I got started as a critic in 2004 when I covered the Fantasia film festival for Film Threat. At the time I was pretty active on the Film Threat web board and one of the moderators, I believe it was Eric Campos, asked if I could attend the festival and write something for the magazine since I lived nearby. I must have done a good job because he let me stick around to do more stuff, mostly review indie films and write a series called “Versus” where I compared remakes with the original.
It was fun, but eventually I had to slow down because I was burnt out. I realize that “watching movies” doesn’t sound exhausting, but I always felt a deep sense of responsibility to both the readers and the filmmakers. It felt wrong to just go “This film sucks!” or “This film rocks” without exploring every little detail on screen and analyzing every aspect of the production.