“In boot camp, we used to every night we had to say–before we went to bed, we’d have to sing the Marine Corps Hymn, and laying at attention in bed,we’d sing the Marine Corps Hymn, and then we’d say,”Another day in the Corps, sir, for every day’s a holiday and every meal’s a feast. Pray for war. Pray for war. God bless the Marine Corps. God bless my drill instructors. Pray for war.” And every night we had to say that, and when we’d run and we’d sing songs, we’d sing, like, they’d say, “Kill, kill, kill.” And when we–at our–at judo practice and knife fighting practice and bayonet fighting practice it was always, that was the yell: “Kill, kill, kill.”’
It’s not often I sit down to watch a DCAU movie and want to immediately desire the original source material instead. I’ve never read “Batman Hush” but from what I originally gathered it was an iconic storyline that made waves in the aughts. The movie however is a disappointing, half baked and painfully boring Batman adventure that never really goes anywhere. Rather than treading new ground or giving us something completely different, “Batman Hush” just feels forced and never quite rises above the anemic energy.
The “Arrow” series finally comes to its natural peak as season seven loosely adapts Green Arrow’s iconic comic storyline “Super Max.” Once optioned for a movie and basically in development hell for years, “Arrow” realizes the narrative for a full season arc. After Oliver Queen is finally pushed in to a corner in season six he’s forced to out himself as the Arrow for all of Star city. In season seven he’s jailed in Maximum Security and forced to confront all of the criminals he’s put away since he arrived, prompting some tense unfolding of events.
With Disney remaking their remakes of classic fairy tales and adventure novels, stories like “The Jungle Book” are all the rage these days. For folks that want to branch out from the Disney umbrella and check out what other companies have adapted these classic stories, Mill Creek Entertainment releases a collection of animated adaptations of legendary adventures and fantasies. It’s especially good if you’re looking to save a few bucks while expanding your animated horizons beyond the House of Mouse.
I’ll plead ignorance by admitting that I wasn’t aware that “The Lion King” was controversial for being touted as plagiarizing “Kimba The White Lion” and “Jungle Emperor Leo” since the aforementioned film’s release. There are even reports of Matthew Broderick explaining his new project as a remake of “Kimba.” As for other similarities explained by anime fans, you really can’t deny the shocking similarities. “Jungle Emperor Leo” is worth viewing not just because of its inherent entertainment value and great animation from Tezuka Productions, but the fact that it bears shocking similarities to “The Lion King.”
Satoshi Kon’s contribution to the animation medium was nothing short of absolutely breathtaking, as the director created films that blurred the lines of fantasy and reality and placed great emphases on the feminine energy. After the mind blowing “Perfect Blue,” Kon delivered what is arguably one of the best animated films ever conceived. Now bring granted a limited run in theaters nationwide, “Millennium Actress” is a wonderful experience you have to see for yourself, as it’s stunning, and absolutely surprising in the way Kon celebrates the adventure that is life.
Universal Studios pulled a very controversial and polarizing move recently by pulling their survival thriller “The Hunt” from its release schedule amidst the recent mass shootings, once again proving that Hollywood just doesn’t get it. In either case while many folks (me included) were excited for the film and are now angered at its being pulled and most likely shelved indefinitely, I thought I’d recommend five great films in the vein of “The Hunt.”
Films (and media) revolving around men hunting other men and or people have been in the medium since the silent era. I even read “The Most Dangerous Game” from 1924 by writer Richard Connell back in 1998 for high school. Here are merely five of dozens of great films in this sub-sub-genre.
What are some of your favorites in this ilk? Let Me Know.
Although “Scary Stories to Tell in the Dark” has gone down considerably well with audiences it might remain one of the most misunderstood movies of the year. The original books from Alvin Schwartz and Stephen Gammell were compilations of urban legends, urban folklore, and original tales, the former of which had been shared for generations by many people. They began life as morality stories and then became campfire tales. Sure André Øvredal could have turned the books in to a normal anthology, but in the end he opts for something of more substance. “Scary Stories to Tell in the Dark” is about stories. The stories of the past. The stories we tell one another. The stories the characters tell each other to survive. The stories that can ultimately destroy us.