I’m a big fan of the concept where studios or a collective of directors take various short films from indie directors and create anthology horror films in the vein of “Tales from the Darkside” or “V/H/S/.” The idea is a great one and opens up a broader audience, and allows them some great exposure. “A Night of Horror: Nightmare Radio,” is one of the many that’s come along, mixing seven stellar horror shorts told by a lone radio DJ in the middle of the night.
BOOTLEG FILES 735: “Bobbie Gentry” (1968-71 British television series starring Bobbie Gentry).
LAST SEEN: Bits and pieces can be found on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Most of the episodes from the series are considered lost and the surviving episodes would require restoration and the clearing of music and performance rights.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: None.
This week marked the 78th birthday of Bobbie Gentry, the genre-spanning singer who became a major star in 1967 with her mysteriously melancholic ballad “Ode to Billy Joe.” Gentry was a remarkable vocal talent who was equally at home in the folk, country and pop worlds, and she was also a charming on-camera presence who graced many U.S. television variety programs from the late 1960s into the early 1970s.
Intentional or not, when you go in to “Nothing But the Blood” you’re bound to have flashbacks of “Red State,” as director Daniel Tucker seems to be sewing his narrative from the same cloth. Ideas about religious fanaticism, the deadly cost of religious institutions, and the hypocrisy of religious leaders are all here. Les Best even seems to spend most of his time on screen channeling Michael Parks. Daniel Tucker tries hard to establish him as a source of evil, even beginning the movie with a fourth wall breaking prologue as Best’s character reads a long sermon and angrily preaches to us.
Why this should set up the story I was never entirely clear but—it’s black and white, so it’s eerie…?
There’s nothing I hate more than a movie that has so much going for it, but has no idea how to deliver a great narrative. “Promare” is a movie that, by all accounts, should have blown me out of my seat. But by the middle of it, I was counting down the minutes, and waiting for it to get to the point. It’s so sad that a movie that looks so amazing could be so lacking in originality with government corruption, clandestine organizations, and an evil politician who has plans for the world, yadda, yadda. It’s all so old hat for such an epic looking animated movie.
The “Deep Blue Sea” movie series seems to be veering slowly away from the campy nonsense that was the original and headed more in to Peter Benchley lite fare. For a movie that followed the silly shark fest with Sam Jackson, this is a surprisingly straight faced and dull second sequel. There’s nothing really here, save for the usual riffs on “The Deep,” “Aliens,” “The Abyss,” and only a very small connection to the sequel, which had a very small thread tied to the original Renny Harlin cult classic. It’s all fairly standard killer shark fare.
Peter Lee’s “Angelfish” is a very good drama romance about two people with varying obligations and turmoil finding love with one another. Often times when it hits, it hits hard, but when it fails, it tends to ruin the momentum of the narrative and drag on for quite a while. Shocking enough, “Angelfish” can sometimes feel long in the tooth, if only because it often feels like it’s padding the narrative rather than using those opportunities to add more dimension between our characters Brendan and Eva. That said, even in its imperfections, Peter Lee’s Bronx set drama is engaging and often times emotional.
I’m all for psychologically challenging genre fare, especially in a time where most directors and actors are convinced that many modern audiences aren’t interested in that kind of entertainment anymore. With “Perfect,” Eddie Alcazar taps in to the type of dark science fiction that can be placed beside “2001” and “Waking Life” as just pure utter mind fucks that will leave your head spinning. Alcazar’s sheer visual brilliance sadly tends to mask a narrative that otherwise has no real direction or pretty much anything of real merit to say.
BOOTLEG FILES 734: “Dolly” (1976-77 television variety series starring Dolly Parton).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: Six of the 26 episodes were released on DVD.
REASON FOR BOOTLEG STATUS: Difficulties in clearing music and performance rights, along with the star’s lack of enthusiasm for the endeavor.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It seems unlikely that the full series will get a release.
Most Americans got their first look at Dolly Parton in her appearances on “The Porter Wagoner Show,” a syndicated TV variety series. Parton joined the program in 1966, two years into its run, and left in 1974 when her star was beginning to rise as she sought to broaden her appeal from a country music fanbase to a wider mainstream audience.