If there was ever a movie that could be an introduction to the sheer indescribable beauty and sexiness that was Marilyn Monroe, it’s “Some Like It Hot.” My first introduction to the movie was when I was a pre-teen in 1997, in the middle of a busy classroom on a free day. The teacher slipped the movie on for everyone to watch, and every one of my classmates had run off to chat or goof around, but I sat and watched “Some Like It Hot.” Suffice to say Billy Wilder’s romance comedy was a first real taste of classic film I’d ever had and it sparked an interest I never really got over.
Often considered one of the greatest of the horror movie boogey men, Candyman probably would have been a swing and miss were it not for the gravitas that Tony Todd exudes with every performances he takes on. “Candyman” is one of the more genuinely eerie and gruesome ghost stories of the 1990’s that also doubles as a gory slasher. It’s a great fit for a decade where horror was mostly a serious affair and audiences were looking for more novel, entertaining fare to get lost in. “Candyman” is one of the few genuine slasher icons of the nineties that was able to keep the horror genre mostly afloat. While the sequels leave a lot to be desired, it’s hard to top what sense of terror the original from Bernard Rose brings to the table.
The “Texas Chainsaw Massacre” has been a movie series that’s experienced great highs and crushing lows. While surely it’s been a long running series with a lot of sequels, it’s also a series that’s been rebooted numerous times. “The Next Generation” is basically a remake of the original Tobe Hooper film set for a nineties crowd and it is god awful. It’s deliriously bad. You could almost consider it so bad it’s good, if you’re very forgiving, but in the end of the day it’s awful. It’s so awful even stars Matthew McConaughey and Renee Zellweger have distanced themselves from it.
The only studio that’s managed to build an interesting cinematic universe beside Marvel is Warner who’s “The Conjuring” cinematic universe has been a long stretch of movies varying in quality. The interconnected movie verse takes Valak the horrific nun from “The Conjuring 2” and gives her own film. What should have been an easy scare fest lending a spotlight to one of the most memorable monsters in “The Conjuring 2” ends up as yet another miss like “Annabelle.” I don’t know why it’s so tough for the producers of the “Conjuring” cinematic universe to produce spin offs for their series’ monsters.
Fans of cinema both classic and arthouse are still stinging from the closing of “Film Struck” a few months ago. If you’re still aching for something completely different from the mainstream, I offer you the alternative of “Film Movement.” I’ve been cognizant of Film Movement for years now and have always intended to subscribe to the service. “Film Movement” was established in 2002 as mainly a DVD of the month club that mailed DVD’s to respective subscribers. These days while the DVD Club is still available, “Film Movement” is more of a subscription service that streams movies to subscribers much in the realm of Netflix, except the movies you’ll find here are nothing like you’ll find in the mainstream.
If I had to list five of the quintessential nineties movies that basically defined the decade, “Can’t Hardly Wait” would be on the list. It’s not just a party movie, but a movie that takes every single element of the nineties and stacks it together in to a ninety minute teen comedy. “Can’t Hardly Wait” is a movie I’ve had a long history of loving and hating. I spent my teen years watching this movie on cable at least thirty times, then grew to loathe it, and then many years later, I’ve kind of grown fond of it, and its simplistic yet grand premise. It’s not a funny movie, but it’s one that’s recommended if you want to check out what the decade looked like without artifice–*cough*EmpireRecords*cough*.
After almost twenty years basically out of print, us “Critters” fans spent the better part of the digital age celebrating our favorite movie series on DVD. And not just any DVD, but a basically cheap transfer DVD that stuffed all four movies on to a few DVDs. Granted you could have done worse, but the movie series deserved so much better. The “Critters” series remains one of the more underrated creature features in horror, and it finally gets the royal treatment on Blu-Ray. With a hard shell casing, all four movies come packed, along with a humongous plethora of bells and whistles. This is the collection I as a hardcore fan, have been waiting for. It’s also a good thing that the “Critters” movies are a lot of good, gory, monstrous fun.
During the 1950s and early 1960s, Ernie Kovacs stood out from his comedy peers who approached television with a vaudeville and Borscht Belt vibe. Kovacs’ ingenious use of visual sight sags and off-kilter sound effects created a new school of small-screen comedy, and his gallery of brilliantly warped characters – including the mincing poet Percy Dovetonsils, the hostile Hungarian cook Miklos Molnar and the musically violent derby-hatted simians of The Nairobi Trio – brought a subversive sense of humor to a comedy scene that was often a little too safe for its own good.