For a movie about the end of the world through an Ebola-like virus that infects people and turns them in to demonic killing monsters that feast on the living, while shadowy specters wait in the darkness carrying off the innocent and the dead, I was surprised at how utterly bored I was through most of this movie. In fact “The Sky Has Fallen” literally had me watching the clock and completely apathetic to its entire premise. As someone who adores almost any movie about the end of the world, director Doug Roos really doesn’t put an argument as to why his movie stands out among a slew of better indie films about the apocalypse and the undead.
Since George A. Romero’s seminal 1968 independent horror film was released without a copyright, the horror classic we know as “Night of the Living Dead” has been in the public domain for literal decades. Since then it’s been remade, re-released, re-dubbed, re-edited, restored, colored, chopped, extended, spoofed, satirized, animated, prequelized, sequelized, novelized, sampled, and so on ad nauseum. Much to Romero’s chagrin, “Night of the Living Dead” has been the Mr. Potato Head of the horror world upon which independent film directors can switch and mix without worry of a lawsuit.