This year I covered Cinepocalypse’s second shorts block, and for this round the topics included Sex, Blood, and Heavy Metal. Not all of the movies are horror here, nor are they particularly scary, but they’re an interesting variety for the festival.
This month’s 50th anniversary of the Stonewall Riot and the launch of the modern gay rights movement marks a perfect time to bring back Greta Schiller and Robert Rosenberg’s groundbreaking 1984 documentary, which details the LGBT experience in the decades prior to the game-changing pushback that occurred at New York City’s Stonewall Inn in 1969.
In the nineties America was obsessed with dinosaurs. For reasons we could never put our fingers on, Dinosaurs were in just about every facet of pop culture you could imagine. Video games, movies, animated series, they were mascots for snack foods, they were the basis for a family sitcom, and yes, they were fit in to movies amounting to cinematic oddities still making movie buffs scratch their heads. We had a family film about miniature dinosaurs, a buddy cop comedy about a female cop and a dinosaur, and yes, we even had “Tammy and the T-Rex.”
I have to say that I hate that I didn’t like “Attack of the Demons.” Throughout its merciful seventy five minute run time I anxiously tried to love it, and wanted to recommend it thirty times over. But by the end, while I appreciated its approach and concept, it’s really just a dull demonic thriller in the end. There might be a new way here to tall a story, but it’s by no means a novel take on the premise of a demon apocalypse by Eric Power.
“Men in Black International” should have worked. On paper it’s a great idea for a reboot, one that doesn’t bring with it the marquee name of Will Smith and the class of Tommy Lee Jones. I respect Sony for wanting to revive the “Men in Black” franchise after so many years, and I respect them even more for side stepping the whole “21 Jump Street meets Men in Black” movie they were planning. But in the end, this new attempts to jump start “Men in Black” for a new audience is a swing and a colossal miss. Worse, it’s absolutely boring.
BOOTLEG FILES 689: “Storybook Squares” (TV game show that aired in the 1969 and 1976-77 seasons).
LAST SEEN: Three episodes are on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A mostly-lost series.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely unless the lost shows are recovered.
One of the most popular game shows in U.S. television history was “Hollywood Squares,” which placed nine celebrities in an oversized tic-tac-toe set for a game that mixed trivia questions with laughs. The series ran from 1966 to 1981 and appeared in a daytime show that aired on weekdays and a syndicated nighttime version that initially aired once a week and was later made into a twice-a-week offering.
“Captain Marvel” is one of the most popular contemporary Marvel superheroes and Marvel has taken advantage of the popularity of Carol Danvers, using her to pivot us in to the new generation of Marvel Cinematic Offerings. Captain Marvel is being tailored as the new leader that one that helps Marvel’s superheroes charge in to battle. Much in the vein of “Captain America: The First Avenger,” Anna Boden and Ryan Fleck’s origin film will prove to appreciate in cinematic value, especially with Brie Larson at the helm as a powerful, and engaging cosmic heroine.
For another year, Cinema Crazed is covering the Cinepocalypse Genre Film Festival. 2019 promises to be a fun year for the festival as programmers promise to screen some classic genre entries, as well as screening some of the most unique and original horror films from around the world. Presiding over the jury this year is Joel Schumacher; here are five reasons to be excited for this year’s festival.