Earl Bellamy’s “Munster Go Home!” has become one of the most incidentally influential horror comedies of all time. One of the banner pop cult movies of the decade, “Munster, Go Home!” is the extension of the cult TV show that takes them out of their giant mansion, and brings them in to the wide open world. As we’ve seen with the series, the world isn’t too keen on their way of life, either. But they make it work with charm, and a classic sixties drag race. Continue reading
With the Umbrella Academy making waves on Netflix and Marvel getting the ball rolling on “X-Men,” DC and Warner get a jump on the formula with their adaptations of “Doom Patrol.” Although the series is now widely acclaimed and mostly celebrated by comic book fans alike, “Doom Patrol” brings with it a huge legacy. It’s widely and arguably considered the precursor to Marvel’s “X-Men” and many fans argue that Marvel outright stole the premise from right under DC Comics. The elements are all mostly the same right down to a massive mansion housing these various super beings.
I love “April Fool’s Day,” and I say that as someone that originally hated it. It took years for me to come around on it, mainly because in a decade where we got nothing but slasher movies, we were given one. But we also weren’t given one, either. In either case, if you’re going in to “April Fool’s Day,” it embraces its inherent silliness and mounts tension to be a pretty good statement about the slasher sub-genre while also having a good old time with the audience. It’s become a favorite of the sub-genre, and indicates a point where studios were beginning to satirize the tropes of the sub-genre.
Once artist Snoop Dogg became a gangster rap icon, he inevitably branched out in the early aughts in to bigger pastures. Before he became a family friendly talk show host, he was someone who promoted the image of the pimp, and then became an open advocate for cannabis. In between those hazy days in his late career, Snoop Dogg (or someone in his PR team) decided that they should try to re-condition him in to a horror character. The inevitable product was “Bones” an utterly tepid, dull horror vanity vehicle from the man that gave us “Demon Knight.”
After spending many years on sub-par DVD releases and in basic limbo for a new release, “The Wizard” is given a much overdue Collector’s Edition that treats the cult classic the way it deserves. Is it a glorified Nintendo commercial? Sure! Is it a glorified ad for Universal Studios? Definitely! Is it fun? Oh god yes. “The Wizard” is a movie that might appeal to you more if you have nostalgia attached, granted, but on its own it’s a solid kids adventure film that’s also ahead of its time in the way it digs in to the video game tournaments and how much mental and physical prowess they demand.
Shout Factory continues the growing of their library of Universal genre films, all of which expand to heavyweights like Boris Karloff, Lionel Atwill and the iconic Rondo Hatton. Although the selection isn’t all purely horror by definition, these are all fairly solid and entertaining genre pictures with appearances by various horror icons. This is another in the growing library for horror buffs anxious to add more depth to their collection, all now upgraded and restored.
The newest edition from Shout Factory of Universal Horror Collection is really more of four films with mixed genres, and folks looking for strictly horror might be a tad disappointed. It does, in all fairness, feature horror icons like Lionel Atwill, Bela Lugosi, Boris Karloff, Basil Rathbone, Vincent Price (and so many more). However for collectors looking to complete the library being released from Scream Factory, as they continue chronicling a lot of the more obscure and notable Universal horror films, this is right up your alley. It’s light in the supplemental material, but here’s hoping the impending volume four gives us a bit more meat to chew on.
After the success of Mary Lambert’s adaptation of Stephen King’s “Pet Sematary,” Paramount sought out to deliver a sequel, despite the original leaving no room for one. Every single character died in the first movie, and no one is really the wiser about the whole zombie shenanigans that ensued in the climax. Lo and behold though, Paramount delivers on a sequel that centers on a whole new series of characters, all of whom are somehow obsessed with the mythical Native American burial ground tucked behind a seemingly harmless Pet Sematary.