Bill Finger’s creation The Joker has remained one of the most fascinating figures in all of pop culture and comic books medium. Every new generation finds an angle upon which to examine the Joker and how he’s so much more than a simple Batman villain. It has fascinated artists for decades how someone can sink so far in to the murky depths of madness that they can’t even see the light anymore. Christopher Nolan set a high bar that director Todd Phillips almost touches with the ugly, grotesque, depressing and yet quite fantastic “Joker.”
In a year that nearly everyone across the board has admitted to being a weak one for films in general 2009’s “Survival of the Dead” continues to stand out among the mediocrity and abysmal for its sheer down to Earth storytelling in the saga of the Dead where Romero is completing a second chapter in his Dead franchise. We had “Night,” “Dawn,” “Day,” and “Land,” and now to fit in with modern society, Romero has restarted the whole premise and entire sensibility with “Diary,” and “Survival” showing the downfall of a world, now very dependent on technology and the world wide web. “Diary” is a movie that continues to be misunderstood.
So “Zombi 3” is technically “Zombi 2” while “Zombi 2” is technically “Zombi” if you cut out “Dawn of the Dead” which was renamed “Zombi.” It’s a confusing rabbit hole that goes so deep, you’ll pass out from the confusion. In either case, Bruno Mattei’s (Lucio Fulci’s? Claudio Fragrasso’s?) “Zombi 3” is one of those so bad it’s good zombie films that I didn’t hate. Maybe it’s because I didn’t have a history with it, but I kind of loved how aimless “Zombi 3” was with its zero plot, paper thin characters and the way it meanders back and forth.
Nelson McCormick’s “Prom Night” is not even technically a remake, at all. In fact most of the film doesn’t even take place during prom night. After drudging through an endless array of teen melodrama that was obviously only a lead up to the killing, director Nelson McCormack’s thriller seems to actively work at not being scary. Perhaps it’s to keep from offending the young audience to which this PG-13 snooze fest was touted to, but “Prom Night 2008” lacks any of the inherent terror the original film possessed, however minimal it is.
When I was a kid, “Hello Mary Lou” was one of my all time favorite horror movies. It was a sequel to a film I didn’t see until many years later, and it was always presented in edited, cut for time versions on Channel 11 WPIX in New York, but I sure as hell loved it. It was just a wacky, occasionally creepy movie that was so much crazier than I originally thought it was. The only theme that “Prom Night II” has in common with the original slasher movie is the overtone of revenge from days past. That is about as far as it goes, as “Prom Night II” takes a massive departure from the original premise involving an axe murderer out for revenge stalking high schoolers leading in to a disco centric prom with Jamie Lee Curtis front and center.
Barbra Streisand does not inspire indifference – either you love her with a passion that knows no limits or you have the exact opposite emotions regarding her work. On this episode of “The Online Movie Show,” actor-comic-writer-raconteur Kevin Dolan returns to discuss the career highs and lows of the award-winning icon and her impact on audiences.
Vince Gilligan’s “Breaking Bad” ended beautifully with Walter White embracing death finally, and Jesse Pinkman tasting freedom after being chained up and dehumanized for such a long time. I was happy with the ending Vince Gilligan gave us. What I loved about “El Camino” is that it doesn’t try to be spectacular, nor does it open the door for a new series. It’s merely the epilogue of the “Breaking Bad” saga where Jesse Pinkman has to fight one last time for his freedom.