For horror fans looking for another value pack of horror movies, Mill Creek Entertainment is repackaging some of their more notable titles in to a Triple Feature on Blu-Ray. For folks looking to increase their horror movie collection and save money, this is the perfect launch pad with some up to date formats. This Trio of films come on Blu-Ray and DVD, for folks that still collect and or use the latter format.
Just in time for “Women in Horror Month,” Andrew Fleming’s “The Craft” is one of those movies that’s gained some heavy cult momentum over the years, and for good reason. Even with the nineties aesthetic, “The Craft” has aged quite well offering up a mature genre picture that begins as a coming of age supernatural drama and gradually transforms in to a horror film. There just aren’t films like “The Craft” anymore, and that’s a shame, since Andrew Fleming offers up a unique tale of good and evil, and power corrupting absolutely.
Undercrank Productions deserves a ton of credit as they are releasing films and silent cinema that no one else has even approached yet. While boutique studios are dabbling in eighties and seventies obscure gems, Undercrank and Ben Model are back in the early 1900’s restoring the short films of Alice Howell, a silent cinema comedic actress who was once compared to her contemporaries Charlie Chaplin and Buster Keaton. Thanks to a successful Kickstarter campaign, folks that want to bone up on the history of women in comedy cinema, this is a great place to continue your education on how much they’ve contributed, and the unsung voices of comedy.
Despite generally loving movies about the supernatural, and in spite of “The Plague of the Zombies” being very much ahead of its time in its implementing of voodoo as a means of our villain enacting his devious plan, I was indifferent toward “The Plague of the Zombies.” I can’t say that I completely hated it, but while it packs in some tension and great mood set pieces, I wasn’t too sad when it finally drew to a close.
Take the unabashed violence of the eighties action films where all that stood between peace and war was one guy with a gun, throw in a slasher film, and you have what is one of my absolute childhood favorites. “Cobra” brings me back to a time where I’d watch Marion Cobretti bring down a thug with the cold hard steel of his Colt .45 and still have time to go home and unwind with some left over pizza. Thankfully “Cobra” still pretty much holds up today as a mixing of two very popular genres from the decade, and it works for the most part.
Director/Star Bradley Cooper’s “A Star is Born” will likely go down in history as one of the greatest remakes of all time. Cooper doesn’t try so much to remake a story that’s been already remade, but rethink it for a modern culture. In the end “A Star is Born” excels because it doesn’t lose sight of what it wants to convey as an epic romance, and a tale about identity, and stardom. It’s a beautiful and often soul shattering drama that Cooper directs with immense humility and is able to derive wonderful performances all around.
For all three of you fans of the “Poison Ivy” movie series wondering when we’d finally see all four of the films from the series on Blu-Ray, Shout Factory finally brings it to us with extras and restorations. Truth is I’m eagerly awaiting the “Devil in the Flesh” duology on Blu-Ray (Sidenote: Do you think anyone has the balls to release the entire “Wild Things” saga?), but for now we have this neat box set of some of the best worst erotic trash that’s ever been brought to movie fans from Warner bros. And just in time for Valentine’s Day and Women in Horror Month, too! You can ogle a pre-career renaissance Drew Barrymore, or up and comer Jaime Pressly, or a post-“Degrassi” Miriam McDonald.
There’s no wrong option, is the bullet point of my explanation.
Jamie Blanks’ “Valentine” is one of the many latter day slasher films that would completely steal from the premise of “Slaughter High” and retrofit it to a new generation, as well as blatantly ape the gimmick of “I Know What You Did Last Summer.” “Valentine” is one of the more ambitious slashers that not only steals from “Slaughter High” but also jumps on the valentine holiday as its primary gimmick for the stalking and slashing. “My Bloody Valentine” always has my loyalty, while “Valentine” is just a sub-par absolutely vanilla slasher thriller with the classic whodunit plot motivation that also became a common element of latter day slashers post-“Scream.”