There’s so much about Chang-dong Lee’s dramatic mystery that I had a good time picking apart. It’s a long and occasionally trying film, I’ll admit, but director Chang-dong Lee slowly but surely takes every single element of his narrative and places them in their proper order, allowing for a character study about class warfare and paranoia that is quite satisfying. I wasn’t really privy to what “Burning” was about when I first stepped in to it, but I had a difficult time looking away from it as it unfolded, as Chang-dong Lee dissects a lot about the haves and the have nots, the idea of love, and obsession.
With America’s opioid crisis, much of the most acclaimed dramas involved stories about family, and two of the most interesting involved drug addiction. While “Ben is Back” completely drifted under the radar, it’s an interesting and often compelling drama about drug abuse, and how often times drug abusers can drag much of their personal demons and past in to the lives of those that they love. I won’t say that I completely loved “Ben is Back,” but I appreciated its inherent tale of a mother racing to help her son, in spite of the odds being stacked against her over and over.
Kim Novak was the last major star created by the Hollywood studio system, but she was also an iconoclastic screen personality who broke out of the blonde bombshell mold to create a distinctive force of personality. Actor and writer Joe Mannetti returns to “The Online Movie Show” to discuss Kim Novak’s remarkable and unpredictable career.
While comic book movies are almost always a guaranteed money maker, it’s quite a shock to many that one of the highest grossing comic book movies of all time is a movie about Aquaman. After spending decades being a basic punch line for all of pop culture, Aquaman swoops in and basically has changed the course of how we think of the character and DC’s Comic book movies. All it took was a skilled director like James Wan, and the undeniable charisma of Jason Momoa.
It’s a wonderful time for fans of grindhouse cinema and collectors of physical media. Great studios are all rushing out to offer collectors some of the rarest and under seen movie titles of all time, including some of the best martial arts films ever made. With Arrow Video releasing the pristine Sister Street Fighter Collection on Blu-ray recently, Shout! Factory follows up from the rear unleashing the Street Fighter Collection. If you loved both series, now is the time to grab them, as they’re finally on Blu-Ray, with the original article starring Sonny Chiba in a great box set with a ton of extras and restorations.
I didn’t discover “The Last Starfighter” until I was thirteen years old. It was 1996, and I was looking for any and all movies that peaked my interest, and “The Last Starfighter” seemed like a good time to me. For some reason “The Last Starfighter” managed to skate right by me when I was a kid, and I watched every movie. I watched everything from “Willow” and “Legend” right down to “Warriors of Virtue,” but I never actually knew there was such a thing as “The Last Starfighter.”
Robert Zemeckis’ “I Wanna Hold Your Hand” is a charming, if flawed tribute to the Beatles and the rampant Beatles Mania that ran throughout much of the late sixties. I’m sure Zemeckis bear witness to a lot of the “Beatlemania,” and his film seems to come from a place of experience. For folks that loved movies like “American Graffiti” or “Dazed and Confused,” Zemeckis’ 1978 comedy is one of those movie set over the course of a night that centers on a group of teenagers that are so devoted to the Beatles, they risk just about everything to see them on the Ed Sullivan Show.
I know “Kolobos” mainly from late night cable where I was able to watch the final half of it back in 2000 was kind of blown away by it. Granted, this was before I’d seen a ton of movies and I was still young, but I remember loving it. Over the years it’s garnered a pretty loyal fan base and cult following, all of whom love it, warts and all. I mainly know it for being one of the last hurrahs of the video store age where low budget horror fare was reduced to straight to video on shelves, and not Saturday premieres on the Syfy channel.