How do you top one of the most influential and punk rock horror movies of the eighties? You—uh—follow it up with a sequel that repeats everything we saw from the first film. It’s as if someone said “Let’s make “Return of the Living Dead” again, but crappy this time.” To say “Return of the Living Dead II” is bad is pretty much an understatement as it’s only mostly acknowledged for being the poorer brother to the highly superior and excellent original. That’s ironically also part of its appeal, too, as it takes some twists and turns that’ll leave you laughing in disbelief and confusion.
One of the most controversial and heavily disputed comic book events of all time is finally brought to the DC animation universe. It’ll probably also setting up potential movie go arounds for supporting characters within the “Superman: Doomsday” scope. I can imagine if the course is cleared, we could see some overdue attention paid to “Steel.” One can hope. In either case, “The Death of Superman” is pretty much a truncated version of the original mini-series, with a look at the massive event that brought DC to its knees and Superman to death.
Movies like “Attack of the Killer Tomatoes” are virtually bullet proof from criticism. You either go in the movie prepared for the silly, or you can’t quite match the film’s frequency. “Attack of the Killer tomatoes” is one of the earliest known satires of “The Birds” where it’s about the inexplicable sentience and attack of deadly fruit on a small town rather than pecking deadly birds from the sky. And that’s about where it ends there. You figure with the preamble about “The Birds” and how this movie is basically the same thing but with tomatoes, we’d have a full fledged spoof of the Hitchcock movie.
Director Bryan Bertino’s horror debut is a masterful thriller about the presence of pure evil and the relentlessness of it. Some of the best horror villains of all time are those without much conscience or logic, and the trio of killers that stalk a hapless pair of married people in “The Strangers” are almost horror incarnate. While “The Strangers” is based on the whole Manson Family murders, truthfully it pits its focus on how purely evil humanity can be. Even when obscured by masks, the trio of stalkers prominently featured is human down to the core, acting without much rhyme or reason.
For the first time together on one DVD, Mill Creek assembles the “Merlin” film trilogy, which chronicles the epic beginnings and legacy of the iconic wizard who helped King Arthur in his battles against evil. “Merlin” is one of my all time favorite miniseries and appeared during a time where miniseries on basic network television was still a thing that was used to grab big ratings, and I fondly recall visiting this miniseries again and again. I enjoyed “Merlin” so much, in fact, that I bought the oversized black clamshell VHS from Blockbuster video back in late 1998 and watched it almost every weekend.
Summer is right around the corner and that’s great news for a lot of people. But us. That said, we wouldn’t be able to live with ourselves if we didn’t suggest some movies and movie related material for you, our loyal readers, to go through and get you through those scolding hot summer days. Remember that when you buy through us, you support Cinema Crazed, and if you can’t spare a donation, that’s just as good. So please, show us some love, if you can. Here are some suggestions for Mr. and Mrs. Movie Loving Public.
I didn’t think it was possible, but “Paddington 2” is just as good as the original “Paddington.” It doesn’t repeat the same beats from the original film, but expands on the world we engaged in when we first met the friendly bear. Director Paul King is back and could easily have suffered a sophomore slump with a sequel that was filled with redundancies and pandered to a more mainstream crowd, but thankfully “Paddington 2” stays true to itself, following the adventures of our good hearted bear as he attempts to spread love where ever he goes, and find the good in people.
It’s pretty tough to find a good Bigfoot horror film these days, and whenever one really good title for the subgenre comes along, you have to hold on to it and appreciate it. Ryan Schifrin’s “Abominable” is a fantastic entry in to the sub-genre that takes Hitchcock’s “Rear Window,” injects a little lunacy, and rather than Raymond Burr, we have a hairy, vicious, super strong abominable snowman terrorizing a group of girls. While on paper that sounds like the formula for a potentially silly movie, “Abominable” is stellar. It’s creepy, darkly funny, gory, and has one of the best final scenes I’ve ever seen in a horror movie, barnone.