“Weird Science” is the film from John Hughes that’s managed to age the worst from his repertoire. Even “Dutch” can be considered somewhat more accessible than what “Weird Science” doles out. While it’s not a bad movie at all, “Weird Science” has gradually become an eighties comedy that has to be taken in the context of its decade. This is still a very strong air of misogyny and chauvinism within “Weird Science,” but it still works as a fun eighties romp with banner performances by its collective cast.
For a remake manufactured purely out of spite for Don Mancini, it’s shocking how great the 2019 “Child’s Play” is. It’s not a redo of the original 1988 and that works toward its benefit as the studio is able to build its own mythology and unique horror tale. While the commentary on AI run amok is on the nose, “Child’s Play” manages to be a great time that evokes a lot of the classic eighties aesthetic right down to fleshed out, clever teen heroes that we can root for.
I’d love to know what the thought process was behind “Rim of the World.” Directed by McG, it’s much too crude and violent for kids, but much too juvenile for anyone looking for a good action horror movie. Netflix and McG obviously had in mind the “Stranger Things” crowd when they concocted this unpleasant, long, obnoxious film. It wants to be mentioned in the same conversation as “The Goonies”, Amblin, and “It,” but I doubt in a few years it’ll even be mentioned in the same favor as “Mac and Me.”
There aren’t many very good video game-to-movie adaptations out there, but “Silent Hill” manages to stray from the video game to movie curse by embracing what makes the classic games so entertaining while also telling its own tale. It’s a shame that “Silent Hill” never became a full fledged horror movie franchise, as Christophe Gans’ adaptation of the classic video game allows for a visually stunning horror thriller that spooks in all of the right places.
Spider-Man entrance in to the MCU has been a god send as Marvel had managed to touch on areas of the character that we haven’t seen before, while also fleshing out much if his universe and world. After the epics of “Captain Marvel” and “Avengers: Endgame,” Jon Watts’ “Far from Home” is a nice detour in to the MCU where the studio is able to book end their biggest event thus far. Closing out phase three of the MCU, “Far From Home” is a vastly superior film to “Homecoming” that benefits from the lack of Iron Man, believe it or not.
Before 1994 our only real animated Spider-Man fix was the 1981 series “Spider-Man and His Amazing Friends.” Intent on rethinking the Spider-Man mold for the nineties, FOX forked over a ton of money to New World Corporation (and then Saban) to create Spider-Man: The Animated Series. With a completely different animation style, and small uses of computer animation, “Spider-Man: The Animated Series” premiered in 1994 with the episode “Night of the Lizard” and managed to take off as a ratings boom for FOX in the wake of similar successes like “X-Men” and “Mighty Morphin Power Rangers.”
For yet another year, Cinema Crazed will be covering the Fantasia International Film Festival, the 23rd edition running from July 11th to August 1st. The festival is famous for featuring some of the most acclaimed and highly anticipated genre films from around the world, and this year is featuring 130 films in its slate. Among them there will be the world premieres of MYSTERY OF THE NIGHT, BLOOD ON HER NAME, STARE, 1BR, THE DEEPER YOU DIG, and HOMEWRECKER; as well there will be events like screenings of classic horror like “The Living Dead at the Manchester Morgue” and the rare TV movie “What Ever Happened to Rosemary’s Baby?”
With the site covering Fantasia again, these are five film premiering that we can’t wait to check out.
Proving once and for all that the “Conjuring” cinematic universe works so much better when New Line takes their time to offer something made with care rather than haste, “Annabelle Comes Home” is a third entry in to the spin off that delivers big time. 2014’s “Annabelle” is a distant memory now, as the series has managed to redeem the spin off transforming Annabelle the doll in to a worthwhile villain who brings only death and carnage where ever she is, and we never spend time trying to find out why. She’s merely an instrument for evil and that’s what helps “Annabelle Comes Home” as an entertaining monster movie about evil preying on the weak.