In the chaotic tradition of “Dr. Strangelove”, the controversial “Buffalo Soldiers” based on the book by Robert O’Connor, is another dark cynical look at the U.S. military in mayhem, chaos, and anarchy while being run by psychotic or incompetent officers is a truly odd and some times far out dark comedy that was shelved due to its massive slurring of the U.S. Military as thought by many, though I prefer to see it as a farce of the U.S. Military. Spawning a stir from audiences, some of which becoming violent and screaming that this film was Un-American, It shows soldiers who are so bored during the period of the cold war they’re resorting to drugs, gambling, and violence to ease their boredom, but this film, while sometimes very intense and extremely odd in the area of the Cohen Brothers is a rather enjoyable yarn that should be watched by anyone who loves dark comedies.
Monthly Archives: July 2004
Grind (2003)
What do you do with a movie about skateboarders that hasn’t already been done? Fill it with the same lazy clichés we’ve seen thousands of times in worse comedy films. I mean has there ever been a good movie about skateboarding aside from “Dogtown and Z-Boys”? I doubt it. There are three elements/concepts films have revolved around and relied on for a plot in the past that have never worked regardless of how exciting they try to make it, and regardless of how good a director is: skiing (cannot be done), skateboarding, and computers or typing on a computer (FYI “Wargames” invented the sub-genre).
Narc (2002)
On the surface “Narc” looks like just another cop film about two officers trying to solve a murder, but deep within the surface of the story and concept, this is really a tragedy, a heartbreaking tragedy about two men with demons they can’t escape. Both are a paradox; One officer, is a man who has everything to live for, he’s a family man, the other has nothing to live for, no life, but a great job, the only thing that really links them is their past and the determination to solve a murder and redeem their sins. In the climactic police raid, Patric and Liotta’s character present the paradox to the audience; Officer Nick Tellis (Patric) slips on a bullet proof vest, and protection and carefully slithers his way into the building, while Officer Henry Oak (Liotta) charges into the building like an adrenaline filled bull with a shotgun and walks in shooting without a moments hesitation.
Standing in the Shadows of Motown (2002)
They were the bass guitars in “My Girl”, they were the pianos in “Cool Jerk” and “You’ve Really Got a hold on me”, and they were the drums in “Ain’t too Proud to Beg” and “Heatwave”, they were “The Funk Brothers”, the most under-appreciated band in music who had more number one hits than the Beatles, Elvis, and the Rolling Stones combined, the people who Marvin Gaye and Stevie Wonder loved to hang around and learn from as the modern artists featured in the documentary do. Not only does this pay tribute to the artists but it gives them a spotlight of glory that they were never given. The Funk Brothers were a group of men who were a mixture of talented jazz, soul, and club musicians whom were assembled by Motown founder Berry Gordy to play the music to his artists songs, and though some came from different cities and were of different races they became brothers nonetheless.
Alex & Emma (2003)
No matter how hard “Alex and Emma” tries, it’s still the same package but with new wrapping. It’s another recycled romantic comedy, with more recycled characters, but only with a different twist. Kate Hudson has a nasty habit of choosing horrible films of late, and Luke Wilson is no exception. In this vapid formulaic film, Luke Wilson plays Alex Sheldon, an author who released a book and is in debt with what looks like the Cuban mafia. Two Cuban thugs break into his apartment and threaten him, but then again they just could be thugs from another mafia. So, Alex has thirty days to write and publish a book and get them their money or else he goes bye-bye (death), so he hires a stenographer. Why not a ghost writer? Someone from the publisher to help? You figure he being an author he’d be able to type fast, but he instead hires a stenographer by posing as a law agency to which we meet Emma, a beautiful (despite how hard Hudson pretends to be plain), young and uptight stenographer who is convinced by Alex to write the book as he dictates it to her.
Better Luck Tomorrow (2002)
“Better Luck Tomorrow” has the sentiment and heavy character depth of John Hughes combined with the violence, realism, and excellent dialogue of Quentin Tarantino, it reminds that though there is democracy in America, we haven’t progressed socially, we’re not willing to give Asian actors the lead role in a drama, or horror, only for action films. There is no stereotypical Asian in this film, and that’s what I loved about it. This is not by any means a negative portrait of the Asian culture, this is more of a human portrait of the Asian culture because despite the race, we’re human either way.
Down with Love (2003)
“Down with Love” has the right intentions; it’s a throwback to the old Kim Novak and Rock Hudson romantic comedies from the sixties; the hip, groovy, fluffy as a marshmallow, and very colorful romantic comedies were sometimes very entertaining, and while “Down with Love” has all the ingredients of a satire, this is never sure whether it really is a satire or a spoof. A satire is an amusing jab at a topic, a spoof is making fun of a topic and unfortunately, “Down with Love” jumps from one genre to the other so constantly throughout the progression of the film that it makes your head spin. Barbara Novak is a brutal young go-getter, a tough ballsy female writer for a magazine, a female pioneer in a male dominated society who has written a book called “Down with Love” which breaks down and analyzes all the tricks men pull with women, but can’t get it published.