One aspect of “The ABC’s of Death” that many audiences will acknowledge. Even when it’s bad it’s really damn unique. “The ABC’s of Death” isn’t always a home run, and I will in no way consider it a masterpiece of modern cinema any time soon, but as an ambitious experience bold enough to include various themes that are normally considered in bad taste for mainstream cinema, I was fond of it. I appreciated its ambition. I respected its originality, and I really did love its sense of humor.
Monthly Archives: January 2013
it's a love thing. (2012)
The only problem I had with director Andy Dodd’s romantic dramedy is that it wasn’t a little longer. With another fifteen to twenty minutes added, “It’s a Love Thing” could have really become an excellent feature. But that’s a mere nitpick, because “It’s a Love Thing” could have been four hours and I’d still be complaining that it wasn’t long enough. “It’s a Love Thing” is a beautiful and engaging drama about two children in a big world that find one another in the midst of the randomness and find out that love is better than anything around them. Including Star Wars.
Hansel & Gretel: Warriors of Witchcraft (2013)
Booboo and Fivel Stewart together at last! I’m glad they waited for that right cinematic project to get together and reveal their inner strength as an on-screen duo. Granted, Fivel Stewart is adorable, but “Warriors of Witchcraft” is one of the most uneventful knock offs of 2013. Especially for a movie with such a low budget, and the casting of Eric Roberts as a the school’s overly eager headmaster. The titular characters Jonah and Ella attend after Jonah is kicked out of his old school for fighting. Feeling the need to look after him, Ella follows Jonah to his new school, and before long discovers that this posh mostly bland private school is being run by witches.
Sho' Nuff! Remembering "The Last Dragon"
One of the biggest childhood favorites that I gladly admit to loving is “Berry Gordy’s The Last Dragon.”
Many film buffs based in knowing cult classics or bad films in general just know what film I’m talking about and they just can’t help talk about and bask in all its pure horrid presence. To this day I fondly remember my mom asking “You actually like that movie?” every time I decided to watch it.
Our "Exposure" to Short Films
Back in the golden days of cable television, Syfy–known as the Sci Fi channel–was rather entertaining. I’d sometimes sit down in front of the television and watch it all day long basking in stuff like “The Twilight Zone,” that horrible show “Sightings,” and “Lost in Space,” while Saturdays brought cartoons, and anime. These days, though, I barely ever want to watch it unless there’s a marathon of “Firefly,” or a crappy television movie on, and even then it’s debatable. I don’t WANT to see “Lake Placid 6,” but… I couldn’t keep from watching it when it premiered! The reason for my hatred of Syfy is because, I have them to thank for my exposure to short independent films.
Amour (2012)
Michael Haneke is an often bold and interesting director who never wants to pull back from the truly disgusting aspects of reality that can tarnish something fragile. “Love [Amour]” while being a sweet tale of two people hopelessly in love, is really a grueling look at life destroying a relationship. From minute one, the tale of Georges and Anne is a love that begins to rot slowly from the inside out.
V/H/S (2012)
It’s been a while since we’ve had a really good anthology film. Not since “Trick r Treat” have we had the horror fans had an anthology horror film that not only changed the game for the sub-genre, but made waves as a horror film, period. The Collective of indie filmmakers that team to create “V/H/S” really do resort to the found footage genre for the sake of some sense of believability. That and the format is pretty cost effective, when you think about it. In either case, The Collective is allowed to be very creative and unusual in a film about a series of short vignettes viewed through old V/H/S tapes.