It’s been slim pickings for fans of “Critters” and it’s a shame that even after this film, there’s still not a lot of options for us. We’re either stuck with “The New Binge” which was nigh unwatchable, or “Critters Attack!” which is quite boring and defeats the whole idea of a sequel by dodging everything that makes these movies so fun. It even wastes the idea of a friendly Crite named Bianca by making the monster some aimless prop. Let’s just say Gizmo is in no threat of being dethroned as cutest monster ever.
One of the most family friendly and outright entertaining superhero features of the year, “Shazam!” is a movie that will appeal to children of all walks of life. It’s a movie that promotes the power of family, promotes the appeal of adopted families, and explores the effects of bullying and toxic masculinity. “Shazam!” is one of the bigger surprises of 2019 as the DCEU keeps delivering on entertaining and bright action features that spotlight the lesser explored and rarely discovered characters from the DC Comics stable.
Now that Shout Factory has re-formatted their Karloff/Lugosi Collection in to the Universal Horror Collection, this has given them carte blanche to release pretty much everything they can get their hands on from the catalogue. I appreciate that they haven’t begun releasing the obvious titles yet, as so far the volumes have been following a specific theme and or formula. The first volume was mainly Karloff and Lugosi team ups, while this second volume is mainly about mad scientist and evil doctor, all of which are played by Lionel Atwill. Buckle up, horror buffs.
“Weird Science” is the film from John Hughes that’s managed to age the worst from his repertoire. Even “Dutch” can be considered somewhat more accessible than what “Weird Science” doles out. While it’s not a bad movie at all, “Weird Science” has gradually become an eighties comedy that has to be taken in the context of its decade. This is still a very strong air of misogyny and chauvinism within “Weird Science,” but it still works as a fun eighties romp with banner performances by its collective cast.
There aren’t many very good video game-to-movie adaptations out there, but “Silent Hill” manages to stray from the video game to movie curse by embracing what makes the classic games so entertaining while also telling its own tale. It’s a shame that “Silent Hill” never became a full fledged horror movie franchise, as Christophe Gans’ adaptation of the classic video game allows for a visually stunning horror thriller that spooks in all of the right places.
Every year we’re given some titles to promote for our readers, and we come across some new releases that might make the summer season a bit easier to endure. These are some releases for every movie fan to look out for. And remember that every time you buy through us, you help Cinema Crazed.
After spending years out of print, it’s good to see Fred Dekker’s eighties horror classics finally being given the special treatment that they deserve. For fans of the 1986 “Night of the Creeps,” they’ll be happy to know that Dekker’s zombie comedy hasn’t aged much at all. While it’s very much of its time, it still allows for an accessible and very interesting mix of horror, science fiction, coming of age, and romance that’s tough to beat. Plus, there’s Tom Atkins who is just downright fun in the role of detective Ray Cameron.
At the very least, “Cannibal Holocaust” had something to say about humanity and the cruelty of alleged civilized societies. It also had a lot to say about xenophobia and white privilege. Even “Cannibal Ferox” had something interesting to say. “The Green Inferno” is peak Eli Roth where it has no idea what it wants to say and it bathes itself in disgusting, sadistic, unpleasant, garbage that it never quite rebounds from. Whether it’s stoned cannibals eating a guy, to a prisoner masturbating to calm himself down, “The Green Inferno” is the bottom of the barrel sophomoric nonsense that Eli Roth puts on to film with pride.