The Shipment (2018)
A man who has turned his life around must make hard decision in his quest to become a better man and to protect his daughter at the same time. This short film is one of the most expensive ones we’ve seen in the last few years and the budget shows. The special effects are on point, the score sounds expensive, if a little familiar, and the film as a whole comes off looking and feeling like something that is part of a much bigger universe. The acting in The Shipment is good overall, with a few scenes here and there that feel a bit off. The visuals are fantastic and show how much of a passion project this was for writer/director Bobby Bala. It’s a fun watch with some deeper issues being approached in a way that is perfect to make some think without even knowing it. The issues at hand are very real and timely.
After a series of negative events, a young woman rents a house in the countryside to go clear her mind and get ready for a fresh start. Once at the house, the man renting it gets more and more interested in her for reasons that she cannot possibly guess. His mental state deteriorating, he starts putting into action a plan that will take them both down a dangerous path.
Friends coming back for a hiking and camping trip find a body in the trunk of their car. Due to one of them having a past that could complicate things, they start debating what to do with the body until their friendship gets truly tested.
In this anthology inspired by the #MeToo and #TimesUp movements, producer Staci Layne Wilson brings together a dozen shorts with themes and content about abuses of power, sexual abuse, and issues affecting women in particular. The stories range from a woman in therapy to a ghost attacking men in a public restroom. Here the shorts all contain storylines that will make viewers think with styles that entertain, scare, and even amuse. The talent in this anthology is of high quality and some of the shorts will be familiar those film festival regulars.
Antonio Pantoja is an acclaimed artist, photographer, and man of many skills who has just completed “One Must Fall.” Now premiering in various festivals around America and garnering various accolades, Pantoja’s horror comedy slasher is making waves, and Emilie Black took time from his busy schedule to ask about his career and love of film.
A teen goes out at night to meet a boy and never makes it back home. As her whole small town is shaken up by her disappearance, everyone does what they can to come to terms with her disappearance and how it affects each of them.