Written by Yann Brion and Frédéric Schoendoerffer and directed by the latter, Fast Convoy is a road movie and a drug movie while it also kinda feels like a heist movie in that these guys, in multiple cars, are basically trying to make it to a destination with illicit merchandize. The film is rather character-based with each character traveling with a co-pilot and taking orders from an unseen man. The story builds around them as they drive. While the title is a bit misleading, the film does have a few car-chase-ish scenes which have occasional nods to different car films and may or may not be influenced by the Luc Besson way of shooting cars on the road (low to the ground, front car pov). The car stuff is really one of the main appeals to this film and the scenes are well done and shot.
Written and directed by James Mark, the film is a nice long string of fight sequences with other scenes and sequences in-between to build the story that unfortunately come off as forgettable, especially next to those fight scenes. The fighting in Kill Order is where it’s at. It’s rousing, exciting, and fun to watch. Which makes the in-between stuff this much sadder being that they are some much fun and the rest of the film feels a bit forgettable. The story is interesting but it’s not developed in a way that keeps the attention. The only reason this reviewer kept watching was all the awesome fighting. Fans of stuff like Ong Bak and B13 will love the action, but will probably check out during the rest of the film. Also not helping this are scenes that have subtitles that are white on white, thus extremely hard to read.
Written by RJ Lackie and directed by Audrey Cummings, Darken creates a complex world with a lot of characters that feels like the start to something like a tv pilot or the first in a series. This means that the film sets up quite a few characters and a world of its own for them to evolve in. The film does good work creating that and introducing plenty of characters before killing quite a few off for the story to move forward and the other characters to have a reason to go on their quest. The film is entertaining while it does this and the characters are varied to add to this.
After their horror film Mon Ami inspires someone to send them a video, filmmakers Rob Grant and Mike Kovac decide to explore what makes someone kill and the responsibility of filmmakers in how their films influence violence in people.
Dalida tells the story of the Italian-Egyptian singer who made her life in France and was, and still is, hugely popular in French-speaking countries and other parts of the world. She was and still is a musical icon who became almost mythological after her suicide in 1987. For the unfamiliar, Dalida was and probably still is as big of an icon to some as Cher and Madonna are in the US.
A road at the center of local urban legends, young people trying to debunk its mysteries, and a few surprises along the way…
Based on a story by Johnny Pascucci and written by Shahin Chandrasoma and Matthew Currie Holmes, with the latter directing as well, Buckout Road is an interesting take on urban legend movies in how it approaches the urban legends and how the characters are not just plain victims with no background. The characters are decently developed and have relationships between them that make sense and make them care about one another. The way the film develops its story through flashbacks that have their own style depending on the era they are set in, giving the film visual interest each of their own. The story evolves in a way that keeps the interest and has some mystery to it. The ending is interesting and offers not exactly a twist but not exactly the ending one might expect from an urban legend film.
Inspired by the Butterbox Babies case, The Child Remains follows a couple as they stay in an inn with a dark past and an uncertain future.
From writer/director Michael Melski, The Child Remains is a haunting story of sorts that crosses with investigative story and a few other things. This leads to a film that is a slow burn but an interesting one. Those who are familiar with the Butterbox Babies case will see connections which are of course a bit stretched here but still make some sense. The characters built for the modern day people who stumble into this dark past are well developed. They are a basically just one couple who get haunted in one way or another and slowly work towards making sense of things for themselves with a few side moments into level of insanity or madness or something that actually makes sense in the film. These characters are very human, even frustrating like real people are at times.