Over twenty five years later, “Aladdin” is still one of the best animated films of the Disney golden age of the late eighties and nineties. Whether it’s on the big screen or the small screen, Jon Musker and Ron Clements’ adaptation of the original series of fantasy tales is engaging, and fun, but also excels in its simplicity and accessibility. Aladdin is also one of the most underrated Disney heroes in their staple, it’s a shame he doesn’t get mentioned too often.
It’s surprising how much “RoboCop” has managed to stay relevant in this day and age. Despite being a science fiction classic with excellent biblical overtones, Hollywood has sought out to re-invent the series time and time again. After the passable remake years ago, RoboCop proved he still had some pop culture momentum with his baffling appearance in a KFC commercial (even with original star Peter Weller in the costume). After the ballyhoo with the reboot failing to gain steam yet again a few weeks ago, I felt like re-visiting “RoboCop: The Animated Series.” The 80s was a time where pretty much nothing was off limits and studios spent an odd amount of resources trying to tailor adult properties to kids.
“In boot camp, we used to every night we had to say–before we went to bed, we’d have to sing the Marine Corps Hymn, and laying at attention in bed,we’d sing the Marine Corps Hymn, and then we’d say,”Another day in the Corps, sir, for every day’s a holiday and every meal’s a feast. Pray for war. Pray for war. God bless the Marine Corps. God bless my drill instructors. Pray for war.” And every night we had to say that, and when we’d run and we’d sing songs, we’d sing, like, they’d say, “Kill, kill, kill.” And when we–at our–at judo practice and knife fighting practice and bayonet fighting practice it was always, that was the yell: “Kill, kill, kill.”’
It’s not often I sit down to watch a DCAU movie and want to immediately desire the original source material instead. I’ve never read “Batman Hush” but from what I originally gathered it was an iconic storyline that made waves in the aughts. The movie however is a disappointing, half baked and painfully boring Batman adventure that never really goes anywhere. Rather than treading new ground or giving us something completely different, “Batman Hush” just feels forced and never quite rises above the anemic energy.
The “Arrow” series finally comes to its natural peak as season seven loosely adapts Green Arrow’s iconic comic storyline “Super Max.” Once optioned for a movie and basically in development hell for years, “Arrow” realizes the narrative for a full season arc. After Oliver Queen is finally pushed in to a corner in season six he’s forced to out himself as the Arrow for all of Star city. In season seven he’s jailed in Maximum Security and forced to confront all of the criminals he’s put away since he arrived, prompting some tense unfolding of events.
With Disney remaking their remakes of classic fairy tales and adventure novels, stories like “The Jungle Book” are all the rage these days. For folks that want to branch out from the Disney umbrella and check out what other companies have adapted these classic stories, Mill Creek Entertainment releases a collection of animated adaptations of legendary adventures and fantasies. It’s especially good if you’re looking to save a few bucks while expanding your animated horizons beyond the House of Mouse.
I’ll plead ignorance by admitting that I wasn’t aware that “The Lion King” was controversial for being touted as plagiarizing “Kimba The White Lion” and “Jungle Emperor Leo” since the aforementioned film’s release. There are even reports of Matthew Broderick explaining his new project as a remake of “Kimba.” As for other similarities explained by anime fans, you really can’t deny the shocking similarities. “Jungle Emperor Leo” is worth viewing not just because of its inherent entertainment value and great animation from Tezuka Productions, but the fact that it bears shocking similarities to “The Lion King.”
Satoshi Kon’s contribution to the animation medium was nothing short of absolutely breathtaking, as the director created films that blurred the lines of fantasy and reality and placed great emphases on the feminine energy. After the mind blowing “Perfect Blue,” Kon delivered what is arguably one of the best animated films ever conceived. Now bring granted a limited run in theaters nationwide, “Millennium Actress” is a wonderful experience you have to see for yourself, as it’s stunning, and absolutely surprising in the way Kon celebrates the adventure that is life.