I was more than a little surprised when “The LEGO Movie” ended up being one of the best movies of its year. Lord and Miller managed to take what could have been a glorified commercial for LEGO and ended up building a unique universe, and a heartfelt, hilarious adventure about reaching deep to find what makes us so special, and appreciating the child within us. I even loved the meta-climax, which with other creative minds behind it, might have destroyed everything we saw before it.
There are thousands, if not millions, of fans who have taken to the dude and found his unkempt, unusual style and take on life a true source of inspiration in some form or another. His influence was evident even in big blockbusters like “Avengers: Endgame” this year. People who love “The Big Lebowski” don’t particularly use the Coen brothers film as a guide for life, but every single person that’s ever decided to let it in has at one time channeled the dude, every fan at one time has thought “What would the Dude do?”
The original documentary “Fighting With My Family” was the stuff that underdog tales were made of, so when it was turned in to a feature film, it wasn’t too surprising. Stephen Merchant has a knack for creating very funny, human tales, and this adaptation does a good job of taking from the documentary and creating a very good adaptation of the story of Saraya, a young wrestling fanatic who would become Paige, one of the most influential female wrestlers and Superstars for the WWE.
Michael Haneke’s “Funny Games” has tested even the most devoted cineaste, and split audiences down in two thanks to its polarizing premise and concept. Going in to Haneke’s “Funny Games,” I frankly didn’t know what to expect, but what I did know was that it’d test every fiber of patience I had in me as a horror fanatic. Lo and behold, it did. Admittedly, I was shocked to see that I admired every single aspect of what it attempted to pull off as a narrative that acknowledges the audience and asks us if we want to turn away… or see what hideous violence unfolds.
After FOX Studios revived comic book property the X-Men and paved the comic book movie as bonafide moneymaker, the canvas of pop culture was carved from the gateway “Blade” forged. After the 2000 cinematic adaptation “X-Men” and its sequel “X2,” both films and the franchised built shocking influence, not just on other genre properties, but comics in general. With X-Men once again being celebrated, the iconic series and comic book team was primed for an animated reboot, after the end of “X-Men: The Animated Series.” Marvel and Film Roman approached the series from a different angle by establishing a new continuity of the “merry mutants” in contemporary times. They changed the focus of the series, as well as the ages of the entire group to appeal to a wider young audience.
And it worked.
“Previously on, X-Men…” was one of the trademark openings kids in the nineties heard every Saturday morning while watching the FOX Kids line up. It was during this time, in the midst of the networks third year (which also included “Batman: The Animated Series”), that FOX and Saban Entertainment teamed up to take on on yet another very popular and ambitious comic book property: Marvel Comics’ “X-Men.” The series came to be widely known by FOX and hardcore fans as “X-Men: The Animated Series.”
“Pryde of the X-Men” (also known as “X-Men: Pryde of the X-Men”) is an animated pilot I mostly remember thanks to its VHS release in 1989 that my brother and I must have borrowed from my cousin a thousand times over. Despite its obscurity, however, this relic of the early Marvel Entertainment days is one of the many abandoned projects from Marvel that’d inadvertently become a classic. Before 1992’s “X-Men: The Animated Series,” there was 1989’s “X-Men,” a series that begun development after constant guest spots from the team during “Spider-Man and His Amazing Friends.” Watching it years later, it’s surprising just how much of the early episodes of the 1992 series were based on the “Pryde of the X-Men” pilot.
Satoshi Kon is an artist that left behind a lasting influence, not only on the animation world, but the filmmaking world in general. Kon’s own beats and shades of surrealism can be seen in a lot of genre pictures to this day. Directors like Darren Aronofsky and Christopher Nolan have admitted that much by paying homage with their own films. “Perfect Blue” is that groundbreaking animated masterpiece that you probably didn’t know inspired a lot of modern and contemporary filmmakers if you’ve never seen it or heard about it. Now with the new anniversary release available, there’s no time like the present to visit what is one of the most unnerving thrillers ever made.