Ladies and Gentlemen, it’s “Foreshadowing: The Movie”! It’s the exploitative account of the last days of Sharon Tate, but with a lot of clunky foreshadowing thrown in to shove down our throats that Sharon Tate will and did die a horrible death. Characters sit around discussing fate, destiny, and alternate realities, Charles Manson shows up in the first ten minutes set to dramatic and very terrifying orchestral music, and Sharon Tate plays a fortune telling game with her friends asking in a child like pout “Will I Live a Long and Happy Life?”
I feel every generation should have a movie or two that defines them and how hard it is to grow up during that period. We’ve had movies like “Dazed and Confused,” “Mean Girls,” and “Breakfast Club,” and we’re very fortunate to have had two very good movies (“Eighth Grade”) about the modern youth culture in the last five years. Olivia Wilde’s directorial debut is one of the finest drama comedies of the year. It’s an honest and entertaining look at two girls trying to find out who they are before they graduate high school and enter in to college–possibly without one another.
BOOTLEG FILES 686: “Going Spanish” (1934 short comedy starring Bob Hope).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: On public domain labels.
REASON FOR BOOTLEG STATUS: A lapsed copyright enables anyone to duplicate prints.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: The chances of a digitally restored version are nil.
Eighty-five years ago, Bob Hope made his film debut in a dinky little two-reel comedy. And thanks to an indelicate wisecrack about the film’s quality, he almost saw his film career end with that debut effort.
A mix of nostalgia value and genuine entertainment value, “Double Impact” is the Van Damme movie I’ve come to value over all of his other work. As someone who was a big Van Damme geek in the nineties, he’s had a better shelf life than people like Steven Segal, and films like “Double Impact” have held up big time. Even with the camp value and goofy comedy in the first half hour, “Double Impact” still amounts to a great action flick with Van Damme being given a test of how far he can stretch his acting chops.
An imprisoned man out on special permission to visit his dying mother finds out she has passed away and decides this is the moment to put his revenge plan into action. As he goes after his brother and associates, the reasons for his revenge are made clear.
Its season three for one of the most bizarre but very entertaining crime thrillers TNT has ever brought to the small screen. After season two falling in with the Russian mafia, and surviving a deadly marriage, the season closed with an assassination attempt on Desna’s life. Virginia sadly suffered the bullet meant for her sister in law. “Claws” returns taking off immediately from the last scene from season two and it takes off like a rocket. It’s the same lunacy as always for “Claws” with bizarre fantasy sequences, some genuinely darkly funny comedy, and a brand new pair of villains that might just be the undoing of Desna and her crew if she isn’t careful.
My “Star Wars” obsession began in 1997 when George Lucas unleashed the new editions of his trilogy in theaters. For me it was something of a passing fad that I admired through the fun commercials and the heavy connection to Doritos. I wanted those pogs even if I didn’t know who Luke Skywalker or Lando Calrissian was. A year later, I borrowed the original trilogy from a friend on VHS and consumed the whole series in one sitting over the course of a weekend. I never came back from that obsession, and to this day it’s a hard habit to break. “Star Wars” is a series that kept me hooked for a very long time and I was always looking for anything I could find to read about it, or consume in some form as entertainment.
In 1999 when Lucas aired the first ever trailer for “The Phantom Menace” on primetime television, I rushed home to watch the trailer on video tape, and I must have seen it at least ten times. It looked amazing.
As a hardcore Superman fan I was very intrigued and a bit excited for “Brightburn.” I think we’ve reached the point in pop culture where, what with the glut of superhero movies being released, we can finally start to deconstruct and or satirize the classic mythology. With “Brightburn” the premise amounts to a spooky, chaotic, violent, but very entertaining horror tale that re-thinks one of the most recognizable superhero origin stories in pop culture history.