fever dream, and Argento paints every scene like its being influenced by pure evil. While Suzy herself is being influenced by witches and witchcraft, the audience itself also seems to be pulled in to the same seat, watching every bit of setting being altered in to this realm.
Back in the nineties, there was this strange movement to take pulp and serial heroes and revive them for a modern audience. Everything from Flash Gordon to Doc Samson were revived. Some of them, like “Zorro,” were big hits, while a lot of them surprisingly missed with audiences. I’ve always loved the pulp and serial heroes, but a lot of the box office and ratings for movies and television decided that they were best left in their era. One of the bigger movements was to place serial heroes in to the future. So, The Phantom was placed in to a futuristic setting, and Sherlock Holmes was brought back a la “The Demolition Man.”
In fairly high demand since its release years ago, Time Life has begun to re-release the Complete series of “The Wonder Years,” the immensely popular nineties drama that introduced a decade to the sixties. One of the underdogs of the decade, “The Wonder Years” premiered with small fanfare, and ended up becoming one of the most celebrated primetime dramas ever made. I originally reviewed the Deluxe Locker Edition, and now I review the blue box set that features mostly the collection of the entire series on DVD. The series has been restored and featured uncut after almost twenty years out of print and without a proper release.
After suffering a major identity crisis for the last three seasons, “Fear the Walking Dead” finally finds it footing. By throwing everything it’s established out and keeping only a few main characters here and there. What began as an urban retelling of the zombie apocalypse involving two families, the Manawas and the Clarks, is now really nothing more an immigration allegory with characters basically bumping back and forth. “Fear the Walking Dead” managed to have the opportunity to really unfold an epic tale of a mixed race family, and how they learned to get along with get to know each other. Their mixed and uneasy union would have to be tested. Except, all we get is a lot of goofy switches of the premise, and wastes of some good characters.
As with all Mill Creek releases, they’re prone to bringing fans and collectors whole box sets of films, and then to re-release the sets in various volumes here and there. For fans that can’t spring for the big box set, there are two releases from Mill Creek Entertainment that got the Blu-Ray treatment. These are fine releases if you want the movies or nothing else. If you want the bells and whistles, you’ll just have to wait longer.
Although George Romero wasn’t as particular or gung ho with his filmmaking as Stanley Kubrick was, you can’t really sit through “Night of the Living Dead” without feeling like everything is so deliberate. Like what is the significance of Barbara looking through the music box? Why did Johnny approach Barbara with his gloves on? And why did Romero blatantly film one of the dead with its eyes moving? Was it was considerably faint attempt to humanize the monsters that we’d see be hit with fire and shot to death throughout the film? Or was it his reminder that through and through these were once people with human impulses and their urges for human flesh are still a part of some human impulse? “Night of the Living Dead” is so nightmarish and intricate that I love picking it apart every single time I’ve seen it and it leaves me stunned every single time.