A woman goes to her sister’s bachelorette party weekend at a rental house against her better judgment. As a nasty surprise hits them at the cabin, they are forced to face a life-or-death situation the likes of which none of them was prepared for.
In the competitive world of cam girls, Lola/Alice has created herself a good niche and is gaining in popularity. As she reaches higher and higher levels, her account and personality are taken over and she must figure out who or what is behind it to regain her rightful place.
Robert D. Krzykowski’s feature directorial debut The Man Who Killed Hitler and Then The Bigfoot premiered at Fantasia 2018 recently and was a huge success. His Q&A with star Sam Elliott was enlightening and fun. Here he is to answer a few of Cinema Crazed’s questions.
Director Michael Mort has been working in stop motion animation for most of his cinematic career, working with studios such as Aardman Animations and his own studio Animortal Productions, and is a clear fan of old school action films and their over-the-top styles.
Welcome to Mercy is your second feature as a director, what attracted you to it?
I’m still figuring out what sort of filmmaker I am. Telling stories for a living is such a broad and nebulous job — Your work is this delicate combination of deeply personal ideas, natural instincts, collaborative partnerships, and practical opportunities. How you balance and navigate those ends up defining what you put out in the world… and I think in a very real way it also ends up defining who you are.