A group of people wake up on a giant starship and wonder why they are there, what their purpose id, where they are going, and why. This group is composed of widely different people including an astronomer, a physiologist, a biologist, a reporter, etc. The film follows their activities and interactions as they question everything and as they wonder the meaning of everything. Not a lot happens besides conversations that do not go anywhere really. Even the apparition of a women on television screens who is not part of the crew on the ship or the multiplication of one character are not explored or taken anywhere, they only bring more questions and very few answers. This is a film about the meaning of live in a way, but it brings no information, just questions through a rather lackluster story.
Two orphan sisters, Emilie and Anna, are taken in by Meredith who only wants to give them as good a life as she possibly can. Not long after the girls move in, odd and scary phenomena starts happening. The girls act out and Meredith calls a reality show, SOS Adoption, for help. Their host Chloe and her cameraman Chris come to stay with the girls while they send their new mom away. The odd events and the scare factor kick up a notch after she leaves. This is only exacerbated by the fact that Chloe thinks they might be facing a case of possession as she has seen one before.
Roy is a racing enthusiast who takes it a step too far and crashes his car with his pregnant girlfriend on board. As his child makes her debut in the world, he is taken to jail for his illegal street racing. Fast forward about a decade and a half, Roy now run a car-part/repair shop called Stallion Parts and obsesses over his yellow Mustang. His daughter Nina comes to spend time with dad as her mother and family go on holiday. As Nina tries and tries to get to her father, to get to know him and build a relationship, he prepares for a big race and mostly ignores her, even forgetting she’s there at times. On race day, Nina tries one more time to get his attention, but to no avail. She then decides to mess with is car in revenge causing him to lose the race. TT, Roy’s car racing arch nemesis since the start of his passion, sees this as a perfect taunt opportunity and the two decide to race across the length of Norway to finally decide who the best driver is.
Pierre Tardieu lives a quiet life in Toulouse. He does day labor work and goes home to his ailing father at night. Visits to the book store seem to be his only escape along with reading to his father. That is, besides being a calculated serial killer. Pierre picks his victims randomly to purposefully not establish a pattern. He follows them first, and then brings them home where he feeds them and talks to them for a few days before murdering them. One day, as he goes to the bookstore to buy some notebooks, he meets Laure with whom he eventually falls in love. As their relationship blossoms, the cops are moving in on Pierre, not having any proof but strong suspicions as to his possible involvement in disappearances and murders in the city. Laure supports him through this not knowing all that is involved while working on getting his life better.
As a hardcore horror fan I cut my teeth on the films of John Carpenter, George Romero, and Wes Craven. They were just the trio of horror masters that were always there from the time I started exploring the horror world, and I always took them for granted as wizards of cinema that would always be there. Sadly our horror icons are mortal, and Wes Craven has passed on. His death will surely rattle the horror world for a long time, and that’s because Craven was an important face of the genre right until his death, and he’ll be important long after he’s died. We can take solace in the fact that Craven affected a ton of people, and will live on forever through his vast and unique library of horror films and thrillers.
True, he’d stumbled on occasion with films like “Shocker,” and “Cursed,” but when he was on point, he’d deliver a horror film that would change the entire genre for a long time. He did so through a ghost faced slasher, a clawed dream demon, and an exploitation film about psychotic hippies. Craven always seemed like such an affable and good spirited individual with a smile permanently plastered on his face. He seemed to enjoy creating horror films that would haunt us and make us think at the same time. It’s a shame we won’t see anything new from Craven anymore, but we can celebrate the diverse output of really interesting and often celebrated horror movies that continue to influence generations. With respect to the legacy of Wes Craven, these are five of his films that are essential viewing for any movie buff interested in horror 101.
Here’s to you, Wes. Thanks for entertaining us, scaring us, and enlightening us. May you rest in peace.
There have been very few good things to come out of the new generation of shows from Cartoon Network. One of them is “Regular Show.” It’s a surreal, trippy, funny, and original series that I’ve been a big fan of since it gained acclaim years ago. “Regular Show: The Movie” is basically for the fans that invest a lot in the relationship between Mordecai and Rigby, our two tight knit slacker park workers that can’t be parted, no matter what the future tells them. “Regular Show: The Movie” pays homage to the eighties and nineties in its typical clever and witty fashion, paying nods to classic pop culture of the decades, while unfolding its own very original time traveling tale.
Elvis Martini owes money, a lot of money, to a dog-fighting ring running psychopath Dino who has kidnapped his daughter for ransom. Elvis does everything he can to save her as she is all he has following the loss of his wife, her mother. He must find an insanely high amount of money to pay Dino back for stealing the money the madman sees as his that was stashed in one of the tenants’ place in Elvis’ building. The father will stop at absolutely nothing to save his child.
In a very ‘80s post-apocalyptic world, The Kid is a scavenger surviving on his own gathering goods while out on his BMX and exchanging the finds at the local watering hole. One day, as he’s gone on another of his rides, he meets Apple who is mourning the recent loss of her friend and desperately needs a new one. Apple imprints on The Kid like a baby duck, following him around and insisting on them becoming best of friends. Her insistence and bubbliness gets The Kid to accept her friendship and constant presence in this lonely world. He shows her some of what he knows, including his favorite comic book and his ViewMaster. As they become closer, disaster strikes and Apple is kidnapped by Zeus’ men to be brought to the representation of evil that is Zeus. The Kid must find his inner hero and save his best friend from the clutches of evil and maybe save the world in the process.
One thing I love about “The Walking Dead” is that when they promise their season will open with a bang, they open with a bang that’s deafening and mind blowing. After season four’s more downbeat opening, season five hits the ground running and wastes absolutely no time exploring the effect the Governor’s raid on Rick’s prison sanctuary has had. After the big raid, every one of the group found themselves scattered all over the country, and desperately looking for safety through the promise of the mysterious Terminus. Much to Rick’s suspicion, Terminus is not the safe haven everyone is hoping for, and he, along with Carl, and Michonne find themselves trapped in a train car with the rest of their group. Meanwhile, Carol and Tyrese are with Judith on their way to Terminus before all roads collide and fate plays yet another hand.