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The Rod Serling Experience

Rod Serling was one of the most influential writers of the 1950s and 1960s, creating the memorable teleplays “Patterns” and “Requiem for a Heavyweight,” the screenplays for “Seven Days in May” and “Planet of the Apes” and a certain TV show that takes us traveling into another dimension. On this episode of “The Online Movie Show,” Nicholas Parisi, author of “Rod Serling: His Life, Work, and Imagination,” discusses Serling’s remarkable career.

The episode can be heard here.

Kim Possible (2019)

As a preamble I admit that I’ve never liked the “Kim Possible” animated series. I know as a Disney fan I’m supposed to love it, but I always found the series to be incredibly flat, bland, and boring. I didn’t really care for anything about it beyond Will Friedle who, at the time, was my favorite voice actor. That said, when “Kim Possible” was rebooted in to a TV movie series, I was surprised by how new and re-energized the reboot looked. Though “Kim Possible” is back, she’s returned for a whole new generation of fans that have embraced heroines fighting crime.

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Happy Death Day 2U (2019)

I was thoroughly surprised with 2017’s “Happy Death Day.” The more I’ve thought about it and re-watched it, I’ve come to like it more and more as a horror reworking of “Groundhog’s Day.” It’s a fun and creepy character piece about a despicable young woman who realizes that maybe the way to keep herself from dying and end the cycle of re-living the same day over and over, is to think about other people in her life. “Happy Death Day 2U” is that same concept, but a wholly different movie. It’s a sequel that brings us a new angle of the narrative, expands on the concept of the original film, while also continuing to explore the character of Tree Gelbman.

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The Bootleg Files: The Jack Benny Birthday Special

BOOTLEG FILES 673: “The Jack Benny Birthday Special” (1969 TV special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

During the mid-1960s into the early 1970s, Jack Benny made a number of TV specials that aired on NBC. Most of these offerings were pleasant but entirely forgettable, and Benny often seemed to be dialing in his performances.
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Elephants (2018)

There’s no better statement on romance than the idea that sometimes the ones that we love the most aren’t always the best thing for us. With “Elephants” director-writer Alexander Hanno constructs a truly good romance dramedy based around how nostalgia can often leave us stagnant and stuck in one place. “Elephants” is a very sad movie about two people so in love that they automatically hurt each other’s prospects at success in life, but also about getting stuck in remembering the past, and not accepting that we have to move forward and look ahead.

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The Plague of the Zombies (1966) [Blu-Ray]

Despite generally loving movies about the supernatural, and in spite of “The Plague of the Zombies” being very much ahead of its time in its implementing of voodoo as a means of our villain enacting his devious plan, I was indifferent toward “The Plague of the Zombies.” I can’t say that I completely hated it, but while it packs in some tension and great mood set pieces, I wasn’t too sad when it finally drew to a close.

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5 More Top Minority Movie Heroes

I love doing the Minority Movie Heroes lists because it’s challenging. It’s easy to find movies where the minority is the villain, but the hero? That requires a lot of searching and combing of movies. As a minority myself I love finding minority movie heroes and including them on the list here. This is the third part in “Our Top 10 Minority Movie Heroes” lists that I had a great time compiling, and what better time to feature part three than Black History Month? You can catch part one and part two of the list, and these are five more that I downright love.

Do you have any favorites? Let us know in the comments!

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Cobra (1986): Collector’s Edition [Blu-Ray]

Take the unabashed violence of the eighties action films where all that stood between peace and war was one guy with a gun, throw in a slasher film, and you have what is one of my absolute childhood favorites. “Cobra” brings me back to a time where I’d watch Marion Cobretti bring down a thug with the cold hard steel of his Colt .45 and still have time to go home and unwind with some left over pizza. Thankfully “Cobra” still pretty much holds up today as a mixing of two very popular genres from the decade, and it works for the most part.

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