Night Shyamalan shocked just about everyone when at the end of “Split” his wonderful thriller about a psycho with multiple personalities, he introduced the reveal that we were watching a secret sequel to “Unbreakable” the whole time. “Glass” is the third film in the trilogy of films that break down superhero tropes, the superhero genre, and the mythology of superheroes as a whole. Even with Shyamalan shocking people with “Split” and still being one of the first of his ilk to break apart the superhero mythology with “Unbreakable,” his last film in the series, “Glass,” promises to polarize just about everyone.
One of the best movies of 2018, “Anna and the Apocalypse” is a movie that’s destined to catch on with midnight audiences, as it begs for sing alongs from an enthusiastic audience. John McPhail’s zombie horror musical is a pastiche of the best from the genres it puts on the big screen, delivering what is one of the pleasing and creepiest zombie movies of the years. “Anna and the Apocalypse” manages to be both life affirming and a spectacularly vicious zombie movie at the same time, with some of the more entertaining musical numbers and sequences filmed in a long time.
Adapting the entirety of the arc of the Death, Reign and Return of Superman was always a heavy ambition for DC and it’s a shame that they never quite get it just right when it comes to putting it on the small screen. I loved “The Death of Superman.” And while I thought “Reign of the Supermen” was a pretty damn good movie all in all, it suffers from a lot of the major flaws most DC animated movies do. It rushes through so much important exposition, and doesn’t give its four main characters enough screen time to warrant caring a lot about them, or even rooting for them for that matter. When all is said and done, “Reign of the Supermen” is a very good follow up to “The Death of Superman” with some great action set pieces, and wonderful animation.
As one of the most popular horror authors of the 1990’s who penned two very popular series of horror novels “Goosebumps” and “Fear Street,” author R.L. Stine had a humongous influence on kids everywhere. He helped introduce many to the joys of spine-tingling horror and tongue-in-cheek mystery, as well as the art of storytelling. “Goosebumps” and “Fear Street” thrived on creating unique and realistic protagonists, along with introducing genuine plot twists and ironic endings that channeled Rod Serling and Richard Matheson. “Goosebumps” books a hallmark of school book fairs and local libraries across the country, and as a horror buff myself, I can attest to cutting my teeth on everything the man wrote at the time.
By the time “The Howling III” rolled around, the studios basically stopped continuing the storyline from the original Joe Dante movie and just turned the movie series in to an anthology. The only connection “The Howling” movies have with one another is that they have werewolves in them. The rest of the movies are basically of varying quality with drastically different narratives. Ironically latter day sequels (The Howling: New Moon Rising) would use clips from the former films as a crutch to make up for lack of story and the painfully low budget.
In 2017, Billy McFarland and rapper Ja Rule promoted what was promising to be an expensive but highly attended music festival called Fyre. After promising patrons would be given luxury suites and hob knob with models and music stars, news broke when festival goers met with less than accommodating conditions. Chaos would soon ensue as lives were put at risk and public safety became a major concern spawning one of the biggest scandals of the year. The Fyre festival debacle was an event that was begging to be turned in to a film and director Chris Smith chronicles the creation of what promised to be one of the most elite and luxurious music festivals.
With “Stan & Ollie” now in theaters, fans might find the newest release from Mill Creek of some interest, as it gathers a lot of interesting relics from Stan Laurel and Oliver Hardy. While it by no means features some of their best shorts and features, it definitely will spark some conversation by hardcore movie buffs, as it includes a list of movies that feature both comedic actors, and their shorts and films that they worked on as solo performers. It’s not the best collection but it’s a fascinating release that will help fans of the comedy team dissect a lot of the work that both men did outside of their team as well as what worked, and what just didn’t.
It’s fascinating to watch “10 to Midnight” today and explore how dated it’s become and how much the themes and overtones it presents have been somewhat flipped on its head. J. Lee Thompson attempts to appeal to the folks that love their Dirty Harry’s and Lee Marvins by basically trying to turn Charles Bronson in to something of an aged vigilante that we can root for. But he basically comes off as an anti-hero, and “10 to Midnight” ends up becoming a war between a psychopath and a corrupt cop, both of whom never actually come out looking pristine once the film draws to a close.