I missed the boat when Invincible had its run in Image Comics, and I regret it, especially as a fan of “The Walking Dead.” Robert Kirkman is one of the group of Image comics heavyweights who manages to offer up his own superhero tale, but it’s given a massive twist that’s both bold and insanely violent. Taking the animated route this time out, producers Seth Rogen and Evan Goldberg help realize Kirkman’s epic “Invincible” for the small screen, sticking true to many of the comics original storylines, and unfolding what is a unique, exciting, albeit imperfect at times, saga.
After relentless caterwauling from fans for four years, director Zack Snyder is allowed to return to the DCEU once again to offer his original vision (or a very close facsimile) of what he had planned for the “Justice League” and the DCEU. While I don’t miss Snyder and his involvement with the DC movies (the man loves his slow motion), his “Justice League” is, shocking enough, an infinitely superior adaptation than the 2017 Joss Whedon lemon. I wouldn’t call it a masterpiece, but if pushed in to a corner, I’d happily rewatch the “Snyder Cut” again, with warts and all.
Director William Lustig’s “Vigilante” is a lot like “Death Wish” on steroids. It’s a bonafide mix of a prison movie, it’s a drama about PTSD, a parable about political corruption, and a surefire revenge thriller to the very end. While the aforementioned ends on a twisted note, “Vigilante” is something of a contradiction. It seems to celebrate the idea of vigilante justice and revenge, but it ends on such a low, bleak note where our hero gets his vindication but literally has nothing left in his life.
With the advent of technology and the destruction of the concept of celebrity, there are many movies like “Kid 90” coming to theaters and VOD. It’s an important trend of movies that discuss the pitfalls, perils, and hazards of being a child movie or TV star in any decade. Soleil Moon Frye allows a somewhat unfiltered look in to her not so happy childhood that involved a lot of pressure, a business that seemingly abandoned her, and being sexualized at the age of thirteen.
If you don’t remember that there were two movies prior to “Paws Unite!” then I personally don’t blame you. The first two movies basically took a painfully derivative premise and did a pretty okay job creating a talking animals’ action movie for the whole family. The third film in the series that no one asked for, “Paws Unite!” pretty much works as a loose sequel. It’s loose because it’s apparent that the screenwriter never actually saw the original films.
I’m a big fan of Jay Baruchel (the actor), and as director of “Random Acts of Violence,” his adaptation of the original graphic novel by Jimmy Palmiotti wastes so much of its potential. It’s a great concept, with great commentary that amounts to a sub-par horror movie. The still relevant themes about how society tends to lionize serial killers, the unusual serial killer culture that most people tend to celebrate, and how most of their victims are virtually ignored begs for a dark horror movie of this ilk. Sadly, there is not a single substantial thing we can take away from all of this in the end.
Warner Animation props up the long rotted corpse of “Tom and Jerry” long enough to produce what I’m sure they hoped would be a blockbuster big screen adaptation. For a series that’s been languishing on video store shelves with cheaply made, watered down animated movies for years, it’s not a surprise that “Tom and Jerry” is about as bland as ever. It’s also not at all surprising that Tim Story is the man called on to deliver such an inoffensive, forgettable, mishmash of weird ideas and concepts.
Yet another take on “Twelfth Night” (in the current onslaught of Hollywood remaking every movie), it’s not a far off idea that “She’s the Man” sneakily tends to borrow so much more from the 1985 gender switching comedy “Just One of the Guys.” While you could easily make the argument that they’re adapted from the same material thus bound to be similar, it’s undeniable during the big “reveal” in the climax.
It’s something that the aforementioned eighties movie is known for.