The Ottoman Lieutenant (2016)

Following a lecture by a handsome missionary doctor, a frustrated young American nurse decides to go to Turkey to deliver much needed supplies and her late brother’s truck.  As war looms and dangers abound, she is assigned an Ottoman Lieutenant to protect her on her journey to the faraway hospital.  During their journey, friendship blooms and once at the hospital, romance is in the air.

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Dig Two Graves (2014)

Following her brother’s accidental death, a girl gets involved with the local black sheep and learns a thing or two about her family, the past, and revenge.

Written by Hunter Adams and Jeremy Phillips and directed by the former, Dig Two Graves is an ok drama with a few horror elements that goes at a decent pace. The film has decent characters, decent dialogue; it’s all decent, but it’s all a bit bland. The film has some interesting aspects, especially the family that lives in the woods, but it’s not quite enough to make it a stellar film or even a really interesting one, which is too bad as everyone involved is seemingly talented and capable of more.

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Logan (2017)

Logan, the public’s beloved Wolverine, has aged and isn’t doing so great.  As he holds onto life for some reason and is looking for a reason to be.  His later life is not filled with action, something he seems to have settled into.  That is until a woman comes asking for his help and a chain of events leads to him having to help a young girl in desperate need of guidance and assistance.

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The Devil’s Candy (2015)

After buying their dream house in Texas, The Hellmans, a painter, his wife, and their daughter, must face human and supernatural threats.  As the father finds an incredible muse and must paint, his daughter and wife deal with lurking dangers.

Written and directed by Sean Byrne, The Devil’s Candy is a strong follow up to his debut feature The Loved Ones, showing that his talent was not fluke and showing that the man can craft a good horror story with truly creepy and even scary elements.  Here he creates an interesting family who is traditional in one way and not in others; they are a cool, artsy family with a love to heavy metal.  Their differences set them apart from the usual cinematic families who encounter evil in their new homes.  Also, the way the evil comes into their lives is original and works well in the film’s context.  His characters work well together, giving them more to care about, more to worry about, more to lose.  His writing and directing create a film with a family the viewer can identify with and care for.  Also, his human antagonist is one that has presence, who oozes creepiness while playing in the potential supernatural angles.

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Bloodlands (2017) [FrightFest Glasgow 2017]

An Albanian family with inner turmoil finds itself in the middle of a “blood feud” following a clan reputed to be connected to a mountain witch steals from their business.

Written and directed by Steven Kastrissios, Bloodlands’ story is based in the folklore and traditions of the Balkans with a blood feud creating most of the stress to the characters and conflicts. The film develops as a drama for most of its run time with a few bits and pieces rooted in the horror genre until the epilogue which falls directly and completely in the horror genre. His characters feel rooted in reality while going through hell and back. The family is not perfect, they have issues, they argues, they seem to only by together because they have to or because society says they should at times, which all leads to feeling like a lot of dysfunctional families out there and makes the characters feel real. The father is strong headed while the mother is a gossiper who gets a lot of crap for it. Their kids show interest in leaving their country or at least area which is something most teens/young adults go through. The film shows this family in a true light, with their issues, loving each other warts and all. This family is the root of the film and basically the root of the story in every way possible.

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Blackhearts (2017)

As Norway prepares for one of its epic black metal festivals, 3 bands prepare to go and play their set there for the first time.  The film follows closely Hector from Columbia (leader of the band Luciferian), Sina from the Middle East where playing black metal is a jailable offense, and Kaiadas and his band mates (band Naer Mataron) through their preparation for the festival and what pushes them to play this type of music.  The film also explores the history of black metal in Norway, including a visit to the Rockheim museum in Trondheim, interviews and moments with members of bands such as Keep of Kalessin, Mayhem, and a few others.  Through seeing the lives of these musicians, what they believe in, and what they want to accomplish, the viewer can get a good idea of what black metal is all about and also learn about its history.

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