So far we’re about ten alternate time lines deep in to the “Terminator” series, a movie franchise that continues to chug on thanks to the good word from James Cameron. Methinks without Cameron, “Terminator” would and should be put to sleep as a limp IP that loses more and more fans every single year. The convoluted timeline doesn’t even want to try to explain its own concept and logic (and lack thereof) anymore. It’s now basically rebooted itself (once again), and takes off limping to the finish line. From a confusing (bold?) retcon, to an over arching theme with heavy social commentary, “Terminator: Dark Fate” incidentally makes an argument against its existence.
With their partnership with GKids, Shout Factory has managed to obtain a remarkable chunk of Studio Ghibli’s library and have given choice titles some truly deluxe treatment. Among some of Hayao Miyazaki’s masterpieces is the incredible “Spirited Away” a film that owes a lot to “Alice in Wonderland” and “The Wizard of Oz,” that also evokes subtle social commentary on child trafficking. In either case, “Spirited Away” is still a remarkable and stellar piece of art, with some of Miyazaki’s most memorable creations including No Face, and the Soot Sprites.
Linger on Youtube for a little while and you’ll likely find at least fifty toy collectors and or pop culture buffs that have a slew of videos looking back at classic toy lines and franchises. What makes “Toys That Made Us: Seasons 1 & 2” such a unique series is that it attempts to offer up much more than memories. Creator Brian Volk-Weiss’s series could very well have fallen back on pure nostalgia, but instead opens up the scope of these world changing toy lines. There’s deeper insight, stark truths about how and why these toys were created, and a look in to the business of it all.
Happy Halloween one and all! It’s the final hours of Halloween 2019 and it’s been quite the month. I felt I’d be remiss if I didn’t include another Shorts Round Up of the Week featuring some great horror shorts you can dig your teeth in to before Day of the Dead on November 1st. Included is a tale of a spooky cookie jar, a series of loft crimes that goes bat shit insane, and a serial killer targeting vulnerable young girls.
As always if you’d like to submit a short film or two (of any genre), submissions are always open!
If I have to pick a favorite aspect of “Over the Garden Wall” is the ambiguity of it all. There’s not a ton of exposition or explanation as to whom or what the characters Greg and Wirt are. We just know that they’re brothers, they have polar opposite personalities, and they’re stuck in a timeless land filled with dangers and mysterious oddities that they can’t possibly fathom. Along the way, Greg and Wirt learn a lot about the idea of grief, and confronting their fears, and learning to appreciate one another as brothers. They also have their own personality quirks that could count as flaws, but only make you love them even more. By the time the series ends, you’ll be glad you met them and realize you know everything that you need to know about them. I encourage you to fall in love with it like I did.
In 1988 my kindergarten class was having a Halloween party with just the class immediately after lunch. It was a very exciting experience for me considering I’d never done anything like that before. At the time we couldn’t really afford elaborate or huge costumes, so my dad bought me a generic mask in a box with the classic plastic smock. I was a mutant. So for a few Halloweens we opted for the sweaty plastic mask with no peripheral vision, and odd smock. That is until they were phased out. For years one of the highlights of Halloween was seeing the rows of boxes of plastics masks and smocks for various characters from Superman to Popeye.
There’s something kind of charming about Alex Merkin’s “House of the Witch.” It’s a straight up rip off of “Night of the Demons” while also feeling a lot like a fan film for “The Blair Witch Project.” It’s part are all from much better movies made before, but even at its most clunky, I didn’t have a bad time. “House of the Witch” is that kind of movie you could probably appreciate as a passing treat on a random night if you had absolutely nothing to do. I also found the final scene to be pretty damn clever, as it at least gives us a reason for the seemingly random series of events that unfold.
The best way to explain the considerable impact John Carpenter’s original slasher has had on me can best be expressed through that infamous Halloween eve when I was a kid. Long before cable, network television played horror movies on Halloween; My brother and I were given the option to watch either “Creepshow” or “Halloween” my brother and I took the option of sitting to watch “Halloween.” I can fondly remember it as one of the worst Halloweens ever because when we sat to watch John Carpenter’s classic we were so scared by the second half that we started crying. This decision later was regretted by us and my mom took the time out to calm us down by letting us watch “Creepshow.”