Warner Bros and DC Comics begins correcting course from their disastrous first run of films by finally focusing on characters that have been woefully under valued for decades. If “Aquaman” is any indication, DC and Warner are on course for a huge comeback that could signal a string of fantastic comic book films, finally. DC garners such a gallery of wonderful mythical superheroes, and James Wan comes on board to not only embrace Aquaman’s universe whole hog, but show us why he’s not at all the geekiest superhero in his stable. If there was anyone that could pull Aquaman out of the doldrums, it’s James Wan. Wan is one of the best, most dynamic filmmakers working today and he can put a creative spin on just about everything.
Jane Russell’s stardom was engineered by Howard Hughes’ fervid imagination, and her initial publicity overemphasized her remarkable physique. But she was a genuinely talented performer adept at light comedy and melodrama. In this episode of “The Online Movie Show,” actor/writer Joe Mannetti returns to offer a tribute to Jane Russell’s iconic place in Hollywood history.
If there was ever a movie that could be an introduction to the sheer indescribable beauty and sexiness that was Marilyn Monroe, it’s “Some Like It Hot.” My first introduction to the movie was when I was a pre-teen in 1997, in the middle of a busy classroom on a free day. The teacher slipped the movie on for everyone to watch, and every one of my classmates had run off to chat or goof around, but I sat and watched “Some Like It Hot.” Suffice to say Billy Wilder’s romance comedy was a first real taste of classic film I’d ever had and it sparked an interest I never really got over.
Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.
If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.
After a teen girl befriends and is taken by a demonic entity, her parents react in wildly different ways with her mother turning to drinking and her father doing all he can to get her back. How far is he willing to go?Continue reading
This horror parody takes on the Friday the 13th franchise and other teens in the woods/camp in peril and gives it all a comedic spin. Here the campers are under threat from a copycat killer who is willing to go pretty far to get his kills, all in glorious 2D!Continue reading
BOOTLEG FILES 664: “The Passion Play of Oberammergau (1898 film at the center of a historic lawsuit).
LAST SEEN: The full film has not been seen since its original release.
AMERICAN HOME VIDEO: None.
REASONFOR BOOTLEG STATUS: A landmark patent infringement case.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Too late.
Thisweek’s column is different because it does not involve a production that can only be seen in an unauthorized presentation. Instead, we are going to revisit a long-forgotten story about one of the first legal challenges of patent infringement connected to the film industry.Continue reading
Often considered one of the greatest of the horror movie boogey men, Candyman probably would have been a swing and miss were it not for the gravitas that Tony Todd exudes with every performances he takes on. “Candyman” is one of the more genuinely eerie and gruesome ghost stories of the 1990’s that also doubles as a gory slasher. It’s a great fit for a decade where horror was mostly a serious affair and audiences were looking for more novel, entertaining fare to get lost in. “Candyman” is one of the few genuine slasher icons of the nineties that was able to keep the horror genre mostly afloat. While the sequels leave a lot to be desired, it’s hard to top what sense of terror the original from Bernard Rose brings to the table.